Jack Goldstein, Ballet Shoe, 1974-5
SCREENING AND LIVE EVENT: Downtown New York Film: The 1970's and 1980's launches today with Amos Poe's "Unmade Beds" and short films by Jack Goldstein, Cindy Sherman, and Ericka Beckman at 3PM. With Amos Poe in person.
Tickets are $12 for adults, $9 for senior citizens, and students and $6 for children.
Museum of the Moving Image is located at 36-01 35th Ave. in Astoria.
via movingimage.us
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Production still, 2014
Diana Thater: Life is a Time-Based Medium
26 Mar – 16 May 2015, Hauser & Wirth London
Opening: Wednesday 25 March 6 – 8 pm
Hauser & Wirth
23 Savile Row
London W1S 2ET
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Jessica Stockholder, A Green Cut, 2013
Public Opening for SITE 20 Years / 20 Shows SPRING
Friday, Mar 13, 2015 at 5 - 7 pm
SITE 20 Years / 20 Shows, is a yearlong series of 20 projects including exhibitions and special events. The three-part series celebrates SITE's dynamic exhibition history by reconnecting with 20 artists who have showed at SITE over the years and inviting them to return to SITE to present new work, sometimes in collaboration with other artists and creative producers. The first installment Spring features the works of Gregory Crewdson, Deborah Grant, Roxy Paine, Mary Reid Kelley with Patrick Kelley, Rose B. Simpson, and Jessica Stockholder.
http://sitesantafe.org/event/public-opening-for-site-20-years-20-shows-spring/
Kerry Tribe: The Loste Note
10 April - 31 May, 2015
Opening reception: Friday, April 10, 7 PM
356 S. Mission Road, Los Angeles, CA 90033
Watch excerpt here
http://356mission.tumblr.com/post/113978045600/kerry-tribe-the-loste-note
Modern Art Museum of Fort Worth, TX
Framing Desire: Photography and Video
Curated by Andrea Karnes
An exhibition showcasing over 40 recent acquisitions alongside iconic photographs and videos from the permanent collection of the Modern Art Museum of Fort Worth.
21 February - 23 August, 2015
The Museum of Modern Art of Fort Worth
3200 Darnell Street
Forth Worth, TX
76107
Read more about the exhibition here:
http://www.themodern.org/exhibition/upcoming/framing-desire-photography-and-video/2922
(detail) at The Usher Gallery, Lincoln
Curated by Andrew Bracey
Through 19 April, 2015
This exhibition features details of artworks by 118 artists to create a huge collage of images. Reproduced close-ups allow viewers to focus on brush strokes, surfaces, and minutiae of paintings. The exhibition launched at H-Project Space, Bangkok in June, and toured to Transition Gallery in London and now for its final venue, The Usher Gallery, London.
Read more here
http://www.thecollectionmuseum.com/?/exhibitions-and-events/view/andrew-bracey
Kerry Tribe - "Critical Mass" Starring Emelie O'Hara and Nick Huff
Ben Vida - "Slipping Control" With Ben Vida on electronics and Mecca Vazie Andrews and Tara Jane O'Neil on vocals.
Plus Austin Meredith's "LOOP"
Sunday, March 22 at 7 PM
356 S. Mission Road / Los Angeles
Jessica Stockholder, Belly Cat, 2015
Polígrafa Obra Gràfica presents an edition with Jessica Stockholder
Set of 5 Lithographs, 2015
"Aspect Syllabary"
On Somerset paper
Size: 30 x 30 inches.
Edition: 40
Price: $1,500 (each)
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Diana Thater, Artist's Rendering
Beta Space: Diana Thater
13 March - 13 September 2015
San Jose Museum of Art
Open Hours: Tuesday - Sunday 11am - 5pm
Closed 11am - 8pm on the third Thursday of each month
via sjmusart.org
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The Armory Show in French daily, le QDA : L'Armory Show à New York attire toujours autant les collectionneur
March 6, 2015 - Issue No. 786
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Charline von Heyl, Untitled (L.S. #2), 2007
Close Conversation: Charline von Heyl and Mark Godfrey
When: Tue., Mar. 24, 2015 at 3:00 pm
Where: Museum of Modern Art
11 W. 53rd St.
212-708-9400
Price: $15
Click here to buy tickets or for more information from the venue's website
Charline von Heyl and Mark Godfrey, Curator of International Art, Tate Modern, London
Join us for a series of one-on-one conversations between curators and painters in front of their paintings on view in the exhibition The Forever Now: Contemporary Painting in an Atemporal World. All conversations take place in The International Council of The Museum of Modern Art Exhibition Gallery, sixth floor, unless otherwise noted. Seating is extremely limited.
In conjunction with the exhibition The Forever Now: Contemporary Painting in an Atemporal World.
http://www.moma.org/visit/calendar/events/23162
Fiona Connor, Community Notice Board (Green), 2015, mixed media, dimensions TK.
Fiona Connor
1301PE
6150 Wilshire Blvd.
January 24–March 14
"Perhaps it is Parker Ito's elastic installation in a warehouse behind Chateau Shatto that best reflects our current moment of fingered screens, zooming surfaces, and gleaming connectivity. Or maybe it is Liz Craft's web of yarn, skeletons, speech bubbles, and ceramic dicks at Jenny's that offers a timely response to our present social and aesthetic desires by way of desublimated Pop scenery. Another approach: Fiona Connor's exhibition, "Community Notice Boards," addresses the influence of Internet technologies on new modes of communication by calling on the social networks of sites experienced IRL only. By re-creating a cross section of bulletin boards sourced from Laundromats, libraries, cafes, and other public spaces throughout the city, Connor negotiates the "found object" as something closer to reproducible image rather than salvaged assemblage or purchased readymade. While these notice boards have been reconstructed in structural and material likeness of the "originals," their faded flyers and scrappy ephemera have been meticulously replicated on aluminum sheets rather than on paper: "Do you have a drug problem?"; "Clases de inglés gratis"; "I buy houses."
Connor's material sleight of hand is a critical act of preservation, one that attempts to underscore how proximity and place now contend with more immediate and immaterial means of communication. Documenting its own obsolescence, Community Notice Board (La Brea), 2015, displays little more than vandalized cork, lone pushpins, and traces of paper. If these boards evoke a sense of loss, the effect is not quite nostalgic—their cheerless condition hardly induces sentimental longing for the past. What does it mean to preserve media and materiality in the privileged space of art? Connor's practice seems to suggest there are larger implications for the work of art and its engagement with the social that exceed the immediate pre/post-Internet binary of our contemporary technological moment."
via Artforum
Charline von Heyl, Untitled (3/95, I), 1995
Charline von Heyl
Düsseldorf: Paintings from the early 90s
March 6 - May 2, 2015
35 E 67th Street, New York, NY 10065
"Petzel Gallery is delighted to announce the inauguration of our new uptown location with an exhibition of early paintings by Charline von Heyl. The group of paintings assembled was previously exhibited in Cologne and Munich between 1991 and 1995, before the artist moved to New York. This will be the first showing of the work in the United States. The exhibition will be accompanied by a catalog with an interview between Isabelle Graw and the artist. " via Petzel
Arin Rungjang, Golden Teardrop (installation view), 2013. Courtesy of the artist and the Office of Contemporary Art and Culture.
"Much of Tiravanija's work – whether it is an installation, a print, a documentary, or a curatorial project – fosters the direct and creative engagement of the viewer, user, or participant. He is particularly known for his projects where "things" function as props for visitors to create something of their own, and his interest in how cultural products can foster social production of one kind or another. As a curator, he looks for relationships between his own practice and that of other artists, yielding a rich map of his role as a hyper-connector." Read the full article here
Marin Headlands, CA - Fort Barry
Headlands Center for the Arts presents: Local Source: Rirkrit Tiravanija
Sunday, February 22, 6:30pm-9:00pm, Sausalito
MORE INFO: http://www.headlands.org/
Internationally acclaimed artist Rirkrit Tiravanija (AIR '15), known for his groundbreaking contributions in the realm of social practice, will orchestrate a shared meal with a mixed menu based on what is fresh and locally available. As we eat together, Tiravanija will talk about various processes and projects that blur the line between artist and viewer, and ask how an artwork might leave a lasting impression when its medium is something as finite as food. Setting the table in Headlands' historic Mess Hall-renovated by artist Ann Hamilton-this gathering invites visitors to engage with art in an exceptionally sociable way.
This event is co-presented with Yerba Buena Center for the Arts in conjunction with Tiravanija's recently curated exhibition The Way Things Go. On view at YBCA February 13-June 21, 2015.
DATE/TIME: Sunday, February 22
6:30pm-9:00pm
LOCATION: Headlands Center for the Arts
944 Fort Barry, Sausalito, CA, 94965
COST/REGISTRATION: $75 General | $50 Headlands Members.
http://www.headlands.org/event/local-source/
MORE INFO:
Website: http://www.headlands.org/
Email: info@headlands.org
Jan Albers, diGGinGdeeP, 2014
Jan Albers
cOlOny cOlOr
Solo-show at Von Der Heydt-Kunsthalle, Wuppertal
March 22 - June 28, 2015, opening Sunday March 22, 3 pm
http://www.von-der-heydt-kunsthalle.de/
The exhibition will travel to Kunstpalais Erlangen.
An extensive catalogue is published, with texts by Markus Heinzelmann, Museum Morsbroich and Brigitte Kölle, Kunsthalle Hamburg
Pae White stands amongst her collection of Vera Newman scarves at the Magnificent Obsessions show. Photo: Peter Macdiarmid/Getty Images Europe
'Magnificent Obsessions: The Artist as Collector' is the first major exhibition in the UK to present the personal collections of post-war and contemporary artists. Ranging from mass-produced memorabilia and popular collectibles to one-of-a-kind curiosities, rare artifacts and specimens, these collections provide insight into the inspirations, influences, motives and obsessions of artists.
Magnificent Obsessions: The Artist as Collector
Barbican Art Gallery, London
12 February 2015 - 25 May 2015.
http://www.barbican.org.uk/artgallery/event-detail.asp?ID=17071
PHILIPPE PARRENO AND PAUL B. PRECIADO
Rethinking the Ritual of the Exhibition
by Hans Ulrich Obrist
Philippe Parreno and Paul B. Preciado, a philosopher, writer and activist at the helm of the Independent Studies Program of the MACBA, raise ground-breaking questions ranging from the coercion of the public by the institution to processes of disidentification from dominant sexual identities, in a conversation conducted by Hans Ulrich Obrist.
Allegory of Cave Painting - Group Exhibition
25 October 2014- 29 March 2015
Middelheim Museum and Extra City Kunsthal jointly present: a dual exhibition which assembles modern and contemporary painters, who provide a polyphonic answer to the prehistoric Bradshaw-paintings in Australia.
These prehistoric North-Western Australian rock paintings are continuously rejuvenated by their "living" pigments.
The central aspect of the exhibition in the Middelheim Museum is the dialectic of intimacy and knowledge of our relation with art objects.
The show assembles artworks of, amongst others, Ciprian Mureşan, Michèle Matyn, Alon Levin, Navid Nuur and Hans van Houwelingen, that dialogue with artists from the museum's collection, like Dan Graham, Ann Veronica Janssens, and Medardo Rosso.
Travelling exhibition: Cuba, Argentina, and Brazil
13 February until 26 April 2015
Museo Nacional de Bellas Artes, La Habana, Cuba
'The Importance of Being...' is an exhibition on contemporary art taking place in several locations in Latin America throughout 2015 and 2016. The project is curated by Sara Alonso Gómez. Bruno Devos is the project director.
Rather than focusing on strictly geographical features or criteria, the exhibition raises questions concerning the polymorphy of the multilingual, transcultural mindset associated with a certain - elusive – Belgian identity.
Participating artists include Marcel Broodthaers, Chantal Akerman, and Ann Veronica Janssens.
Read the full article here
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