• ARTISTS
    • PAST EXHIBITIONS
    • FUTURE EXHIBITIONS
  • PUBLICATIONS
  • BRAIN MULTIPLES
  • NEWS
  • ABOUT
  • SHOP
Menu

1301PE

  • ARTISTS
  • EXHIBITIONS
    • PAST EXHIBITIONS
    • FUTURE EXHIBITIONS
  • PUBLICATIONS
  • BRAIN MULTIPLES
  • NEWS
  • ABOUT
  • SHOP
×

A biennial performance at the Garfield Park Conservatory was a collaboration between New York firm SO-IL and artist Ana Prvački, with music by the Los Angeles composer Veronika Krausas. (Iwan Baan)

A biennial performance at the Garfield Park Conservatory was a collaboration between New York firm SO-IL and artist Ana Prvački, with music by the Los Angeles composer Veronika Krausas. (Iwan Baan)

LA Times: 'Make New History,' the second Chicago Architecture Biennial, brings the focus back to square one

Ricardo Alessio September 23, 2017

'Make New History,' the second Chicago Architecture Biennial, brings the focus back to square one by Christopher Hawthorne


Architecture has taken an extrospective turn in recent years, looking outside itself for new ideas and to measure its progress. Or maybe just to feel more useful in a world flooding, burning and generally coming apart at the seams. Among its most visible and lauded figures have been dedicated populists like Chile's Alejandro Aravena. It has made engagement — political, humanitarian and environmental — a key priority.

"Make New History," the second edition of the Chicago Architecture Biennial, shifts the focus back inward. This elegant and densely layered exhibition, organized by the Los Angeles architects Sharon Johnston and Mark Lee, argues that architecture can (and should) find the motivation for new work within the discipline itself, within its own stores of self-knowledge and tradition.

As the title suggests, "Make New History" takes as its explicit theme the return to the past, to architectural precedent, that's increasingly a touchstone for younger architects. It's true that emerging and midcareer firms are these days producing work that's grounded in history — and even prehistory, with buildings that look less neoclassical than primitive or primordial — to a degree not seen since the 1970s and '80s.

In another echo of the 2015 show, this one makes a point of breaking out of the Cultural Center and positioning events around the city. During the opening weekend there were performance pieces at Mies van der Rohe's Farnsworth House in Plano, Ill. (where L.A.'s Gerard & Kelly sent dancers careening through the interior, down its travertine steps and across its lawn) and at Chicago's Garfield Park Conservatory (where a meditation on air, breathing and the environment from the New York firm SO-IL and artist Ana Prvacki, with music by the Los Angeles composer Veronika Krausas, hid four musicians inside thin, white prophylactic suits that suggested a charmingly low-tech combination of mascot outfits, air filters and the gear beekeepers wear).


View article


More articles:

ArchDaily
ArchDaily China
Dezeen
Designboom
Architectural Digest
Architects Newspaper
Floornature.com

Tags ana-prvacki
← Ann Veronica Janssens: Inside the White Cube, Bermondsey, London, UKDiana Thater: Floating Worlds, 14th Biennale de Lyon, France →
 

Featured Posts

Featured
Jun 14, 2022
Accessibility Links Skip to content Search The Times and The Sunday Times New spectrum for Goya’s Black Paintings at the Prado Museum in Madrid
Jun 14, 2022
Jun 14, 2022
Jun 8, 2022
Goya’s horrific Black Paintings are brought to life – La Quinta del Sordo review
Jun 8, 2022
Jun 8, 2022
Aug 14, 2019
As the crow flies: Kerry Tribe and Rirkrit Tiravanija Opening August 17th
Aug 14, 2019
Aug 14, 2019
Jul 19, 2019
Opening July 23rd: HERE TODAY: Posters from 1301PE, Los Angeles
Jul 19, 2019
Jul 19, 2019

6150 Wilshire Boulevard
Los Angeles, CA 90048

info@1301pe.com
323.938.5822