California Dreaming at the Modern Art Museum of Fort Worth

Jack Goldstein | By James Russell | D Magazine

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This summer, The Modern Art Museum of Fort Worth hosts two exhibitions highlighting the development of the twentieth century art scene in the Golden State. David Park: A Retrospective, which opened last weekend, and the highly conceptual Disappearing–California c. 1970: Bas Jan Ader, Chris Burden, Jack Goldstein, which opened last month, weave together two modern art movements from different parts of California.

Guest curated by Phillip Kaiser of Los Angeles, Disappearingoccupies 13,000 square feet of the museum’s entire first floor. It is thematically organized, exploring how the three artists stretched the limitation of disappearance through performance. The show gets its name from Burden’s 1971 work “Disappearing,” in which he vanished from December 22-24.

Only a few years before, Ader created the installation “Please don’t leave me,” the show’s earliest piece (1969). A messy, tangled cluster of light fixtures dangle in front of thin, capitalized letters demanding “PLEASE DON’T LEAVE ME.” Of course, you have to leave the piece to continue through the show. (You’re not left to languish for long: Burden’s “Survival Kit” has all the viewer needs to proceed: a joint, a fake $100 bill, a candle, an army knife, and other essentials.) Goldstein’s videos, which show him moving, sitting, and exploring, round out the three artists’ early works.

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Jack Goldstein | Disappearing – California, c. 1970

The Modern

Fort Worth, TX

10 May - 11 August 2019

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In 1971, Chris Burden disappeared for three days without a trace. That work, entitled Disappearing, gives its name to this exhibition, which examines the theme of disappearance in the works of Burden and his contemporaries in 1970s Southern California, Bas Jan Ader and Jack Goldstein. Loosely affiliated, these three artists shared a common interest in themes of disappearance and self-effacement, which manifested in works that were daring and often dangerous. In 1972, Jack Goldstein buried himself alive during a performance, while Chris Burden’s often self-harming works explored the limits of pain. During Bas Jan Ader’s tragic last work, In search of the miraculous, 1975, the artist vanished while crossing the Atlantic in a small sailboat, never to be seen again. Responding to cultural pressures like the Vietnam War and the nascent field of feminist art, the artists poignantly used “disappearing” as a response to the anxiety of the 1970s.

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Jack Goldstein film screenings at Museum of the Moving Image

Jack Goldstein, Ballet Shoe, 1974-5

SCREENING AND LIVE EVENT: Downtown New York Film: The 1970's and 1980's launches today with Amos Poe's "Unmade Beds" and short films by Jack Goldstein, Cindy Sherman, and Ericka Beckman at 3PM. With Amos Poe in person. 

Tickets are $12 for adults, $9 for senior citizens, and students and $6 for children. 

Museum of the Moving Image is located at 36-01 35th Ave. in Astoria.

via movingimage.us

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