Kerry Tribe
February 19, 2026 at 6pm | The University of Chicago Center in Paris
Kerry Tribe, Critical Mass, 2013, Single channel video with sound, 25 min approx (Edition of 5)
A segment of Kerry Tribe’s Critical Mass (2010-2013) is included in Axioms of Vision: Echoes of Hollis Frampton, part of the larger symposium Hollis Frampton: From Form to Idea to Form of Idea organized in partnership between Service de la collection film, Musée national d’art moderne - Centre Pompidou / CERILAC, Université Paris Cité / IRCAV, Sorbonne Nouvelle / LESA, Aix-Marseille Université / The University of Chicago Center in Paris / Université de Montréal / UQAM / York University (Toronto) / IUF (Institut Universitaire de France).
Axioms of Vision: Echoes of Hollis Frampton features a selection of moving image works that approach Hollis Frampton’s films as a set of propositions that test the limits of the formal systems he developed. The screening is curated and introduced by Clint Enns. Frampton’s rigorous investigations into the material and conceptual limits of cinema—film as language, as system, as thinking—provide both the scaffolding and the provocation for the program. Some works adopt his structural clarity with near-devotional precision, while others answer with satire or mischief, pulling at the threads of his seriousness to expose its comic underside. In this oscillation between homage and parody, the program resists the stability of a single reading, instead staging a field of echoes, ruptures, and counterpoints. What emerges is not a monument to Frampton but a living dialogue, where his axioms become function as invitations—coordinates for reimagining the possibilities of vision itself.