Stolon Press: Flat earth, Installation View, Monash University Museum of Art | MUMA, Naarm/Melbourne (2025)
Stolon Press: Flat earth, Installation View, Monash University Museum of Art | MUMA, Naarm/Melbourne (2025)
 Stolon Press, Mixed Business No. 1 (2025); cardboard boxes from global trade, etching ink, jute thread; 110.24 x 62.99 inches; 280 x 160 cm
Stolon Press, Mixed Business No. 1 (2025); cardboard boxes from global trade, etching ink, jute thread; 110.24 x 62.99 inches; 280 x 160 cm
 Stolon Press, Mixed Business No. 1 (2025); detail view
Stolon Press, Mixed Business No. 1 (2025); detail view
 Simryn Gill: Fall Then, Installation View, 1301PE, Los Angeles (2024)
Simryn Gill: Fall Then, Installation View, 1301PE, Los Angeles (2024)
 Simryn Gill: Fall Then, Installation View, 1301PE, Los Angeles (2024)
Simryn Gill: Fall Then, Installation View, 1301PE, Los Angeles (2024)
 Simryn Gill: Fall Then, Installation View, 1301PE, Los Angeles (2024)
Simryn Gill: Fall Then, Installation View, 1301PE, Los Angeles (2024)
 Simryn Gill, Repeating Chasms 1 (2021/2023); C-Type Print from Paper Negative; 73.23 x 50 inches; 186 x 127 cm
Simryn Gill, Repeating Chasms 1 (2021/2023); C-Type Print from Paper Negative; 73.23 x 50 inches; 186 x 127 cm
 Simryn Gill, Repeating Chasms 4 (2021/2023); C-Type Print from Paper Negative; 73.23 x 50 inches; 186 x 127 cm
Simryn Gill, Repeating Chasms 4 (2021/2023); C-Type Print from Paper Negative; 73.23 x 50 inches; 186 x 127 cm
 Simryn Gill: Fall Then, Installation View, 1301PE, Los Angeles (2024)
Simryn Gill: Fall Then, Installation View, 1301PE, Los Angeles (2024)
 Simryn Gill: Fall Then, Installation View, 1301PE, Los Angeles (2024)
Simryn Gill: Fall Then, Installation View, 1301PE, Los Angeles (2024)
 Simryn Gill: Fall Then, Installation View, 1301PE, Los Angeles (2024)
Simryn Gill: Fall Then, Installation View, 1301PE, Los Angeles (2024)
 Simryn Gill: Over Our Heads, Installation View, 1301SW, Melbourne (2024)
Simryn Gill: Over Our Heads, Installation View, 1301SW, Melbourne (2024)
 Simryn Gill: Over Our Heads, Installation View, 1301SW, Melbourne (2024)
Simryn Gill: Over Our Heads, Installation View, 1301SW, Melbourne (2024)
 Simryn Gill, Over our heads (2024); Handprinted C-type prints on Kodak "F" surface (gloss); 74.4 x 53.4 x 4.3 cm
Simryn Gill, Over our heads (2024); Handprinted C-type prints on Kodak "F" surface (gloss); 74.4 x 53.4 x 4.3 cm
 Simryn Gill, Pearls (Ray Bradbury, Fahrenheit 451, Granada Publishing Ltd London, Toronto, Sydney, New York, 1976) (2024); Paper, glue, cotton; 11 strands, 77.8 cm
Simryn Gill, Pearls (Ray Bradbury, Fahrenheit 451, Granada Publishing Ltd London, Toronto, Sydney, New York, 1976) (2024); Paper, glue, cotton; 11 strands, 77.8 cm
Simryn Gill, Pearls (Ray Bradbury, Fahrenheit 451, Granada Publishing Ltd London, Toronto, Sydney, New York, 1976) (2024); detail view
Simryn Gill, Pearls (Ray Bradbury, Fahrenheit 451, Granada Publishing Ltd London, Toronto, Sydney, New York, 1976) (2024); detail view
 Simryn Gill, Pearls (Gaston Bachelard, The Psychoanalysis of Fire, Translated by Alan C. M. Ross, Beacon Press, Boston, 1964) (2024); Paper, glue, cotton; 13 strands, 60.5 cm
Simryn Gill, Pearls (Gaston Bachelard, The Psychoanalysis of Fire, Translated by Alan C. M. Ross, Beacon Press, Boston, 1964) (2024); Paper, glue, cotton; 13 strands, 60.5 cm
 Simryn Gill: Shelter, Installation View, Richard Soulton Gallery, London (2024)
Simryn Gill: Shelter, Installation View, Richard Soulton Gallery, London (2024)
 Simryn Gill: Shelter, Installation View, Richard Soulton Gallery, London (2024)
Simryn Gill: Shelter, Installation View, Richard Soulton Gallery, London (2024)
 Simryn Gill: Shelter, Installation View, Richard Soulton Gallery, London (2024)
Simryn Gill: Shelter, Installation View, Richard Soulton Gallery, London (2024)
 Simryn Gill: Shelter, Installation View, Richard Soulton Gallery, London (2024)
Simryn Gill: Shelter, Installation View, Richard Soulton Gallery, London (2024)
 Simryn Gill: Repeating Chasms, Installation View, MCA Australia, Sydney (2023). Photo: Jenni Carter
Simryn Gill: Repeating Chasms, Installation View, MCA Australia, Sydney (2023). Photo: Jenni Carter
 Simryn Gill: Repeating Chasms, Installation View, MCA Australia, Sydney (2023). Photo: Jenni Carter
Simryn Gill: Repeating Chasms, Installation View, MCA Australia, Sydney (2023). Photo: Jenni Carter
 Simryn Gill: Repeating Chasms, Installation View, MCA Australia, Sydney (2023). Photo: Jenni Carter
Simryn Gill: Repeating Chasms, Installation View, MCA Australia, Sydney (2023). Photo: Jenni Carter
 Simryn Gill: Repeating Chasms, Installation View, MCA Australia, Sydney (2023). Photo: Jenni Carter
Simryn Gill: Repeating Chasms, Installation View, MCA Australia, Sydney (2023). Photo: Jenni Carter
 Simryn Gill, Ink collage drawing: GS Ledger 1 (2016); Collage on ledger paper; 8.46 x 14.37 inches; 21.5 x 36.5 cm
Simryn Gill, Ink collage drawing: GS Ledger 1 (2016); Collage on ledger paper; 8.46 x 14.37 inches; 21.5 x 36.5 cm
 Simryn Gill, Ink collage drawing: GS Ledger 8 (2016); Collage on ledger paper; 14.37 x 16.93 inches; 36.5 x 43 cm
Simryn Gill, Ink collage drawing: GS Ledger 8 (2016); Collage on ledger paper; 14.37 x 16.93 inches; 36.5 x 43 cm
 Simryn Gill, Domino Theory #2 (2014); Glass cabinet, sea worn brick; 78 x 41 x 22 inches; 199 x 105 x 56 cm
Simryn Gill, Domino Theory #2 (2014); Glass cabinet, sea worn brick; 78 x 41 x 22 inches; 199 x 105 x 56 cm
 Simryn Gill, Where to draw the line (2011–12); Typewriting on nine sheets of paper; 40.25 x 74.75 inches; 102.2 x 189.9 cm; Collection of MoMA, New York.
Simryn Gill, Where to draw the line (2011–12); Typewriting on nine sheets of paper; 40.25 x 74.75 inches; 102.2 x 189.9 cm; Collection of MoMA, New York.
 Simryn Gill, Social Insects 1 (2012); C-print and artist frame; 24 1/4 x 19 1/2 inches; Edition 1 of 2
Simryn Gill, Social Insects 1 (2012); C-print and artist frame; 24 1/4 x 19 1/2 inches; Edition 1 of 2
 Simryn Gill, Social Insects 2 (2012); C-print and artist frame; 24 1/4 x 19 1/2 inches; Edition 1 of 2
Simryn Gill, Social Insects 2 (2012); C-print and artist frame; 24 1/4 x 19 1/2 inches; Edition 1 of 2
 Simryn Gill, Social Insects 3 (2012); C-print and artist frame; 24 1/4 x 19 1/2 inches; Edition 1 of 2
Simryn Gill, Social Insects 3 (2012); C-print and artist frame; 24 1/4 x 19 1/2 inches; Edition 1 of 2
 Simryn Gill in Documenta Kassel, Installation View, 2007
Simryn Gill in Documenta Kassel, Installation View, 2007
 Simryn Gill, My Own Private Angkor (2007); Silver Gelatin Print on Paper; each image: 23 × 19 in; 58.4 × 48.3 cm
Simryn Gill, My Own Private Angkor (2007); Silver Gelatin Print on Paper; each image: 23 × 19 in; 58.4 × 48.3 cm
 Simryn Gill, My Own Private Angkor (2007); Silver Gelatin Print on Paper; each image: 23 × 19 in; 58.4 × 48.3 cm
Simryn Gill, My Own Private Angkor (2007); Silver Gelatin Print on Paper; each image: 23 × 19 in; 58.4 × 48.3 cm
 Simryn Gill, My Own Private Angkor (2007); Silver Gelatin Print on Paper; each image: 23 × 19 in; 58.4 × 48.3 cm
Simryn Gill, My Own Private Angkor (2007); Silver Gelatin Print on Paper; each image: 23 × 19 in; 58.4 × 48.3 cm
 Simryn Gill in Documenta Kassel, Installation View, 2007
Simryn Gill in Documenta Kassel, Installation View, 2007
 Simryn Gill in Documenta Kassel, Installation View, 2007
Simryn Gill in Documenta Kassel, Installation View, 2007
 Simryn Gill in Documenta Kassel, Installation View, 2007
Simryn Gill in Documenta Kassel, Installation View, 2007
 Simryn Gill, Untitled from the series Run (2006); Silver gelatin handprint; 48.03 x 48.03 inches; 122 x 122 cm (image size); Edition 1 of 1 + 1AP
Simryn Gill, Untitled from the series Run (2006); Silver gelatin handprint; 48.03 x 48.03 inches; 122 x 122 cm (image size); Edition 1 of 1 + 1AP
 Simryn Gill, Looking for Marcel (2005); Four C-prints; 11 1/4 x 25 1/2 inches
Simryn Gill, Looking for Marcel (2005); Four C-prints; 11 1/4 x 25 1/2 inches
 Simryn Gill, Looking for Marcel (2005); Four C-prints; 11 1/4 x 25 1/2 inches
Simryn Gill, Looking for Marcel (2005); Four C-prints; 11 1/4 x 25 1/2 inches
 Simryn Gill, Looking for Marcel (2005); Four C-prints; 11 1/4 x 25 1/2 inches
Simryn Gill, Looking for Marcel (2005); Four C-prints; 11 1/4 x 25 1/2 inches
 Simryn Gill, Looking for Marcel (2005); Four C-prints; 11 1/4 x 25 1/2 inches
Simryn Gill, Looking for Marcel (2005); Four C-prints; 11 1/4 x 25 1/2 inches
 Simryn Gill, A Small Town at the Turn of the Century 14 (1999-2000); C-Print on Paper; 35.83 x 35.83 inches; 91 x 91 cm
Simryn Gill, A Small Town at the Turn of the Century 14 (1999-2000); C-Print on Paper; 35.83 x 35.83 inches; 91 x 91 cm
 Simryn Gill, A Small Town at the Turn of the Century 15 (1999-2000); C-Print on Paper; 35.83 x 35.83 inches; 91 x 91 cm
Simryn Gill, A Small Town at the Turn of the Century 15 (1999-2000); C-Print on Paper; 35.83 x 35.83 inches; 91 x 91 cm
 Stolon Press, Strainers (2025); Etching ink on various Japanese papers; Dimensions variable
Stolon Press, Strainers (2025); Etching ink on various Japanese papers; Dimensions variable
Simryn Gill, A Small Town at the Turn of the Century 16 (1999-2000); C-Print on Paper; 35.83 x 35.83 inches; 91 x 91 cm
Simryn Gill, A Small Town at the Turn of the Century 16 (1999-2000); C-Print on Paper; 35.83 x 35.83 inches; 91 x 91 cm
Stolon Press: Flat earth, Installation View, Monash University Museum of Art | MUMA, Naarm/Melbourne (2025)
Stolon Press: Flat earth, Installation View, Monash University Museum of Art | MUMA, Naarm/Melbourne (2025)
Stolon Press, Mixed Business No. 1 (2025); cardboard boxes from global trade, etching ink, jute thread; 110.24 x 62.99 inches; 280 x 160 cm
Stolon Press, Mixed Business No. 1 (2025); cardboard boxes from global trade, etching ink, jute thread; 110.24 x 62.99 inches; 280 x 160 cm
Stolon Press, Mixed Business No. 1 (2025); detail view
Stolon Press, Mixed Business No. 1 (2025); detail view
Simryn Gill: Fall Then, Installation View, 1301PE, Los Angeles (2024)
Simryn Gill: Fall Then, Installation View, 1301PE, Los Angeles (2024)
Simryn Gill: Fall Then, Installation View, 1301PE, Los Angeles (2024)
Simryn Gill: Fall Then, Installation View, 1301PE, Los Angeles (2024)
Simryn Gill: Fall Then, Installation View, 1301PE, Los Angeles (2024)
Simryn Gill: Fall Then, Installation View, 1301PE, Los Angeles (2024)
Simryn Gill, Repeating Chasms 1 (2021/2023); C-Type Print from Paper Negative; 73.23 x 50 inches; 186 x 127 cm
Simryn Gill, Repeating Chasms 1 (2021/2023); C-Type Print from Paper Negative; 73.23 x 50 inches; 186 x 127 cm
Simryn Gill, Repeating Chasms 4 (2021/2023); C-Type Print from Paper Negative; 73.23 x 50 inches; 186 x 127 cm
Simryn Gill, Repeating Chasms 4 (2021/2023); C-Type Print from Paper Negative; 73.23 x 50 inches; 186 x 127 cm
Simryn Gill: Fall Then, Installation View, 1301PE, Los Angeles (2024)
Simryn Gill: Fall Then, Installation View, 1301PE, Los Angeles (2024)
Simryn Gill: Fall Then, Installation View, 1301PE, Los Angeles (2024)
Simryn Gill: Fall Then, Installation View, 1301PE, Los Angeles (2024)
Simryn Gill: Fall Then, Installation View, 1301PE, Los Angeles (2024)
Simryn Gill: Fall Then, Installation View, 1301PE, Los Angeles (2024)
Simryn Gill: Over Our Heads, Installation View, 1301SW, Melbourne (2024)
Simryn Gill: Over Our Heads, Installation View, 1301SW, Melbourne (2024)
Simryn Gill: Over Our Heads, Installation View, 1301SW, Melbourne (2024)
Simryn Gill: Over Our Heads, Installation View, 1301SW, Melbourne (2024)
Simryn Gill, Over our heads (2024); Handprinted C-type prints on Kodak "F" surface (gloss); 74.4 x 53.4 x 4.3 cm
Simryn Gill, Over our heads (2024); Handprinted C-type prints on Kodak "F" surface (gloss); 74.4 x 53.4 x 4.3 cm
Simryn Gill, Pearls (Ray Bradbury, Fahrenheit 451, Granada Publishing Ltd London, Toronto, Sydney, New York, 1976) (2024); Paper, glue, cotton; 11 strands, 77.8 cm
Simryn Gill, Pearls (Ray Bradbury, Fahrenheit 451, Granada Publishing Ltd London, Toronto, Sydney, New York, 1976) (2024); Paper, glue, cotton; 11 strands, 77.8 cm
Simryn Gill, Pearls (Ray Bradbury, Fahrenheit 451, Granada Publishing Ltd London, Toronto, Sydney, New York, 1976) (2024); detail view
Simryn Gill, Pearls (Ray Bradbury, Fahrenheit 451, Granada Publishing Ltd London, Toronto, Sydney, New York, 1976) (2024); detail view
Simryn Gill, Pearls (Gaston Bachelard, The Psychoanalysis of Fire, Translated by Alan C. M. Ross, Beacon Press, Boston, 1964) (2024); Paper, glue, cotton; 13 strands, 60.5 cm
Simryn Gill, Pearls (Gaston Bachelard, The Psychoanalysis of Fire, Translated by Alan C. M. Ross, Beacon Press, Boston, 1964) (2024); Paper, glue, cotton; 13 strands, 60.5 cm
Simryn Gill: Shelter, Installation View, Richard Soulton Gallery, London (2024)
Simryn Gill: Shelter, Installation View, Richard Soulton Gallery, London (2024)
Simryn Gill: Shelter, Installation View, Richard Soulton Gallery, London (2024)
Simryn Gill: Shelter, Installation View, Richard Soulton Gallery, London (2024)
Simryn Gill: Shelter, Installation View, Richard Soulton Gallery, London (2024)
Simryn Gill: Shelter, Installation View, Richard Soulton Gallery, London (2024)
Simryn Gill: Shelter, Installation View, Richard Soulton Gallery, London (2024)
Simryn Gill: Shelter, Installation View, Richard Soulton Gallery, London (2024)
Simryn Gill: Repeating Chasms, Installation View, MCA Australia, Sydney (2023). Photo: Jenni Carter
Simryn Gill: Repeating Chasms, Installation View, MCA Australia, Sydney (2023). Photo: Jenni Carter
Simryn Gill: Repeating Chasms, Installation View, MCA Australia, Sydney (2023). Photo: Jenni Carter
Simryn Gill: Repeating Chasms, Installation View, MCA Australia, Sydney (2023). Photo: Jenni Carter
Simryn Gill: Repeating Chasms, Installation View, MCA Australia, Sydney (2023). Photo: Jenni Carter
Simryn Gill: Repeating Chasms, Installation View, MCA Australia, Sydney (2023). Photo: Jenni Carter
Simryn Gill: Repeating Chasms, Installation View, MCA Australia, Sydney (2023). Photo: Jenni Carter
Simryn Gill: Repeating Chasms, Installation View, MCA Australia, Sydney (2023). Photo: Jenni Carter
Simryn Gill, Ink collage drawing: GS Ledger 1 (2016); Collage on ledger paper; 8.46 x 14.37 inches; 21.5 x 36.5 cm
Simryn Gill, Ink collage drawing: GS Ledger 1 (2016); Collage on ledger paper; 8.46 x 14.37 inches; 21.5 x 36.5 cm
Simryn Gill, Ink collage drawing: GS Ledger 8 (2016); Collage on ledger paper; 14.37 x 16.93 inches; 36.5 x 43 cm
Simryn Gill, Ink collage drawing: GS Ledger 8 (2016); Collage on ledger paper; 14.37 x 16.93 inches; 36.5 x 43 cm
Simryn Gill, Domino Theory #2 (2014); Glass cabinet, sea worn brick; 78 x 41 x 22 inches; 199 x 105 x 56 cm
Simryn Gill, Domino Theory #2 (2014); Glass cabinet, sea worn brick; 78 x 41 x 22 inches; 199 x 105 x 56 cm
Simryn Gill, Where to draw the line (2011–12); Typewriting on nine sheets of paper; 40.25 x 74.75 inches; 102.2 x 189.9 cm; Collection of MoMA, New York.
Simryn Gill, Where to draw the line (2011–12); Typewriting on nine sheets of paper; 40.25 x 74.75 inches; 102.2 x 189.9 cm; Collection of MoMA, New York.
Simryn Gill, Social Insects 1 (2012); C-print and artist frame; 24 1/4 x 19 1/2 inches; Edition 1 of 2
Simryn Gill, Social Insects 1 (2012); C-print and artist frame; 24 1/4 x 19 1/2 inches; Edition 1 of 2
Simryn Gill, Social Insects 2 (2012); C-print and artist frame; 24 1/4 x 19 1/2 inches; Edition 1 of 2
Simryn Gill, Social Insects 2 (2012); C-print and artist frame; 24 1/4 x 19 1/2 inches; Edition 1 of 2
Simryn Gill, Social Insects 3 (2012); C-print and artist frame; 24 1/4 x 19 1/2 inches; Edition 1 of 2
Simryn Gill, Social Insects 3 (2012); C-print and artist frame; 24 1/4 x 19 1/2 inches; Edition 1 of 2
Simryn Gill in Documenta Kassel, Installation View, 2007
Simryn Gill in Documenta Kassel, Installation View, 2007
Simryn Gill, My Own Private Angkor (2007); Silver Gelatin Print on Paper; each image: 23 × 19 in; 58.4 × 48.3 cm
Simryn Gill, My Own Private Angkor (2007); Silver Gelatin Print on Paper; each image: 23 × 19 in; 58.4 × 48.3 cm
Simryn Gill, My Own Private Angkor (2007); Silver Gelatin Print on Paper; each image: 23 × 19 in; 58.4 × 48.3 cm
Simryn Gill, My Own Private Angkor (2007); Silver Gelatin Print on Paper; each image: 23 × 19 in; 58.4 × 48.3 cm
Simryn Gill, My Own Private Angkor (2007); Silver Gelatin Print on Paper; each image: 23 × 19 in; 58.4 × 48.3 cm
Simryn Gill, My Own Private Angkor (2007); Silver Gelatin Print on Paper; each image: 23 × 19 in; 58.4 × 48.3 cm
Simryn Gill in Documenta Kassel, Installation View, 2007
Simryn Gill in Documenta Kassel, Installation View, 2007
Simryn Gill in Documenta Kassel, Installation View, 2007
Simryn Gill in Documenta Kassel, Installation View, 2007
Simryn Gill in Documenta Kassel, Installation View, 2007
Simryn Gill in Documenta Kassel, Installation View, 2007
Simryn Gill, Untitled from the series Run (2006); Silver gelatin handprint; 48.03 x 48.03 inches; 122 x 122 cm (image size); Edition 1 of 1 + 1AP
Simryn Gill, Untitled from the series Run (2006); Silver gelatin handprint; 48.03 x 48.03 inches; 122 x 122 cm (image size); Edition 1 of 1 + 1AP
Simryn Gill, Looking for Marcel (2005); Four C-prints; 11 1/4 x 25 1/2 inches
Simryn Gill, Looking for Marcel (2005); Four C-prints; 11 1/4 x 25 1/2 inches
Simryn Gill, Looking for Marcel (2005); Four C-prints; 11 1/4 x 25 1/2 inches
Simryn Gill, Looking for Marcel (2005); Four C-prints; 11 1/4 x 25 1/2 inches
Simryn Gill, Looking for Marcel (2005); Four C-prints; 11 1/4 x 25 1/2 inches
Simryn Gill, Looking for Marcel (2005); Four C-prints; 11 1/4 x 25 1/2 inches
Simryn Gill, Looking for Marcel (2005); Four C-prints; 11 1/4 x 25 1/2 inches
Simryn Gill, Looking for Marcel (2005); Four C-prints; 11 1/4 x 25 1/2 inches
Simryn Gill, A Small Town at the Turn of the Century 14 (1999-2000); C-Print on Paper; 35.83 x 35.83 inches; 91 x 91 cm
Simryn Gill, A Small Town at the Turn of the Century 14 (1999-2000); C-Print on Paper; 35.83 x 35.83 inches; 91 x 91 cm
Simryn Gill, A Small Town at the Turn of the Century 15 (1999-2000); C-Print on Paper; 35.83 x 35.83 inches; 91 x 91 cm
Simryn Gill, A Small Town at the Turn of the Century 15 (1999-2000); C-Print on Paper; 35.83 x 35.83 inches; 91 x 91 cm
Stolon Press, Strainers (2025); Etching ink on various Japanese papers; Dimensions variable
Stolon Press, Strainers (2025); Etching ink on various Japanese papers; Dimensions variable
Simryn Gill, A Small Town at the Turn of the Century 16 (1999-2000); C-Print on Paper; 35.83 x 35.83 inches; 91 x 91 cm
Simryn Gill, A Small Town at the Turn of the Century 16 (1999-2000); C-Print on Paper; 35.83 x 35.83 inches; 91 x 91 cm
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