Philippe Parreno
May 4 – November 22, 2026 | Berggruen Arts & Culture, Palazzo Diedo, Venezia
Participating artists:
Joshua Citarella, Harold Cohen, Primavera De Filippi, Simon Denny with Venkatesh Rao, Stephanie Dinkins, Fabien Giraud, He Zike, Holly Herndon & Mat Dryhurst, Lynn Hershman Leeson, Ho Tzu Nyen, New Models, Ayoung Kim, Agnieszka Kurant, Michael Levin, Trevor Paglen, Philippe Parreno, Lorenzo Senni, Avery Singer, Ken Stanley, sub, terra0
Poised between desire and dissolution, “FRAGILITY – The Dance of Life and Death” is born, a group exhibition that profoundly and prolifically explores the eternal dialogue between Eros and Thanatos, primary human drives, opposing and complementary symbols of life and death, libido and inhibition, harmony and discord, the organic and the inorganic, music and silence.
The project marks a significant evolution in the Palazzo’s mission to serve as a living site of contemporary production which brings the humanities and sciences together.
Strange Rules introduces the concept of Protocol Art, a practice that engages with the underlying rules that dictate how culture is produced, distributed, and perceived in a digital age. These rules frequently manifest as algorithms, artificial intelligence models, computer protocols, platforms, and various technological infrastructures. Protocol Art does not simply use these tools; it exposes, analyses, and transforms them into artistic material itself.
Consequently, the artwork is not merely a final product, it is a process governed by instructions, representing the invisible architecture that enables the aesthetic experience. This shift in perspective - moving from the object to the system, and from the singular author to collaboration and ultimately human-machine co-creation - defines one of the most urgent territories in contemporary research.
The launch of Strange Rules inaugurates Palazzo Diedo, Venice, as the first space in Italy to foster a curatorial and theoretical reflection on Protocol Art, positioning itself at the forefront of the debate regarding the relationship between art and technology.
Alongside the exhibition, a major new publication will establish the first comprehensive account of Protocol Art as a field of practice. Research for this landmark volume will unfold throughout the duration of Strange Rules, with Palazzo Diedo serving as both exhibition site and working research environment. The resulting book aims to be a defining reference for Protocol Art, mapping its key works, practitioners, and theoretical foundations across art and technology.