Jessica Stockholder in Building A Collection: 2008 - 2025, Honoring Director Judy Larson →

Jessica Stockholder
July 10 - August 2, 2025 | Westmont Ridley-Tree Museum of Art, Santa Barbara

Made of Three Elements by Jessica Stockholder. Photo credit: Josef Woodard

Building A Collection: 2008-2025 features a selection of notable works from the permanent collection of the Westmont Ridley-Tree Museum of Art, added in the 17 years of bold and vibrant leadership of retiring Director Judy L. Larson.

Building a Collection showcases a curated selection of significant works acquired between 2008 and 2025, celebrating not only the Museum’s evolving holdings but also Larson’s profound and lasting influence. Each work on view reflects meaningful relationships cultivated with artists, donors, and community members.

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Diana Thater Awarded a 2025 Tellis Art Fund Milestone Grant →

Diana Thater | ArtCenter College of Design

The Trellis Art Fund provides financial support to artists who demonstrate a trajectory of excellence, regardless of career stage, age, education, location, or commercial representation.

Each year, The Trellis Art Fund award grants to artists who reflect a consistent, engaged practice. The Trellis Art Fund has a particular interest in artists from historically underrepresented groups, as well as those working outside the commercial art market.

This grant recognizes artists who have demonstrated a trajectory of creative excellence over the course of their career. Their work embodies a sustained professional commitment, as well as an engaged and evolving practice over time.

This award is an acknowledgment of an artist’s sizable contribution to their area of focus. As such, it’s intended to provide them with the additional resources to plan their future pursuits.

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Angela Bulloch in Network Paris Abstraction-Création 1931–1937 at Arp Museum Bahnhof Rolandseck →

Angela Bulloch
July 5, 2025 – January 11, 2026 | Arp Museum Bahnhof Rolandseck

Angela Bulloch, Heavy Metal Stack of Five: Sky Frame, 2024
© Courtesy of the artist & Esther Schipper, Berlin, Paris, Seoul, Photo: Andrea Rossetti

Between 1931 and 1937, an international network based in Paris fought against fascism for the freedom of art: the group Abstraction-Création, whose fluctuating membership numbered as many as ninety, including Jean Arp and Sophie Taeuber-Arp, Alexander Calder, Barbara Hepworth, and Piet Mondrian. This is the first exhibition on this pioneering association of artists since the 1970s.

As a center of the avant-garde, Paris became a last refuge as nationalist movements spread to every part of Europe. Since there was virtually no market for abstract art, the members of Abstraction-Création were forced to create their own organizational structures independent of the salons and galleries. This multigenerational, liberal, progressive, and visionary group set about uniting all the different strands of nonobjective art. The whole spectrum is on display in this exhibition, from rigid compositions and Purist grids to vibrant, organic-looking forms at play. And seven contemporary artists from around the world demonstrate that the topic is as timely as ever.

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SUPERFLEX's 'One Two Three Swing!' at the EU Parliament, Brussels →

SUPLERFLEX
July 3 - December 1, 2025 | Esplanade Solidarność, European Union Parliament, Brussels

Photographer: Alexis HAULOT. Copyright: © European Union 2025 - Source : EP

SUPERFLEX’s new installation of One Two Three Swing! is presented by The Office of the Commissioner for Europe and International Organisations of the Brussels-Capital Region (CEOI) and its partners as a call to unity and dialogue in a time of conflict and polarization.

As Denmark assumes the Presidency of the Council of the European Union this July, a powerful new artwork by the internationally acclaimed artist collective SUPERFLEX will be unveiled in front of the European Parliament in Brussels. Stemming from a Memorandum of Understanding between the CEOI and the European Parliament, the installation is the result of a curatorial collaboration between The Artists’ Parliament, Creator Projects, and SUPERFLEX which will transform the Esplanade Solidarność into an engaging space for reflection, connection, and collective action. Designed as both a public installation and a symbolic intervention, the artwork aims to spark awareness, provoke dialogue, and reawaken a shared sense of responsibility.

One Two Three Swing is part of The Artists’ Parliament’s program, a public space exhibition project curated by Joël Benzakin and Jeanne Mouffe to mark the rotating presidencies of the Council of the European Union. The chosen European contemporary artists represent their country with an exhibition on the Esplanade Solidarność in front of the European Parliament and following the calendar of the rotating presidencies.

One Two Three Swing! is co-curated by Simon Friese, director of Creator Projects. Creator Projects aims to foster impactful art projects that enrich public space. Based in Denmark and working globally, Creator Projects partners with visionary artists, cities, and institutions to realize bold, thought-provoking works in public environments.

Supported by The Jamil Collection; Albarrán Bourdais; Family Wandt, Château de Fontaine; MTAB; and a private supporter

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Pae White in Fictions of Display at Museum of Contemporary Art, Los Angeles →

Pae White
June 29, 2025 - January 4, 2026 | Museum of Contemporary Art, Los Angeles

Pae White, Pantone Pony #284, 1997
Women’s size 10 cowhide shoes
Dimensions variable

Exploring the intertwined themes of theater, performance, and museum display—ranging from props, stages, and pedestals to actors, impersonators, avatars, and the ghostly image of the audience itself—this exhibition presents works from MOCA’s permanent collection. Through sculpture, video, photography, painting, and archival materials, Fictions of Display foregrounds performance strategies that permeate museum spaces and its modes of presentation.

Featured artists:  Eleanor Antin, ASCO, Ana Barrado, Math Bass, Joseph Beuys, Mark Bradford, Brassaï, Nancy Brooks Brody, Colette, Fiona Connor, Tania Pérez Córdova, Guy de Cointet, Raúl De Nieves, Lukas Duwenhögger, Thomas Eggerer, Victor Estrada, VALIE EXPORT, Ali Eyal, Peter Fischli, Dan Flavin, Robert Gober, Guillermo Gómez-Peña, Félix González-Torres, Joe Goode, Dan Graham, Yaron Michael Hakim, Lyle Ashton Harris, Evan Holloway, Christian Holstad, Rebecca Horn, Roni Horn, Donald Judd, Brian Jungen, Tadeusz Kantor, Mike Kelley, Toba Khedoori, Martin Kippenberger, Terence Koh, Louise Lawler, An-My Lê, William Leavitt, Charles LeDray, Nikki S. Lee, Sherrie Levine, Los Carpinteros, Paul McCarthy, Steve McQueen, Ana Mendieta, Raphael Montañez Ortiz, Senga Nengudi, Kayode Ojo, Claes Oldenburg, Yoko Ono, Silke Otto-Knapp, Roxy Paine, Giuseppe Penone, Sondra Perry, Julia Phillips, Sigmar Polke, Monique Prieto, Reynaldo Rivera, Beverly Semmes, Cindy Sherman, Hiroshi Sugimoto, Catherine Sullivan, Atsuko Tanaka, Wolfgang Tillmans, Cosima von Bonin, Marnie Weber, Johanna Went, Pae White, Hannah Wilke.

Fictions of Display is organized by José Luis Blondet, Senior Curator, with Paula Kroll, Curatorial Assistant.

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Charline Von Heyl in Sky High Farm’s inaugural biennial, TREES NEVER END AND HOUSES NEVER END →

Charline Von Heyl
June 29 - Fall, 2025 | Germantown, New York

Charline von Heyl, Black Flowers, (2023). Courtesy the artist and Sky High Farm 2025 Biennial.

Sky High Farm’s inaugural biennial, TREES NEVER END AND HOUSES NEVER END, signals the start of a new chapter for the organization as it expands to a new 560-acre farm. Curated by the farm’s founder and board president, artist Dan Colen, and named after an artwork by its first staff member and farmer who passed away in 2014, the exhibition explores the connection between local ecology, history, and industry in the Hudson River Valley and their ties to New York City. Standouts include Felix Gonzalez-Torres’ billboard work Untitled (It’s Just a Matter of Time), installed on 24 billboards along the Hudson River from Troy to the New York Harbor; Anne Imhof’s industrial water containers that form a labyrinth, which holds other artists’s work; and Rudolf Stingel’s largest mirrored floor installation, serving as a pedestal for other works, including Pia Camil’s fountain made from joined dead apple trees that guides water into Imhof’s containers. Rooted in the farm’s community-centered mission to tackle issues like nutrition security and systemic injustice, the exhibition shows what can happen when art, agriculture, and activism come together, combining the transformative work of artists with the impact of a justice-oriented organization.

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Ann Veronica Janssens in the second annual exhibition at The Campus →

Ann Veronica Janssens
June 28 - October 26, 2025 | The Campus Upstate, New York

An abandoned school building, now repurposed as a cultural exchange platform, The Campus aims to foster community and promote dialogue in Upstate New York, with many of the featured artists connected to the area. Owned and operated by a coalition of prominent galleries—Bortolami, James Cohan, kaufmann repetto, Anton Kern, Andrew Kreps, and kurimanzutto—the group is presenting their second annual exhibition, which spans 35 rooms and the nearby grounds. This year’s exhibition features 30 solo and duo full-room installations, along with focused group presentations of painting, sculpture, photography, and ceramics.

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Book Release & Panel Discussion at 1301PE: MICROINTERNATIONAL

Saturday June 28, 5-7pm | 1301PE

Join us Saturday June 28 for a book release and panel discussion for Microinternational with Jan Tumlir, Frances Stark, Brian Kennon and Kevin Hanley.

Microinternational is a comprehensive catalogue documenting a performance project that emerged from the interactions of a shifting group of artists in Los Angeles. Active between 1993-1999 and organized by Kevin Hanley and Jonathan Kroll, Microinternational included Kai Althoff, Casey Cook, Francesca Gabbiani, Michael Krebber, Anja Medved, Carlos Mollura, Dave Muller, Frances Stark, Jennifer Steinkamp, and Cosima Von Bonin among its many participants. This book chronicles an otherwise forgotten “art group” and their projects within the nascent art scene of 1990s Los Angeles.

Includes historical texts by Kevin Hanley and Jonathan Kroll, complemented by new texts from Deidrich Diederichsen, Kevin Hanley, Frances Stark, and Jan Tumlir.

Purchase the publication here

Rirkrit Tiravanija in Homage: Queer Lineages on Video at Columbia University's Wallach Art Gallery →

Rirkrit Tiravanija
June 27 - October 19, 2025 | The Wallach Art Gallery at Columbia University Lenfest Center of the Arts

Curated by Rattanamol Singh Johal, Homage: Queer Lineages on Video presents works by seven contemporary artists selected from the Akeroyd Collection who use moving images to pay tribute to cultural figures and histories that have been formative, if often (but not always) overlooked. 

The works in the exhibition, all made over the last two decades, explore how lens- and time-based media have enabled artists to articulate desiring and melancholic modes of relationality across generations. 

Intervening in commemorative genres of image making—including portraiture and documentary—through performative acts, selective appropriation, and imaginative staging, these works produce and problematize queer forms of kinship. 

Artists in the exhibition include Dineo Seshee Bopape, Tony Cokes, Carolyn Lazard, Kang Seung Lee, P. Staff, Rirkrit Tiravanija, and Apichatpong Weerasethakul.

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Jennifer Buonocore-Nedrelow on Jack Goldstein at the Hammer's Lunchtime Art Talk Series →

Jack Goldstein
June 25, 12:30pm | The Hammer Museum, Los Angeles

Jack Goldstein, Untitled, 1984
Acrylic on paper
29 1/4 x 41 5/8 x 1 3/4 in. (74.3 x 105.7 x 4.4 cm)
Hammer Museum, Los Angeles
Promised gift of Susan and Larry Marx

The Hammer's curatorial department leads free, insightful, short discussions about artists every Wednesday at 12:30 p.m.

This talk on Jack Goldstein is led by Curatorial Assistant Jennifer Buonocore-Nedrelow.

This free program is not ticketed. All public programs at the Hammer are free and made possible by a major gift from an anonymous donor.

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Petra Cortright in Sunset Strip at Gathering, Ibiza, presented in collaboration with Société →

Petra Cortright
June 24 - September 1, 2025 | Gathering, Ibiza

Sunset Strip, a group exhibition presented in collaboration with Berlin-based gallery SOCIÉTÉ, brings together seventeen international contemporary artists from the galleries’ rosters, including Petra Cortright, Tamara K.E., Wynnie Mynerva, Bunny Rogers, Tai Shani and Marianna Simnett, whose works span diverse mediums such as ceramic, textile and painting. Much like Sebastian Riemer’s HOCKNEY 1967 A Bigger Splash, which reimagines the sun-drenched nostalgia of David Hockney’s iconic imagery, Sunset Strip draws on motifs of Ibiza and island life—pool tiles, tropical flora, bold hues, tourism, and solitude—to reframe the island’s magnetic allure, inviting viewers to consider the island as a foamy, salt-sprayed liminal home for contemporary art.

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Fiona Banner in 'In Other Worlds: Acts of Translation' at the Roberts Institute of Art →

Fiona Banner AKA The Vanity Press
June 24 - September 12, 2025 | Roberts Institute of Art, London

Developed in collaboration with Focal Point Gallery, In Other Worlds: Acts of Translation brings together over 25 works, some of which have never been shown in a public gallery before, from the David and Indrė Roberts Collection.

In Other Worlds: Acts of Translation considers translation as an act of movement and transformation. At a time when anything can seem open to interpretation, yet nothing appears to hold the exhibition asks: how do we engage with multiple perspectives without collapsing into relativism? How can we communicate across distances while still recognising differences? How do we engage with others — people, histories, ideas — without assuming full knowledge or easy equivalence?

The works in this exhibition show that to translate is not only to carry something across (the root meaning of the word), but also to expose its limits, its gaps and its generative possibilities. Translation is always partial, always unfinished, and in never being complete, it offers an ongoing commitment to the world and to others.

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Petra Cortright: Paper-Thin Wood Veil Wide Range Hop Suisse! →

Petra Cortright
June 21 - October 10, 2025 | Zeughaus Teufen, Switzerland

Petra Cortright looks at the Appenzellerland with a keen feeling for digital aesthetics and the courage to beauty - without ever having been there. The starting point of her new series of works is the image database of Appenzellerland Tourismus AR with more than a thousand photographs that reflect the visual self-image of a region between staging and idyll. The entrance was given to the artist on 1. June 2023. Cortright, one of the most important voices of digital painting, feeds these images into her personal archive of brushes, filters and textures. This results in projections, textile views and, for the first time, works on wood – shimmering, multi-layered compositions that are reminiscent of impressionistic landscapes but are produced purely digitally. Her works are considered a contemporary counterpart to Monet: it paints quickly, directly, with Sofiware instead of paint. What emerges is a radical view of our own - not critically, but lovingly: "For the first time, I cannot make the pictures more beautiful," said Cortright in the zoomcall, "the reality with you is already too beautiful." A plea for beauty – and for a new vision.

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Fiona Banner in the annual Summer Exhibition at the Royal Academy of Arts, London →

Fiona Banner AKA The Vanity Press
June 17 - August 17, 2025 | Royal Academy of Arts, London

Fiona Banner, 𝐕𝐔𝐋𝐕𝐀 𝐕𝐎𝐋𝐕𝐎 (𝟏𝟗𝟑𝟎-𝟐𝟎𝟐𝟏)
Aluminium from Tornado ZE728, Perspex frame
Framed 26 x 33 x 6.5 cm
2025
Edition of 20

Held every year without interruption since 1769, the Summer Exhibition showcases a diverse array of contemporary works, including prints, paintings, films, photography, sculpture, and architectural works. Over 1,700 fabulous pieces by famous artists and members of the public have been selected by architect Farshid Moussavi RA and her Summer Exhibition committee, including a new editioned work by Fiona Banner AKA The Vanity Press, alongside works by Tracey Emin and Ryan Gander.

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Charline von Heyl: The Road to Ruin at The George Economou Collection, Athens →

Charline von Heyl
June 14, 2025 - March 2026 | The George Economou Collection, Athens

Across three floors of gallery space, The Giddy Road to Ruin will feature select works from the last several decades. The earliest is an outstanding painting from the George Economou Collection—an emblematic example of the artist’s practice—Untitled (11/93, I) (1993), while the most recent is her first-ever photographic work, Athens, made in 2024.

Charline von Heyl is one of the most significant painters of her generation. Educated in Germany in the 1980s and inspired by both senior artists and contemporaries—including Martin Kippenberger, Rosemarie Trockel, and Michael Krebber, as well as Albert Oehlen, Jutta Koether, and Cosima von Bonin—her work began to carve out new territory, particularly after her move to New York in 1996. While her paintings share the rigor and intensity of theirs, von Heyl’s work eschews irony in favor of a more openly amused humor and a certain nimbleness in the synthesis of mind and hand.

Charline von Heyl: The Giddy Road to Ruin is co-curated by Adam D. Weinberg and Skarlet Smatana, the director of The George Economou Collection, in close collaboration with the artist. A publication with essays by Weinberg and artist Helen Marten will accompany the exhibition.

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Artist Jonny Niesche takes us on a tour of his home →

Jonny Niesche | Esquire

by Amy Campbell

One of the most exciting names in contemporary Australian art right now, Niesche has exhibited all over the world, from Ibiza to Amsterdam to Germany, where he was the official artist for the 2024 Munich Opera Festival. Just this year, Gucci handpicked him to reimagine its iconic silk scarves and archival motifs as part of the Italian fashion house’s 90 x 90 project. His work is held in the collections of some of Australia’s biggest institutions, the NGV, MCA and MONA among them.

But we’re not here to talk only about the work Niesche makes. In addition to being a successful working artist, he is also an avid collector. The collection he and his wife Amber have built, which brightens the walls, floors and surfaces of their two-story home, contains some of the most significant names in contemporary Antipodean art.

Read more here.

Abraham Cruzvillegas, Danh Vo, Rirkrit Tiravanija at Galerie Chantal Crousel →

Rirkrit Tiravanija
June 13 - July 27, 2025 | Galerie Chantal Crousel, Paris

Around La salle de jeux (1998), a historic and participatory piece by Rirkrit Tiravanija, Galerie Chantal Crousel presents a selection of works by Abraham Cruzvillegas and Danh Vo.

La salle de jeux (1998) by Rirkrit Tiravanija evokes a café or clubhouse—social settings where people meet to drink tea, watch television, play cards or share memories. A selection of games, DVDs and CDs is made available, and visitors are invited to take over the exhibition space as they wish. A corkboard, ready to receive any notes or drawings guests feel like posting, further encourages social exchange.

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Uta Barth in Split Diopter 2, curated by Jan Tumlir and Reza Monahan, at SCI-Arc Gallery, Los Angeles →

Uta Barth
June 6 - July 20, 2025 | Southern California Institute of Architecture Gallery, Los Angeles

Uta Barth, Field #9, 1995

Split Diopter 2 explores the relationship between fine art and cinema, as well as the impact of technical optics on creative practice. This exhibition disassembles the cinematic apparatus of the “waking dream” into a collection of parts: still frame, action sequence, mise-en-scene, soundtrack, film reel, promotional poster, etc.—each of which is assigned to an individual work of art. Navigating this array of objects in the space of the gallery, viewers are enjoined to imagine their own filmic narrative, while also reflecting on its material means of construction.

Split Diopter 2 features works by Uta Barth, Matthew Brannon, John Divola, Alex Israel, William E. Jones, and Hedi El Kholti. A soundtrack has been composed for the exhibition by Eyvind Kang. Also included is a dance video shot with a split diopter lens, choreographed by Brian Golden and performed by Jas Lin, Madison Ostrach, and Euseon Song. Finally, Split Diopter 2 presents a documentary in which artists Stan Douglas, Lynne Marsh, Patti Podesta, Jeffrey Stuker, and Liam Young discuss the influence of cinema on their respective practices.

*Split Diopter 2 is based on Split Diopter held at Chapman University’s Guggenheim Gallery and Co-Curated by Guggenheim Gallery Director, Marcus Herse.

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