Jan Albers, John Baldessari, Fiona Banner, Fiona Connor, Kirsten Everberg, Jorge Mendez Blake, Liliana Moro, Jorge Pardo, Jessica Stockholder, SUPERFLEX, Kerry Tribe, Rirkrit Tiravanija, Paul Winstanley & Pae White
Jorge Pardo (b. 1963, Cuba) explores the intersection of contemporary painting, design, sculpture, and architecture. All of Pardo's work shares a sense of colour harmony; in other words, painterly questions come into play in an oeuvre that otherwise tends to work in quite different art historical spheres, including sculpture, installation, and architecture. Using vibrant colors and patterns and natural and industrial materials, he creates everyday objects and spaces with transformed meanings, such as lamps that function as both lighting and sculpture. As Christina Vegh observed, “Lamps, because of their function, are entirely suited to the forging of connections that is such a leitmotif within his oeuvre. (...) The key to Pardo's objects is atmospheric lightness, sweeping arabesques and ornaments, along with the domestic and private aspects - elements that the French painter (Matisse) addressed throughout his lifetime. If one artist was interested in using colour effects to make light an effect or a subject for painting, the other (Pardo) takes the liberty of distributing actual light sources around the gallery and thus putting painterly questions on the agenda. (...) But Pardo is not concerned with pure light and pure colour in space, like Dan Flavin or James Turrell. And nor is he interested in wall-to-wall illumination. He is concerned with the various different lamp forms as elements that can create a composition within a particular spatial order and yet still recall everyday personal use, revealing their social dimension.”
A 2010 MacArthur Fellow, Pardo has gained acclaim for such large-scale works as his MOCA commission 4166 Sea View Lane, and his 2008 redesign of LACMA's pre-Columbian galleries. His work has been exhibited at the Museum of Modern Art in New York, and the Centre Pompidou in Paris. He has had solo exhibitions at Museum of Art and Design, Miami; Irish Museum of Modern Art, Ireland; Boijmans Van Beuningen Museum, Rotterdam; K21 Kunstsammlung, Nordrhein-Westfalen; Museum of Contemporary Art North Miami, Miami. Pardo lives and works in Mérida, Mexico.
Jorge Pardo: Display for the Musée des Augustins
Jorge Pardo
Extraordinary museum displays: Jorge Pardo’s “Gesamtkunstwerk” in Toulouse
At the invitation of the Toulouse art festival “Printemps de Septembre”, the Cuban-American artist Jorge Pardo (*1963) has developed a new display for the collection of Romanesque art at the Musée des Augustins in Toulouse. This collection—the world’s largest collection of Romanesque sculpture—is unique for its coherence with its well-preserved ensembles of capitals. Pardo produced a kind of “Gesamtkunstwerk” that has instantly become an iconic feature in the city and has now been adopted as the permanent display. This book includes an introduction to the collection of Romanesque sculptures at the museum, an illustrated history of its ever-changing presentation since 1830, an extensive survey of Jorge Pardo’s specific works for museums as well as a brief history of remarkable exhibition designs for museum collections throughout the 20th century.
With an interview between Stephen Prina and Jorge Pardo.
Published by Hatje Cantz
Hardcover, 160 pages, 171 ills.
ISBN 9783775744621
Tecoh is a sprawling series of buildings designed by the artist Jorge Pardo deep in the Yucatán jungle. Taking over six years to fabricate, and engaging existing ruins of a nineteenth-century hacienda, the project is by far the artist's most ambitious work to date. This book offers the only available glimpse of the project, as it was primarily conceived as a private residence. Over 100 color images choreograph the reader around the myriad buildings and landscaping that constitute Tecoh—from subterranean concrete forms peaking out of the wild jungle grasses to quiet details of tiles and furniture to Pardo's iconic bulbous lamps.
Publisher: Sternberg Press
ISBN: 978-3-943365-44-3
Periodically, the Department of Prints and Illustrated Books embarks on a seemingly straightforward project: to present an exhibition reflecting on the state of contemporary printmaking. This catalog shows images from the work in the exhibition as well as several interviews, including Rirkrit Tiravanija.
Publisher: The Museum of Modern Art, New York
ISBN: 978-0-87070-825-1
Jorge Pardo and Jan Tumlir
Conversations
“Conversations brings together a broad range of dialogues between author Jan Tumlir and artist Jorge Pardo, which span a period of 20 years, beginning in 1999. They encompass contemporary art, design, publishing, and music, and connect the varied contexts of Los Angeles and Mérida, Mexico, where they took place. The result is a story of a unique intellectual friendship that has defined both of their thinking and practice. “
ISBN 978-1-941753-38-5
272 pages, softcover
Jorge Pardo
Public Projects and Commissions, 1996-2018
With his eye-catching, eclectic outlook that expands the possibilities of everyday objects and spaces, Cuban- American artist Jorge Pardo has toed the line between designer, architect, and craftsman for over thirty years. From his signature sculptural lamps to his vibrant paintings to his wide-ranging installations, Pardo’s work engages viewers in visual delight while questioning distinctions between fine art and design. Nowhere is his dynamism on display at a greater scale than in his numerous public projects and commissions.
Published by Petzel
Edited by Karen Marta
Production by Todd Bradway
ISBN: 978-1-7332155-9-6
284 pages, hardcover
Jorge Pardo on the ‘rustic’ digital technique behind his laser-cut chandeliers by Ali Morris
Floating through the upper level of Victoria Miro gallery like a shoal of serene deep sea creatures are the latest works by renowned Mexico-based Cuban-American sculptor, Jorge Pardo. ‘I don’t do chandeliers very often, and I wanted to see what came of making some,’ states Pardo, surveying the colourful laser-cut plastic lamps that are set at different levels around the space.
Pardo, who is showing for the first time with the London gallery, has a refreshing matter-of-fact approach to his work. ‘Shows generally do not really have a conceptual organising principle,’ he explains. ‘Sometimes they do, but most of the time they really don’t. I don’t like anecdotes – artists are not that smart,’ he adds with a laugh.
Jorge Pardo leaves his mark at the Lux Art Institute by Brittany Woolsey
Lux Art Institute
4550 South El Camino Real
Encinitas, CA
On view through Aug. 5.
When Jorge Pardo was invited to spend time as an artist in residence at the Lux Art Institute in Encinitas, he had a set goal in mind: to create an original, new art piece in just five days.
The Mexico-based artist spent June 12 through June 17 staying at the Lux to work on the large canvas-based piece. Other artists have in the past chosen to spend up to a month there.
"I gave myself a week to make something that would be interesting, and that's really the only agenda here," he said in an interview on the day he he arrived at the studio. "The interesting thing is to use the space and to make something here. They're very flexible about how and what artists do. Residency can be a lot of things: it can be a retreat for people or it can be work."
During his time at Lux, he created a 5-foot-by-30-foot scroll work that is covered with silkscreen ink in bright colors such as pinks, purples and oranges. He had planned the work for months, with materials sent over ahead of time, to make the most out of his stay at the Lux, he said.