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Something in the water – the rise of aquatic art →

Brian Butler March 2, 2022

Fiona Banner | Financial Times Link

Fiona Banner, Olde English, 2021, Oil on found painting, 45.7 x 60.5 cm

By Francesca Gavin

In an age of liquid borders, climate change, plastic pollution and mass immigration, the world is watching its water. It’s a theme that has possessed our cultural life also, where aquatic paintings, photography and digital installations are flooding our galleries.

← Ann Veronica Janssens collaborates with Anne Teresa De Keersmaeker at Neue Nationalgalerie A Century of the Artist’s Studio: 1920-2020 review – congealing palettes, fading light and magic →
 

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