Review: Why the ‘Color Walks’ abstractions of Judy Ledgerwood captivate like few can

Judy Ledgerwood | Los Angeles Times | by Christopher Knight

Judy Ledgerwood, Crossing Over, 2012

Judy Ledgerwood, Crossing Over, 2012

Depending on what you think a painting is, the exceptional exhibition of mostly recent work by Chicago-based artist Judy Ledgerwood at 1301PE includes eight, 13 or 21 paintings.

A bunch of them are conventional canvases covered edge to edge with paint — oil or acrylic or both. Some do double duty by layering a picture of a painting on top of another painting. (Usually the picture is banner-like, its softly draped shape contrasted with the taut, stretched shape of its support.) Yet others do another kind of double duty as glazed and decorated ceramic vases.

All of them are sensual in the extreme, a condition amplified by luxurious, irrational color. Blue tends toward cobalt; red is crimson, and yellow and orange are sunny citrus. Pink is always hot.

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