Set Eyes On, 2015, installation view, Centre Pompidou
Installation view, Drafting Space, 1301PE
Installation view, Drafting Space, 1301PE
Jessica Stockholder, White Light Laid Frozen, 2005, installation view, Museum of Contemporary Art, Los Angeles, 2019
Jessica Stockholder, Towards Your Skin in This Weather Bourne Eye-threads & Swollen Perfume, 1990-91, pencil on paper
Jessica Stockholder, Towards Your Skin in This Weather Bourne Eye-threads & Swollen Perfume 13, 1990-91, pencil on paper
Jessica Stockholder, Towards Your Skin in This Weather Bourne Eye-threads & Swollen Perfume 4, 1990-91, pencil on paper
Jessica Stockholder: Slip Slidin’ Away. Installation, Kunstplatz Graben, Wien, AT, 2019
Jessica Stockholder, Stuff Matters, installation view, Centraal Museum, Utrecht, 2019
Jessica Stockholder, Stuff Matters, installation view, Centraal Museum, Utrecht, 2019
Jessica Stockholder, installation view, 2018, The Contemporary Austin. Photo: Colin Doyle
Jessica Stockholder, Why Clouds are Woven into Bed Linens, 2018, The Contemporary Austin. Photo: Colin Doyle
Jessica Stockholder, Infrared, 2018, Hard drive case, copper foil, dried clementine, fabric, hardware, glue, iPhone, oil paint, 12.5 x 6 x 4 inches
Jessica Stockholder, Shoulder Length, 1995
Jessica Stockholder, The Guests All Crowded into the Dining Room, 2017, installation view, Mitchell-Innes & Nash, New York, NY.
Jessica Stockholder, The Guests All Crowded into the Dining Room, 2017, installation view, Mitchell-Innes & Nash, New York, NY.
Jessica Stockholder, The Guests All Crowded into the Dining Room, 2017, installation view, Mitchell-Innes & Nash, New York, NY.
Jessica Stockholder, Snug Parting, 2017, installation view, Galerie Nachst St. Stephan, Vienna, Austria.
Jessica Stockholder, Snug Parting, 2017, installation view, Galerie Nachst St. Stephan, Vienna, Austria.
Jessica Stockholder, Snug Parting, 2017, installation view, Galerie Nachst St. Stephan, Vienna, Austria.
Jessica Stockholder, RoseÕs Inclination, 2016, installation view, Smart Museum of Art, The University of Chicago, IL.
Jessica Stockholder "Angled Tangle" Outdoor installation view, Art Basel Miami Beach, 2014
Jessica Stockholder, Installation view, Galleria Raffealla Cortese, Milan, 2014
Jessica Stockholder, Lift Series, 2013, Chalk, acrylic paint, scissor lift, godseye, dimensions variable
Jessica Stockholder, A Green Cut, 2013
Jessica Stockholder, Hollow Places Fat; Hollow Places Thin, 2011, American ash wood, paint, plywood, installation view, Aldrich Contemporary Art Museum, Ridgefield, CT
Jessica Stockholder, Ash-Tree Wood (Sound Gallery), 2011, screenprinting inks on American ash wood and glass window, installation view, Aldrich Contemporary Art Museum, Ridgefield, CT
Jessica Stockholder, Scattered Leaves Pink, 2011, screenprinting inks on American ash wood, installation view, Aldrich Contemporary Art Museum, Ridgefield, CT
Jessica Stockholder, Peer out to see, Reina Sofia, 2010
Jessica Stockholder, Peer out to see, Reina Sofia, 2010
Jessica Stockholder, Peer out to see, Reina Sofia, 2010
Jessica Stockholder, Wide Eyes Smear Here Dear, Denver Art Museum, Part of exhibition titled Embrace, 2009
Jessica Stockholder, Kissing the Wall: Works 1988-2003, University of Houston, 2005
Jessica Stockholder, Kissing the Wall: Works 1988-2003, University of Houston, 2005
Jessica Stockholder, Untitled, 2006, Mixed media, 104 x 47 x 63 in
Jessica Stockholder, Installation View, 2007
Jessica Stockholder, Two Frames, 2007, Mixed media, 93 x 51 x 22 in
Jessica Stockholder, Two Frames (detail), 2007, Mixed media, 93 x 51 x 22 in
Jessica Stockholder, Installation View, 2007
Jessica Stockholder, Untitled, 2007, Mixed media, 57 x 35 x 21 1/2 in
Jessica Stockholder, Untitled, 2004, Mixed media, 18 x 32 x 20 in.
Jessica Stockholder, Untitled, 2007, Mixed media, 38 x 28 x 7 1/2 in.
Jessica Stockholder, Untitled, 2000, Monoprint with collage element, 22 7/8 x 30 5/8 in.
Jessica Stockholder, Untitled, 2000, Relief print with collage element, 22 1/2 x 30 1/4 in
Jessica Stockholder, Untitled, 2000, Monoprint with collage element, 17 x 22 in.
Jessica Stockholder, Untitled, 2003, Mixed media, 27 x 17 1/2 x 24 in
Jessica Stockholder, White Light Laid Frozen, 2005, Installation
Jessica Stockholder, Untitled, 2009, Mixed media, 56 x 26 x 12 in
Jessica Stockholder, Untitled, 2010, Paper, Prismacolor pencils, arylic and oil paint, plastic bowl, plastic parts, wire, hardware, small stone, rubber mat, and rubber fragment 18 3/4 x 41 x 7 in
Jessica Stockholder: The Squared Circle: Ringing, Installation View, MoCA Toronto, Canada (2025)
Jessica Stockholder: The Squared Circle: Ringing, Installation View, MoCA Toronto, Canada (2025)
Jessica Stockholder: The Squared Circle: Ringing, Installation View, MoCA Toronto, Canada (2025)
Jessica Stockholder: The Squared Circle: Ringing, Installation View, MoCA Toronto, Canada (2025)
Exhibition View: Jessica Stockholder - Nomadic Musings, FRAC Normandy, 2023.
Exhibition View: Jessica Stockholder - Nomadic Musings, FRAC Normandy, 2023.
Exhibition View: Jessica Stockholder - Nomadic Musings, FRAC Normandy, 2023.
Exhibition View: Jessica Stockholder - Nomadic Musings, FRAC Normandy, 2023.
Set Eyes On, 2015, installation view, Centre Pompidou
Installation view, Drafting Space, 1301PE
Installation view, Drafting Space, 1301PE
Jessica Stockholder, White Light Laid Frozen, 2005, installation view, Museum of Contemporary Art, Los Angeles, 2019
Jessica Stockholder, Towards Your Skin in This Weather Bourne Eye-threads & Swollen Perfume, 1990-91, pencil on paper
Jessica Stockholder, Towards Your Skin in This Weather Bourne Eye-threads & Swollen Perfume 13, 1990-91, pencil on paper
Jessica Stockholder, Towards Your Skin in This Weather Bourne Eye-threads & Swollen Perfume 4, 1990-91, pencil on paper
Jessica Stockholder: Slip Slidin’ Away. Installation, Kunstplatz Graben, Wien, AT, 2019
Jessica Stockholder, Stuff Matters, installation view, Centraal Museum, Utrecht, 2019
Jessica Stockholder, Stuff Matters, installation view, Centraal Museum, Utrecht, 2019
Jessica Stockholder, installation view, 2018, The Contemporary Austin. Photo: Colin Doyle
Jessica Stockholder, Why Clouds are Woven into Bed Linens, 2018, The Contemporary Austin. Photo: Colin Doyle
Jessica Stockholder, Infrared, 2018, Hard drive case, copper foil, dried clementine, fabric, hardware, glue, iPhone, oil paint, 12.5 x 6 x 4 inches
Jessica Stockholder, Shoulder Length, 19953 purple plastic stacking crates, orange and pink yarn, paper mache with sewing pattern paper, hardware, metal cage, 20 plastic grapefruits, 49 plastic lemons, and acrylic paint, 49 x 29 x 24 inches, edition of 15.
Jessica Stockholder, The Guests All Crowded into the Dining Room, 2017, installation view, Mitchell-Innes & Nash, New York, NY.
Jessica Stockholder, The Guests All Crowded into the Dining Room, 2017, installation view, Mitchell-Innes & Nash, New York, NY.
Jessica Stockholder, The Guests All Crowded into the Dining Room, 2017, installation view, Mitchell-Innes & Nash, New York, NY.
Jessica Stockholder, Snug Parting, 2017, installation view, Galerie Nachst St. Stephan, Vienna, Austria.
Jessica Stockholder, Snug Parting, 2017, installation view, Galerie Nachst St. Stephan, Vienna, Austria.
Jessica Stockholder, Snug Parting, 2017, installation view, Galerie Nachst St. Stephan, Vienna, Austria.
Jessica Stockholder, RoseÕs Inclination, 2016, installation view, Smart Museum of Art, The University of Chicago, IL.
Jessica Stockholder "Angled Tangle" Outdoor installation view, Art Basel Miami Beach, 2014
Jessica Stockholder, Installation view, Galleria Raffealla Cortese, Milan, 2014
Jessica Stockholder, Lift Series, 2013, Chalk, acrylic paint, scissor lift, godseye, dimensions variable
Jessica Stockholder, A Green Cut, 2013Wooden ladder, treat root, vinyl, acrylic and oil paint, plastic and paper packing materials, hardware, cork copper tubing, plastic dinosaur, 74 x 50 x 40.5 inches
Jessica Stockholder, Hollow Places Fat; Hollow Places Thin, 2011, American ash wood, paint, plywood, installation view, Aldrich Contemporary Art Museum, Ridgefield, CT
Jessica Stockholder, Ash-Tree Wood (Sound Gallery), 2011, screenprinting inks on American ash wood and glass window, installation view, Aldrich Contemporary Art Museum, Ridgefield, CT
Jessica Stockholder, Scattered Leaves Pink, 2011, screenprinting inks on American ash wood, installation view, Aldrich Contemporary Art Museum, Ridgefield, CT
Jessica Stockholder, Peer out to see, Reina Sofia, 2010
Jessica Stockholder, Peer out to see, Reina Sofia, 2010
Jessica Stockholder, Peer out to see, Reina Sofia, 2010
Jessica Stockholder, Wide Eyes Smear Here Dear, Denver Art Museum, Part of exhibition titled Embrace, 2009
Jessica Stockholder, Kissing the Wall: Works 1988-2003, University of Houston, 2005
Jessica Stockholder, Kissing the Wall: Works 1988-2003, University of Houston, 2005
Jessica Stockholder, Untitled, 2006, Mixed media, 104 x 47 x 63 in
Jessica Stockholder, Installation View, 2007
Jessica Stockholder, Two Frames, 2007, Mixed media, 93 x 51 x 22 in
Jessica Stockholder, Two Frames (detail), 2007, Mixed media, 93 x 51 x 22 in
Jessica Stockholder, Installation View, 2007
Jessica Stockholder, Untitled, 2007, Mixed media, 57 x 35 x 21 1/2 in
Jessica Stockholder, Untitled, 2004, Mixed media, 18 x 32 x 20 in.
Jessica Stockholder, Untitled, 2007, Mixed media, 38 x 28 x 7 1/2 in.
Jessica Stockholder, Untitled, 2000, Monoprint with collage element, 22 7/8 x 30 5/8 in.
Jessica Stockholder, Untitled, 2000, Relief print with collage element, 22 1/2 x 30 1/4 in
Jessica Stockholder, Untitled, 2000, Monoprint with collage element, 17 x 22 in.
Jessica Stockholder, Untitled, 2003, Mixed media, 27 x 17 1/2 x 24 in
Jessica Stockholder, White Light Laid Frozen, 2005, Installation
Jessica Stockholder, Untitled, 2009, Mixed media, 56 x 26 x 12 in
Jessica Stockholder, Untitled, 2010, Paper, Prismacolor pencils, arylic and oil paint, plastic bowl, plastic parts, wire, hardware, small stone, rubber mat, and rubber fragment 18 3/4 x 41 x 7 in
info
/
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
