Jorge Pardo

Born Havana, Cuba, 1963

Lives and works in Los Angeles, CA

 

 

EDUCATION

 

BFA Art Center College of Design, Pasadena, CA

University of Illinois at Chicago, IL

 

 

SOLO EXHIBITIONS

 

2014  Inert, Petzel Gallery, New York, NY

         Beyond the Supersquare, The Bronx Museum of the Arts, NY

         Jorge Pardo au Muse des Augustins, Toulouse, France

 

2012  Galerie Gisela Capitain, Cologne, Germany

     Centro de Arte Contempornea Wilfredo Lam, The Havana Biennial Art Exhibition, Havana

 

2011  Untitled (One Colorado), Armory Center for the Arts, Pasadena, CA

Jorge Pardo, neugerriemschneider, Berlin, Germany

 

2010  Friedrich Petzel Gallery, New York, NY

Bulgogi, Gagosian Gallery, New York, NY

Irish Museum of Modern Art, Dublin, Ireland

 

2009  1301PE, Los Angeles, CA

Jorge Pardo, K21 Kunstsammlung Nordrhein-Westfalen, Dsseldorf, Germany

 

2008  Erffnug, Gallery Gisela Capitain, Cologne

Haunch of Venison, London, UK

Jorge Pardo: House, Museum of Contemporary Art, Cleveland, OH

Reinstallation of Latin American Galleries, LACMA, Los Angeles, CA

 

2007   I love my wife, neugerriemschneider, Berlin, Germany

Jorge Pardo: House, Museum of Contemporary Art, North Miami, FL

Friedrich Petzel Gallery, New York, NY

 

2006  Momentary Monuments, Gio Marconi, Milan, Italy

Friedrich Petzel Gallery, New York, NY

 

2005  Galerie Gisela Capitain, Cologne, Germany

Haunch of Venison, Zurich, Switzerland

Las Vegas, neugerriemschneider, Berlin, Germany

 

2004   Friedrich Petzel Gallery, New York, NY

1301PE, Los Angeles, CA

Fundaci La Caixa, Barcelona, Spain

 

2003   Jorge Pardo, Gagosian Gallery, Beverly Hills, CA

Galleria Emi Fontana, Milano, Italy

Jorge Pardo, Haunch of Venison, London, UK

Gagosian Gallery, Los Angeles, CA

Gio Marconi, Milan, Italy

Galerie Gisela Capitan, Cologne, Germany

Galerie Ghislaine Hussenot, Paris, France

Prototype, Dia Art Foundation, New York, NY

 

2002  Le Consortium, Dijon, France

Museum Dhondt-Dhaenens, Deurle, Belgium

China Art Objects, Los Angeles, CA

neugerriemschneider, Berlin, Germany

Taka Iishi, Tokyo, Japan

PKM, Seoul, South Korea

Public Art Fund Project, Madison Square Park, New York, NY

Galerie Meyer Kainer, Vienna, Austria

Gio Marconi, Milan, Italy

 

2001  Galerie Ghislaine Hussenot, Paris, France

Galerie Gisela Capitain, Cologne, Germany

Montblanc Kulturstiftung, Hamburg, Germany

Friedrich Petzel Gallery, New York, NY

 

2000  Dia Art Foundation, New York, NY

Kunsthalle Basel, Switzerland (cat.)

Galeria Marta Cevera, Madrid, Spain

1301PE, Los Angeles, CA

 

1999  The Fabric Workshop, Philadelphia, PA

Royal Festival Hall, London, England (cat.)

neugerriemschneider, Berlin, Germany

Swish I'm a Fish, Museum Abteiberg. Mnchengladbach, Germany (cat.)

1301PE, Los Angeles, CA

 

1998  Jorge Pardo 4166 Sea View Lane, Museum of Contemporary Art, Los Angeles, CA

Ghislaine Hussenot & Philipe Rizzo, Brussels, Belgium

Patrick Painter, Santa Monica, CA

Baby Blue, Galerie Gisela Capitan, Cologne, Germany

Wool, Cotton, Latex, Wax & Steel, Friedrich Petzel Gallery, New York, NY

Kunstverein Ludwigsburg, Villa Franck, Ludwigsburg, Germany

 

1997  Lighthouse, Museum Boijmans Van Beuningen, Rotterdam, The Netherlands

Musuem of Contemporary Art, Chicago, IL

Garnish and Landscape, with Tobias Rehberger, Gesellschaft fuer Gegenwartskunst, Augsburg, Germany

 

1996  It Hangs Out There, Friedrich Petzel Gallery, New York, NY

neugerriemschneider, Berlin, Germany

 

1995  Nafta, Tom Solomon's Garage, Los Angeles, CA

Borgmann Capitain Gallery, Cologne, Germany

 

1994  Zeichnungen, neugerriemschneider, Berlin, Germany

One Component of the Work Is That the Show Will Have Many Titles, One of Them Being: MoCA.Three Prints Per Second, Friedrich Petzel / Nina Borgmann, New York, NY

 

1993   Person's Weekend Museum, Tokyo, Japan (cat.)

Tom Solomon's Garage, Los Angeles, CA

 

1992   Terrain Gallery, San Francisco, CA

 

1991   Luhring Augustine Hetzler, Santa Monica, CA

 

1990  Tom Solomon's Garage, Los Angeles, CA

Petersburg Gallery, New York, NY

 

1988   Bliss Gallery, Pasadena, CA

 

 

GROUP EXHIBITIONS

 

2015    Come As You Are: Art of the 1990s, Montclair Art Museum,     Montclair, NJ

 

2014   The House, Faggionato, London, UK

 

2013  Andy Warhol, John Baldessari, Richard Prince, Jorge Pardo. Zeichung, Grafik und Fotografie, Galerie Noah, Augsburg

         Enterprise / Venus Over Manhattan, New York

         Made in Space, Gavin Brown's Enterprise, New York, NY

         Cabinet of threads, Van Horn, Dsseldorf, Germany

         Abstract Generation: Now in Print, MoMA, New York, NY

 

2012   The Feverish Library, Friedrich Petzel Gallery, New York, NY

11th Bienal de la Habana, Havana, Cuba

 

2011   At Capacity, Museum of Contemporary Art, North Miami, FL

 

2010  The Artist's Museum: Los Angeles Artists 1980-2010, MOCA, Los Angeles, CA

A Basic Impulse, Galleria Comunale d'Arte Contemporanea di Monfalcone, Monfalcone, Italy

The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY

 

2009  The House the Cat Built, Galeria Salvador Diaz, Madrid, Spain

 

2008  Construction, 1301PE, Los Angeles, CA

Abstrakt/Abstract, Museum Kunst Krnten, Vienna, Austria

Celebrating the Lucelia Artist Award, 2001-2006, Smithsonian American Art Museum, Washington D.C.

theanyspacewhatever, Guggenheim Museum, New York, NY

 

2007  Exhibitionism: An Exhibition of Exhibitions of works from the Marieluise Hessel Collection, Bard College, Annandale-on-Hudson, New York, NY

Sculptors Drawing, Aspen Art Museum, CO

The Lath Picture Show, Friedrich Petzel Gallery, New York, NY

Door Cycle, Friedrich Petzel Gallery, New York, NY

Alone in the Jungle, Mandarin Gallery, Los Angeles, CA

Celebrating the Lucelia Artist Award, 2001-2006, Smithsonian American Art Museum, Washington, D.C.

 

2005  In Situ, Husler Contemporary, Munich, Germany

Fairy Tales Forever, AroS Aarhus Kunstmuseum, Arhos, Denmark

View Eight: A Few Domestic Objects Interrogate a Few Works of Art, curated by Bruce Ferguson, Mary Boone Gallery, New York, NY

Design Art, Museum of Design, Atlanta, GA; Aspen Art Museum, CO

.all Hawaii ENtrees / luNar reggae, Irish Museum of Modern Art, Dublin, Ireland

POPulence, Blaffer Gallery, University of Houston, Houston, TX

Hans Christian Anderson Group Show, Arhos, Denmark

Extreme Abstraction, Albright-Knox Art Gallery, Buffalo, NY

Present Perfect, Friedrich Petzel Gallery, New York, NY

Ways of Living, Kettles Yard, Cambridge, UK

Think Blue, Blum & Poe, Los Angeles, CA

rie Meyer Kainer, Vienna, Austria2004           26th Bienal de So Paulo, Fundao Bienal de So Paulo, Brazil

Trans/Migrations: Graphics at Contemporary Art, San Juan Poly/Graphic Triennial, Old San Juan, Puerto Rico

Nothing Compared to This, Contemporary Arts Center, Cincinnati, OH

Abstract Reality, Sead Gallery, Antwerp, Belgium

Off the Wall, Bruce Museum, Greenwich, CT

North Fork/South Fork: East End Art Now, Parrish Art Museum, Southampton, NY

Design Art, Smithsonian Cooper-Hewitt, National Design Museum, New York, NY

Taka Ishii Gallery, Tokyo, Japan

100 Artists See God, curated by John Baldessari and Meg Cranston, Independent Curators International, The Jewish Museum, San Francisco, CA; Laguna Art Museum, Laguna Beach, CA; Institute of Contemporary Arts, London, Engalnd; Contemporary Art Center of Virginia, Virginia Beach, VA; Albright College Freedman Art Gallery, Reading, PA; Cheekwood Museum of Art, Nashville, TN

 

2003  Jessica Stockholder: Table Top Sculpture, Gorney, Bravin + Lee, New York, NY

Gio Marconi, Milan, Italy

I Moderni/The Moderns, Castello di Rivoli Museo d'Arte Contemporanea, Rivoli, Italy

On The Wall, The RISD Museum, Providence, RI

It Happened Tomorrow, Lyon Biennale, France

Flower Power, Palais de Beaux-Arts, Lille, France

 

2002  Jorge Pardo & Philippe Parreno, 1301PE, Los Angeles, CA

Refraction, Jorge Pardo and Gerhard Richter, Dia Center for the Arts, New York, NY

No Return, Sammlung Haubrok, Stdtiches Museum Abteiberg, Mnchengladbach, Liverpool Biennial, UK

Culture meets culture, Busan Biennale, Busan, South Korea

touch, Relational Art from the 1990s to Now, San Francisco Art Institute, CA

 

2001  Active Ingredients, Copia, American Center for Food Wine & the Arts, Napa, CA

Reverb, Jorge Pardo and Gilberto Zorio, Dia Center for the Arts, New York, NY

Comfort, curated by Kristin Chambers, Cleveland Center for Contemporary Art, OH

Public Offerings, Museum of Contemporary Art, Los Angeles, CA

KolnSkulpture3, curated by Dr. Michael Stoffel, SkulptutenparkKoln, Cologne, Germany

In Between: Art and Architecture, MAK Center for Art and Architecture, Los Angeles, CA

The Beauty of Intimacy, Lens and Paper, Gemeentemuseum Den Haag, The Netherlands

Beau Monde: Toward a Redeemed Cosmopolitanism: SITE Santa Fe Forth International Biennal, Santa Fe, NM

Collaborations with Parkett, 1984 to Now, Museum of Modern Art, New York, NY

 

2000  Made in California: Art, Image and Identity, Los Angeles County Museum of Art, CA

1989, curated by Ilene Kurtz, David Kiehl & Patrick Moore, Curt Marcus Gallery, New York, NY

Talleres: Art from the Guadalajara Workshops, Mexican Cultural Institute, Washington, D.C.

Threads of Dissent, The Fabric Workshop, Philadelphia, PA

Against Design, curated by Steven Beyer, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA; Palm Beach Institute of Contemporary Art, Lake Worth, FL; Museum of Contemporary At, San Diego, CA; Kemper Museum of Contemporary Art, Kansas City, MO

Double Space, curated by A.S. Bessa, Apex Art Curatorial Program, New York, NY

Objecthood 00, Rethymnon Centre for Contemporary Art, Rethymnon, Greece

Strange Paradise, Casino Luxembourg, Luxembourg

Quoitidiana, Castello di Rivoli, Turin, Italy

Rags to Riches, curated by Petra Bungert and Alexandra Dimentieva, Center for Contemporary Non-Objective Art, Brussels, Belgium (cat.)

What If, curated by Maria Lind and Liam Gillick, Moderna Museet, Stockholm, Sweden

Quiet Life, Blickle Stiftung, Germany

Fast Forward, Kunstverein Hamburg, Germany

Strange Paradise, Casino Luxembourg, Luxembourg

 

1999  Threads of Dissent, The Isabella Stewart Gardner Museum, Boston, MA

Objecthood 00, Hellenic American Union, Athens, Greece

Comfort Zone: Furniture by Artists, curated by Amy Wolf, The Public Art Fund, Paine Webber Art Gallery, New York, NY (cat.)

Jorge Pardo and Bob Weber, China Art Objects, Los Angeles, CA

Drawn by, Metro Pictures, New York, NY

Talleres:  Art From Guadalajara Workshops, curated by Carlos Ashida, Track 16 Gallery, Santa Monica, CA

DConstructivism: life back in to art, Brisbane Convention and Exhibition Center, Australia

Wonder world notes for a solid collection, Newsantandrea, Savona, Italy

Konstruktionszeichnungen, Kunst-Werke, Berlin, Germany

 

1998  Light X Eight: The Hanukkah Project, Jewish Museum, New York, NY

Richard Hawkins/Jorge Pardo, Brent Petersen Gallery, Los Angeles, CA

Chaos, Control, Chaos, Control. You Like? You Like, curated by Anne Lemieux, Elias Fine Art, Boston, MA

artranspennine, with Atelier van Lieshout, Francoise Quardon, and Langlands and Bell, curated by Penelope Curtis, The Henry Moore Institute, Leeds, UK (cat.)

Dad's Art, neugerriemschneider, Berlin, Germany

___, 1994untitled,1994(meettim&burkhard)branusi,1997, Grazer Kunstverein, Austria

FAST FORWARD archives, Hamburger Kunstverein, Hamburg, Germany

Fast Forward / Body Check, Kunstverein Hamburg, Germany

Works for the Ideal Home, Art Metropole, Toronto, Canada

Scratches on the surface of things, Museum Boijmans Van Beuningen, Amsterdam, The Netherlands

Marienhof - Konzepte der Kunst, Rathaus, Munich, Germany

Kunst fr Bundestagsneubauten, Deutscher Bundestag, Berlin, Germany

Jason Meadows / Jorge Pardo, Brent Petersen Gallery, Los Angeles, CA

Mai '98, Kunsthalle Kln, Germany (cat.)

Minis, Midis & Maxis, Knstlerhaus Palais Thurn und Taxis, Bregenz, Austria

 

1997  Angel Hair EX. LA., Dogenhaus Galerie, Leipzig, Germany

Check in, Museum fr Gegenwartskunst, Basel, Switzerland

Hospital, Galerie Max Hetzler, Berlin, Germany

Kunst..Arbeit, Aus der Sammlung SudWest LB, Stuttgart, Germany (cat.)

KolnSkulptur 1, Kunsthalle Kln, Germany (cat.)

Kevin Appel, Francis Cape, Jorge Pardo, curated by Margaret Murray, Janice Guy, New York, NY

Assuming Positions, Institute of Contemporary Art, London, UK (cat.)

Home Sweet Home, Deichtorhallen, Hamburg, Germany (cat.)

Rooms With a View: Environments for Videos, curated by Nancy Spector, Guggenheim Museum Soho, New York, NY

Laying Low: Postminimalism/Scatter Art, Kunstnernes Hus, Oslo, Norway (cat.)

Bastards of Modernity, Angles Gallery, Santa Monica, CA

Skulptur. Projekte in Munster 1997, Munster, Germany (cat.)

Cruising L.A., Galeria Soledad Lorenzo, Madrid, Spain (cat.)

 

1996  True Bliss, Los Angeles Contemporary Exhibitions, CA (cat.)

Just Past: Contemporary and Permanent Collection 1975-1996, MoCA Los Angeles, CA

Friedrich Petzel Gallery, New York, NY

Ab Fab, Feature Inc., New York, NY

Blum & Poe, Santa Monica, CA

Defining the 90's, Museum of Contemporary Art, Miami, FL (cat.)

Projekte/Projects: Art at the New Trade Fair of Leipzig, Leipzig, Germany (cat.)

Multiple Pleasure, Tanya Bonakdar Gallery, New York, NY

Dark Memories Hovering, Marc Foxx Gallery, Santa Monica, CA

Traffic, CAPC Musee d'Art Contemporain, Bordeaux, France (cat.)

le labyrinthe moral, Centre d'Art Contemporain, Dijon, France

nach Weimar, Kunstsammlung zu Weimar, Weimar, Germany (cat.)

wunderbar, Hamburger Kunstverein, Hamburg, Germany (cat.)

Faustrecht der Freiheit, Sammlung Volkmann, Kunstsammlung Gera, Germany

Alle Neune, ACC Galerie, Weimar, Germany

groupshow, Friedrich Petzel Gallery, New York, NY

Ranch, Peter Strauss Ranch, Santa Monica, CA

Jim Iserman, Jorge Pardo, Richard Telles Fine Art, Los Angeles, CA

Affairs, Institut fr Gegenwartskunst, Vienna, Austria

Der Umbau Raum, Knstlerhaus Stuttgart, Germany

Legende I, Museet for Samtidskunst, Roskilde, Denmark

 

1995  Affairs, Institut fuer Gegenwartskunst, Vienna, Austria

Hawaii, with Pae White, Mitchell Kane, and Mythter, Friedrich Petzel Gallery, New York, NY

Alles was modern ist, Galerie Baerbel Graesslin, Frankfurt, Germany

Dark Memories Hovering Below the Transparent Screen of the Present Will Project Images of Reality in Sharp Silhouette, to Create the Pleasurable Effect of a Double World, Marc Foxx, Santa Monica, CA

Le Consortium, Dijon, France

 

1994  Filmcuts, neugerriemschneider, Berlin, Germany

Das Ende der Avantgarde - Kunst als Dienstleistung, Sammlung Schuermann, Kunsthalle der Hypo-Kulturstiftung, Munich, Germany (cat.)

Saturday Night Fever, curated by Michael Cohen and Catherine Liu, Tom Solomon's Garage, Los Angeles, CA

Interdisciplinary, Woodbury University, Burbank, CA

Temporary Translation(s) -  Kunst der Gegenwart und Fotografie, Sammlung Schuermann, Deichtorhallen Hamburg, Germany (cat.)

Neue Moebel fuer die Villa, Villa Merkel, Esslingen, Germany

Lost Paradise, Kunstraum Wien, Vienna, Austria

Pure Beauty: Some Recent Work From Los Angeles, curated by Ann Goldstein, Museum of Contemporary Art, Los Angeles, CA; American Center, Paris, France

Backstage, Kunstmuseum Luzern, Switzerland

Untitled Groupshow, Metro Pictures, New York, NY

Love in the Ruins, Long Beach Museum of Art, CA (cat.)

Breakdown, MOCA San Diego, CA (cat.)

Museum auf Zeit, slide projections at Museum Fridericianum, Kassel, Germany

 

1993  Backstage, Kunstverein Hamburg, Germany

Pardo- Segar- Rirkit Tiravanija- Tobier, 1301, Santa Monica, CA

Displace, Michael Cohen Gallery, New York, NY

Summer Group Exhibition, Anderson O'Day Gallery, London, UK

11 Artists, organized by Tim Neuger, Kunstlerhaus Bethanien, Berlin, Germany

Six Artists, organized by Tim Neuger, Galerie Max Hetzler, Berlin, Germany

 

1992  Gallery Artists Group Show, Thomas Solomon's Garage, Los Angeles, CA

Tele Mundo, Terrain Gallery, San Francisco, CA

Very, Very, Very, Shoshana Wayne Gallery, Santa Monica, CA

5 Artists Summer Show, Terrain Gallery, San Francisco, CA

Mars Gallery, Tokyo, Japan

Object/objet, with Stephen Berens, Elizabeth Bryant, and Anne Walsh, El Camino College Art Gallery, Torrance, CA

California: North and South, Aspen Museum of Art, CO

Art Center College of Design, Pasadena, CA (cat.)

 

1991  Phenon/Phenotype: A Group Therapy, Terrain Gallery, San Francisco, CA

L.A. Times, curated by Jackie Christ, Boise Museum of Modern Art, ID

Facing the Finish, curated by John Caldwell and Robert Riley, San Francisco Museum of Modern Art, San Francisco, CA; Santa Barbara Contemporary Arts Forum, CA (cat.)

 

1990  Omnia ad Majorem Dei Gloriam, curated by Peter Wright, Grace Cathedral, San Francisco, CA

Improvements on the Ordinary, curated by Dan Peterman, Randolph Street, Chicago, IL

Luhring Augustine Hetzler, Santa Monica, CA

New Sculpture, with Craig Watson, Terrain Gallery, San Francisco, CA

 

1989   H20, curated by Thomas Solomon, Beverly Hills, CA

 

1987  Graduate Group Show, Art Center College of Design, Pasadena, CA

 

 

Bibliography

 

2010  Coles, Alex. "Jorge Pardo: Living (in) Sculpture." Phillips de Pury & Company: Latin America September 2010: 24-29.

 

2009  Between the Lines: a coloring book of drawings by contemporary artists. vol. 2 New York: RX Art, 2009.

Bochynek, Martin. "Jorge Pardo: Freizeit Fr die grauen Zellen." Klner Stadt-Anzeiger 12 May 2009.

Clearwater, Bonnie. "Celebrity Equinox." International Corporate Art 2009: 58-59.

Edwards, Geof. "Enlightened Conversion." Texas Architect 6 May 2009: 50-55.

Herrera, Adriana. "Rosa De la Cruz: And her new bet on contemporary art." Arte Al Dia Internacional issue 129 December 2009.

Holzwarth, Hans W., ed. 100 Contemporary Artists (L-Z). Cologne: Taschen, 2009. 460-467.

Kelsey, John. "theanyspacewhatever." Artforum International March 2009: 236-237.

Klein, Cecilia F. "In the Belly of the Beast." Artforum International, January 2009: 85-90.

Krystof, Doris. "Jorge Pardo. K21 Kunstsammlung Nordrhein-Westfalen." Texte zur Kunst 2009.

Kutscher, Barbara. "Der Gewalt Einer Lawine." 20_21 Das Magazin Der Kunstsammlung Nordrhein-Westfalen no. 10 Spring 2009: 10-15.

Last, Nana. "Jorge Pardo. K21 Kunstammung Nordrhein-Westfalen." Artforum International January 2009.

Molesworth, Helen. "Social Problem." Artforum International March 2009: 101-102.

Simblist, Noah. "Theanyspacewhatever." Art Papers January/February 2009: 61-62.

Simon, Jane. "Return to Function." Madison Museum of Contemporary Art 2009: 15-41, 60-61.

Sntgen, Beate. "Der Bildermacher Oder: Wie Man Die Dinge In Der Bar Betrachten Soll, ber Jorge Pardo im K21." Texte zur Kunst vol. 19 issue 75 September 2009: 202-205.

Zsolnay, Robert. "Not a Museum Man." Mercedes Magazine Fine Arts April 2009: 52-56.

 

2008  Amerikaner, Andres. "Aventura Mall Displays High-End Art." Miami Herald 2 May 2008.

Carrier, David. "Review: Cleveland, Jorge Pardo, Museum of Contemporary Art." Artforum December 2008: 306-307 (ill.)

Cooke, Lynne. "Best of 2008: #1Jorge Pardo (Los Angeles County Museum of Art)." Artforum December 2008: 260 (ill.)

Cotter, Holland. "Ancient Art, Served on a Present-Day Platter." The New York Times 27 August 2008: E1 &E5 (ill.)

Dunlop, Beth. "This House is Art: Think About It." HOME Miami January 2008: 52-57 (ill.)

Hubbard, Sue. "Jorge Pardo, Haunch of Venison, London: When high art is more like Ikea." Independent.co.uk 9 April 2008.

"Jorge Pardo." Abstract. Klagenfurt: MMKK, 2008. 104-105 (ill.)

"Jorge Pardo: Art Basel Miami Beach." Elle Decor February 2008: 83 (ill.)

Knight, Christopher. "Jorge Pardo's Pre-Columbian art installation at LACMA." Los Angeles Times 1 August 2008 (ill.)

Kraus, Chris, Lane Relyea, and Christina Vegh. Jorge Pardo. New York: Phaidon, 2008.

McMullan, Patrick. "Moon over Miami and Santa Monica." Interview Magazine March 2008: 5 (ill.)

O'Connor, Anne-Marie. "Sculptor Jorge Pardo: Is it art or furniture?" Los Angeles Times 8 June 2008.

Pardo, Jorge. "Jorge Pardo: On blurring the boundaries between art, architectue and design." Liberate the Home online 24 April 2008 (ill.).

Ratcliff, Carter. "House Proud." Art in America November 2008: 174-179, 207 (ill.)

Robinson, Walter. "Space Cadets." Artnet.com 30 October 2008 (ill.)

Shattuck, Kathryn. "Shining a Light On a Movement That Maybe Isn't." New York Times 26 October 2008: 23 (ill.)

Taschen, Angelika. "The Magic of the Sea." Taschen Spring/Summer 2008: 44-45 (ill.)

 

2007  Alzola, Concha. "La Sexta Edicion de una de las Principales Ferias de arte en el Mundo." Vanidades 2007 (ill.)

Arango, Jorge S. "Shock To The System." House & Garden September 2007: 182-195 (ill.)

Buck, Louisa. "Jorge Pardo: artist in the house." The Art Newspaper: Miami Beach Daily Edition 5 December 2007: 10 (ill.)

Camhi, Leslie. "Playing House." Vogue December 2007: 275 (ill.)

Cooke, Lynne. "Gerhard Richter and Jorge Pardo: Refraction." Dia Art online 1 August 2007.

Dugan, Owen. "Wine Storage as Art." Wine Spectator 30 June 2007: 18 (ill.)

Ebony, David. "Report from Lisbon: Sailing into the 21st Century." Art in America April 2007: 52- 57 (ill.)

"Featured Exhibitions." Florida International Magazine 10th Anniversary Year November 2007 (ill.)

Finkel, Jori. "Here's the Show, The Works Are Elsewhere." The New York Times 2 December 2007: 33 (ill.)

Gillick, Liam. "Ice Sculpture/Important Postmen." Proxemics: Selected Writings 1988-2006. Zurich: JRP Ringier, and Dijon: Les Presses du reel, 2007. 248-255 (ill.)

Hanaor, Ziggy. "The Cutting Edge of Wallpaper." Blackdog Publishing January 2007: 112-113 (ill.)

Kuang, Cliff. "Home Depot." Art & Auction December 2007: 64 (ill.)

Loers, Veit. "Jorge Pardo, Tomatensuppe." 10 Jahre Skulpturenpark Cologne. Catalogue 2007: 128-131 (ill.)

MacMillan, Kyle. "Draw closer and take a look." The Denver Post 31 August 2007: 3FF.

McCormick, Carlo. "Jorge Pardo." Interview Magazine December 2007-January 2008: 58 (ill.)

Melendez, Franklin. "Jorge Pardo's Manifesto: Boldly Bridging Art and Design Under the California Sun." Soma: The Design Issue August 2007: 52-53 (ill.)

"Pleasure Principle." Modern Painters December 2007: 33 (ill.)

Rosenberg, Karen. "At Fairs by the Beach, The Sands of Creativity." New York Times 8 December 2007.

Saltz, Jerry. "Biennial Culture." Artnet.com 2 July 2007.

Schjeldahl, Peter. "Critic's Notebook: Design for Living." The New Yorker 16 April 2007.

Slyce, John. "all hawaii eNtrees/LuNar ReGGae." Art Monthly February 2007: 26-28.

Smith, Roberta. "In These Shows, the Material Is the Message." New York Times 10 August 2007: E27, 29 (ill.)

Suqi, Rima. "As You Leave the Gallery, Please Close the Art Behind You." New York Times 5 July 2007: F3 (ill.)

Tumlir, Jan. "Jorge Pardo." Artforum September 2007: 158 (ill.)

Turner, Elisa. "Season of the Arts, Looking inward as outside world arrives." The Miami Herald 16 September 2007 (ill.)

Williamson, Damien. "One Art Museum, Two Exhibits, One Fundraiser." Time Out 3-9 August 2007 (ill.)

Wulff, Friederike. "Jorge Pardo." Art Investor no. 4 2007 (ill.)

Yablonsky, Linda. "Scene & Herd: The Hole Shebang." Artforum online 28 March 2007.

 

2006  "Ausstellungen." Monopol April/May 2006: 134.

Bloemink, Barbara. "Use and Enthuse." ArtReview April 2006: 29.

Colman, David. "Jorge Pardo." Elle Decor May 2006: 66-68.

Egan, Maura. "Artistic License." The New York Times Style Magazine Spring 2006: 134-139 (ill.)

Egan, Maura. "Ein Kunstwerk in Extralarge." Architectural Digest (German) June 2006: 142-149.

Falconer, Morgan. "Everything must go." ArtReview April 2006: 35.

"In the Air." Art + Auction December 2006: 27 (ill.)

Louie, Elaine. "CURRENTS: Murals; The Transformative Power of a Fresh Coat of Paint." New York Times 23 February 2006.

Rochette, Anne and Wade Saunders. "Place Matters: Los Angeles Sculptors Today." Art in America November 2006: 184-186 (ill.)

 

2005  CAP Collection. Dublin: CAP Art Limited, 2005. 212-213.

Coles, Alex. "Jorge Pardo's Lifestyle as an Ethnography of Design." Ways of Living. Cambrdige: Kettle's Yard, 2005. 35-38 (ill.)

Davis, Nicole. "The New York List." Artnet.com January 2005.

Extreme Abstraction. Buffalo: Albright-Knox Art Gallery, 2005. 70.

Falconer, Morgan. "Beyond the Yard." Art + Auction September 2005: 158.

Grosenick, Uta, ed. Art Now Vol. 2. Cologne: Taschen, 2005. 380-383.

Hirsch, Faye. "Abstract Generations." Art in America October 2005: 123-128, 191.

"Jorge Pardo." Texte Zur Kunst issue 59 September 2005: 244-245.

Kino, Carol. "Changes at the Top." Art +Auction February 2005, p. 129.

Last, Nana. "Function and Field: Demarcating Conceptual Practices." Theory in Contemporary Art since 1985. Eds. Zoya Kocur and Simon Leung. Osxford: Blackwell Publishing, 2005.

"The Originals." The New York Times Style Magazine Fall 2005: 137.

Pagel, David. "The Hyper-Refined Simplicity of Ravishing Craftiness." Populence. Catalogue. Houston: Blaffer Gallery and The Art Museum of the University of Houston, 2005. 52-64 (ill)

Sanders, Constanze. "Ohne private Spenden luft nichts mehr in der Kultur." RAG-Magazin April 2005: 8-13.

Spiegler, Marc. "Safety First." ArtReview October 2005: 45-46.

Wright, Karen. "California Dreaming." Modern Painters October 2005: 96-99.

 

2004  26a Bienal de Sao Paulo. Sau Paulo: Sao Paulo Bienal, 2004. 187-188.

Alfano, Jennifer. "Lifestyle: The World of Kim Heirston." Harper's Bazaar November 2004: 134 (ill.)

"Arte e Cultura." diverso.terra.com September 2004.

Bloemink, Barbara. "The Continuum Between, and Transformations of, Art and Design." Design Art 2004: 142-145 (ill.)

Coles, Alex. "The Plywood and Rubber Plant School of Art and Design." Contemporary issue 61 2004: 38-41.

Ewing, John. "Jorge Pardo." ArtNexus July-September 2004: 135-136.

Gershon, Stacey B. and Nancy Hall-Duncan. Off the Wall Works for the JP Morgan Chase Collection. Greenwich: Bruce Museum, 2004. 48.

Gilmore, Jonathan. "Jorge Pardo." Art in America no. 8 September 2004: 122-123 (ill.)

Heeger, Susan. "Wild Things." Los Angeles Times Magazine 1 August 2004: 18.

It Happened Tomorrow. Lyon: Lyon Biennale, 2004. 24.

"Jorge Pardo Penelope." Tate Liverpool Exhibitions and Events July-September 2004: 60.

La Fuente, Pablo. "Light Fantastic." ArtReview February 2004: 155f.

"Light entertainment for Lever House lobby." ArtReview vol. 2 no. 5 2004: 16.

Longwell, Alicia G. North Fork/South Fork: East End Art Now. Southampton: Parrish Art Museum, 2004. 63 (ill.)

Lorenzoni, Rogrio. "Jorge Pardo diz que Pichao legal e estranha." Diversao 29 September 2004 (ill.)

"Mary Zlot Shaping a Collecction." Art + Auction August 2004: 69.

Mnig, Roland, ed. "Michel Majerus." Plum Collection: Museum Kurhaus. Kleve: Museum Kurhaus Kleve, 2004. 108-109.

"North Fork South Fork, The Parrish Museum's Summer Show." Avenue July 2004: 8 (ill.)

Prince, Nigel. "Jorge Pardo Haunch of Venison." Untitled no. 32 Summer 2004: 60.

Ruyter, Lisa. Catalogue of The Armory Show 2004: The International Fair of New Art. New York: The Armory Show, 2004 (ill.)

Schwendener, Martha. "Fully Furnished." Time Out New York 30 September-7 October 2004: 70 (ill.)

Tumlir, Jan. "Jorge Pardo Gagosian Gallery." Artforum February 2004: 155f.

 

2003  AVANT. Lyon: 7e Biennale D'Art Contemporain de Lyon, 2003. 142f.

Bayliss, Sarah. "Walking on Lucas Samaras." ARTnews December 2003: 98-100.

Beatrice, Luca. "I Moderni." Flash Art 2003.

Beccaria, Marcella. "Jorge Pardo, l'arte come luogo capace di appartenere alla vita." Abitare vol. 429 June 2003: 182-185.

Bradley, Will. "Giovanni Intra 1968-2002." Frieze no. 73 March 2003: 54-55.

Downey, Anthony. "New York: DIA: Chelsea." Contemporary issue 52 2003: 68f.

Ebner, Jorg. "Ruine auf Auenposten, Londoner Galerien: Pardo, Dack, Gillick und Shonibare." Frankfurter Allgemeine Zeitung 13 December 2003.

Gonzalez, Veronica and Lara Stapleton, eds. Juncture. New York: Soft Skull, 2003. 155.

"If He Builds It..." ArtReview vol. 1 no. 12 2003: 18.

Jongbloed, Marjorie, Brigitte Oetker, and Christiane Schneider, eds. Jahresring 50: Jahrbuch fr Moderne Kunst. Cologne: Oktagon, 2003. 114-121.

Kotler, Steven. "Jorge Pardo." Art + Auction December 2003: 32-36.

Last, Nana. "Conceptualism's (Con)quests." Harvard Design Magazine Fall 2003-Winter 2004: 14-21.

"Noisy Sale at Phillips." Artnet.com 12 November 2003.

Pilson, John. "The Moderns." World of Art vol. 3 issue 7 April 2003.

"Sculpture Forever." Flash Art no. 231 July - September 2003: 105.

Sharp, Amanda. "Shop Talk." Frieze no. 74 April 2003: 52-53.

Sheets, Hilarie M. "There's No Piece Like Home." ARTnews December 2003: 102-103.

Spiegler, Marc. "Miami Beach." Art & Auction February 2003: 100-101.

Woolford, Donelle and Miljohn Ruperto, eds. "4166 Sea View Lane, A Reader." Commerce Winter 2003.

 

2002   Adler, Vanessa. The Object Sculpture. Leeds: Henry Moore Institute, 2002. 156-159, 169, 192.

Angio, Joe, ed. "West 22nd Street." Time Out New York 20-27 June 2002: 18.

Baker, Kenneth. "Viewers experience artist's loss by eating his candy." San Francisco Chronicle 2 November 2002.

Blickle, Ursula, ed. 10 Jahre 1991-2001. Kraichtal: Urusal Blickle Stiftung, 2002. 48.

Cobb, Chris. "Touch." Stretche November 2002.

Culture Meets Culture. Busan: Busan Biennale, 2002. 60.

De Cecco, Emanuela. Total Living. Gardena: Charta, 2002. 154-155.

Eskin, Blake. "Making More Andys Possible." ARTnews May 2002: 48, 50.

Grosenick, Uta and Burkhard Riemschneider, eds. Art Now. Cologne: Taschen, 2002. 272-275.

Guzik, Jon Alain.  "More Art About Buildings and Food." SOMA vol. 15 10 December 2001-January 2002: 34-35.

Higgie, Jennifer. "Jennifer Higgie on Pae White." Frieze issue 86 April 2002: 64-69.

"Jorge Pardo." BT Monthly vol. 54 no. 818 April 2002: 130-137.

Landi, Ann. "The Power of Suggestion." ARTnews Summer 2002: 164-165.

Lloyd, Ann Wilson. "Art is a Necessity Among Techies Too." New York Times 15 December 2002: 50-51.

MacKenzie, Julie, ed. Spoon. New York: Phaidon, 2002. 292-295.

Morton, Tom. "The Object Sculpture." Frieze no. 69 September 2002: 103.

No Return. Mnchengladbach: Sammlung Haubrok, Stdtiches Museum Abteiberg, 2002. 71-73, 153.

Pappalardo, Bethany Anne. "Jorge Pardo." Tema Celeste no. 89 January-February 2001: 113.

Peyton, Elizabeth. 16 Artists. Salzburg: Salzburg Kunstverien, 2002. 17.

Pini, Ivonne, ed. "News." ArtNexus vol. 1 no. 43 January-May 2002.

Schmid, Doreen, ed. Active Ingredients. Napa: Copia, 2001-2002. 15, 26, 27, 52-53, 58.

"Shining Armory Show." Time Out New York no. 336 7-14 March 2002.

Tumlir, Jan. "Jorge Pardo: The Butler Did It." Flash Art vol. 35 no. 227 November-December 2002: 90-93.

Vendrame, Simona, ed. "News & Around." Tema Celeste no. 93 September-October 2002: 114.

Vincent, Steven. "Collective Obsessive." Smock vol. 2 no. 1 Winter 2002: 82-91.

Vogel, Sabine B. "Vienna Critic's Picks." Artforum.com January 2002.

 

2001  Berwick, Carly. "A House, a Boat, a Bar." ARTnews December 2001: 112-113.

"Calendar, Comfort" Dwell March 2001.

Campbell, Clayton. "Beau Monde." Flash Art October 2001: 98.

Cambell, Clayton. "Public Offerings." D'Art International Fall 2001: 25, 27.

Chambers, Kristin. Comfort: Reclaiming Place in a Virtual World. Cleveland: Cleveland Center for Contemporary Art, 2001. 37, 63-66.

Chang, Krystal. "Architectural Survey." Metropolis May 2001.

Cutter, Kimberly. "East Side Story." W September 2001: 204-208.

Delson, Susan, ed. "Inspirations." Museums Los Angeles vol. 3 no. 1 Spring/Summer 2001: 128E.

Drohojowska-Philp, Hunter. "It's a Beautiful World." Artnet.com 17 July 2001.

"The Future of Comfort." Flash Art International March-April 2001.

Geer, Suvan. "Viewpoint." Artweek 12 July 2001: 5.

Glueck, Grace. "Jorge Pardo." The New York Times 2 February 2001: E37.

Goodman, Wendy. "White Hot." Elle Decor October 2001: 223-227.

Gopnik, Blake. "Pardo Wins First Lucelia Artist Award." The Washington Post 24 May 2001: c5.

Gregos, Katerina. "New York Now." Contemporary Visual Arts issue 34 2001: 53-57.

Griffin, Tim. "Electrify Me." Time Out New York no. 303 July 2001: 12-19.

Grosenick, Uta and Burkhard Riemschneider, eds. Art Now! Icons. Cologne: Taschen, 2001.

Harris, Susan. "Beau Monde." Tema Celeste September-October 2001: 100.

Hornbrook, Kathy. "Museum of Contemporary Art Reclaiming the 'Comfort Zone.'" The Plain Dealer 27 April 2001.

Johnson, Ken. "Jorge Pardo." The New York Times 2 November 2001: E37.

Kaufman, Kim. "Number 4." Artivents.com 6 March 2001.

Klein, Jennie. "It's a beautiful Morning." New Art Examiner November-December 2001: 74-81.

Knight, Christopher. "Art For School's Sake." Los Angeles Times Calendar 8 July 2001: 67.

"Lamps in the Lobby." Artnet online 3 May 2001.

Litt, Steven. "A Spunky Vision of Domestic Future in The Modem Age." The Plain Dealer 18 March 2001.

Loers, Veit. Jorge Pardo. Cologne: Koln Skulptur 3, 2001.

Ltticken, Sven. "Het schilderi en de afvalbak." De Witte Raaf 89  January-February 2001: 11-13 (ill.)

MacAdam, Barbara. "Electrify Me!" ARTnews October 2001: 171 (ill.)

Mitchell, Charles D. "Making the Case  for Pleasure." Art in America November 2001: 122-130.

"MOCA Examines Points of Emergence Of Today's Significant Artists." Antiques & The Arts Weekly 30 March 2001.

Muchnic, Suzanne. "That 90's Show." Los Angeles Times Sunday Calendar 1 April 2001: 4-5, 75.

Nico, Israel. "Public Offerings." Artforum September 2001: 190.

Pagel, David. "Before Their Art Was Famous." Los Angeles Times 4 April 2001: F8.

"Pardo House." Krabbesholm.dk October 2001.

Parkett, Collaborations & Editions Since 1984. New York: Museum of Modern Art, 2001. 186-7.

Relyea, Lane. "What You Say Is What You See." Artforum October 2001: 51-52.

Richard, Frances. "Electrify Me." Artforum online July 2001.

Rizk, Mysoon. "Comfort." New Art Examiner July-August 2001: 90.

Roberts, James, ed. "If You Could Have Any Five Artworks" Frieze November-December 2001: 65-80.

Schjeldal, Peter. "Desert Songs." The New Yorker 13 August 2001: 82-83.

Simpson, Bennett. "The Sociology of Jorge Pardo." ArtNexus no. 40 May-July 2001: cover, 48-52.

Simpson, Bennett. "Specific Spectacles: Art & Entertainment." Art & Text no. 71 November 2000-January 2001: 70-77.

Spaid, Sue. "Comfort." ArtText no.74 2001: 82-83.

Troncy, Eric. "L'art pour territoire." Numro no. 27 Winter 2001: 296-301.

Tumlir, Jan. "90s Art in Los Angeles." Art & Text no. 71 November 2000-January 2001: 42-51.

Utter, Dougla M. "Cold Comfort." Cleveland Free Times 14-20 March 2001: 26.

Vendrame, Simona. "Hybrids." Tema Celeste no. 85 May-June 2001: 108.

Vogel, Carol. "Atrium Attractions." The New York Times 27 April 2001: E32.

Von Bonin, Cosima. Bruder Poul Sticht In See. Cologne: DuMont Buchverlag, 2001. 68.

Yannopoulos, Charles. "Digital Discomfort." Clevescene.com 29 March 2001.

 

2000  Against Design. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2000.

Attias, Laurie. "Elysian Fields." Frieze November-December 2000: 109.

Barron, Stephanie, Sheri Bernstein and Ilene S. Fort. Made in California: Art, Image and Identity. Los Angeles: Los Angeles County Museum of Art, 2000. 269.

Blair, Dike. "Thinking Outside the Box." Time Out New York 14-21 September 2000: 111.

Erikson, Emily. "Preview: U.S. Shorts." Artforum January 2001.

Hamilton, William. "New Art's Interior Move." The New York Times 3 February 2000: F1, F8.

Miles, Christopher. "Flat Wares." Artforum May 2000: 87.

Muller, Markus. "Outside Event." Space issue 3 2000: 26-28.

Plagens, Peter. "Against Design." Newsweek.com 2000.

Poels, Jan-Willem. "On The Cusp." Frame no. 18 January-February 2001: 14.

Relyea, Lane. "L.A.-Based and Superstructure." Public Offerings. Los Angeles: Museum of Contemporary Art, 2000. 263, 266.

Schafaff, Jorn and Barbara Steiner, eds. Jorge Pardo. Ostfildern: Hatje Cantz Verlag, 2000.

Siegel, Katy. "Best of 2000." Artforum December 2000: 116.

Singerman, Howard. "Jorge Pardo." Public Offerings. Los Angeles: Museum of Contemporary Art, 2000. 120-127 (ill.)

Sozanski, Edward. "Along the Fuzzy Boundary between Art and Design." The Philadelphia Inquirer 13 February 2000: A11.

"Very New Art:  Jorge Pardo." Monthly Art Magazine Bijitsu Techno vol. 52 no. 782 January 2000: 180-181.

 

1999   Argyropoulou, Nadia, Stergios Delialis, Yorgos Tzirtzikalis and Dmitra Vamilai. Objecthood 00. Athens: Hellenic American Union, 1999. 62-65.

Brackman, Yvette. "Maximizing the Pastoral." ARTBYTE April-May 1999: 62.

Bush, Kate. "4160 Sea View Lane." Parkett no. 56 1999: 152-159.

"Edition for Parkett: Jorge Pardo." Parkett no. 56 1999: 160.

Ferguson, Russell. "What is Lost for Art is Gained for Life." Parkett no. 56 1999: 122-129.

Frangenberg, Frank. "Raise High the Room Beam." Parkett no. 56 1999: 148-150.

Gantz, Jeffrey. "Threads of Dissent." Boston Phoenix 29 October 1999: 1, 15.

Goldsmith, Diane. "It's all in how you see it." The Philadelphia Inquirer Home & Design Friday 28 May 1999: Front page, E8.

Grosenick, Uta, Lars Bang Larsen, and Burkhard Riemschneider. Art at the turn of the Millennium. Cologne: Taschen, 1999. 374.

Haeg, Fritz. "Interview with Jorge Pardo." L.A. Design May-June 1999: 13-15.

Hainley, Bruce. "Jorge Pardo." Artforum December 1998.

Herbstreuth, Peter. "Jorge Pardo." Kunstforum July-August 1999: 351-352.

Kwon, Miwon. "Richard Serra & Jorge Pardo." Documents Winter 1999: 48-54.

Murphy, Dominic. "Rogue's Gallery." The Guardian Weekend 22 May 1999: 60-61.

Ouroussoff, Nicolai. "Jorge Pardo." Art Issues no. 57 March-April 1999: 41.

Pardo, Jorge. "La Oficina." Trans vol. 6 1999.

Sanders, Joel. "Frames of Mind." Artforum November 1999: 126-131, 157.

Sherman, Mary. "Weaving a Lasting Message." Boston Sunday Herald 31 October 1999: 76.

Temin, Christine. "Warning: Threads of Dissent May Irritate Skin." Boston Globe 3 November 1999.

Tumlir, Jan. Jorge Pardo. London: The Royal Festival Hall, 1999.

Van Winkel, Camiel. "Off the Table."  Parkett no. 56 1999: 142-47.

Vegh, Christina. "4166 Sea View Lane-ein Kunstlerhaus von Jorge Pardo." Werk, Bauen+Wohnen vol. 3 March 1999: 46-51.

Vegh, Christina. "The Tonality of Contradictory Settings." Parkett no. 56 1999: 130-139.

 

1998   Avgikos, Jan. "The Shape of Art at the End of the Century." Sculpture April 1998: 46-53.

Basualdo, Carlos. "Jorge Pardo." Cream Contemporary Art in Culture 1998: 320-323.

Codrington, Andrea. "Public Eye:  Furniture in Art." The New York Times January 1998: F2.

DeBord, Matthew. "LA casual + NY critical = a New Urbanity." Siksi Summer 1998: 56-61.

Drohojowska-Philp, Hunter. "Welcome to the House that Jorge Built." Los Angeles Times Calendar 11 October 1998: 62, 82.

Dziewior, Yilmaz. "Interview mit Jorge Pardo." Kunsthalle Koln May 1998.

Firpo, Erica. "Home Improvement." Los Angeles Downtown News vol. 27 no. 45 26 October 1998: 10.

Frangenbuerg, Frank. "Die Moral der Kunst." Kolner Stadt-Anzeiger no. 50 28 February-1 March 1998: 39.

Hainley, Bruce. "Jorge Pardo." Artforum December 1998: 135-6.

Holmqvist, Karl. "Hospital." Flash Art vol. XXXI no. 199 March-April 1998: 79.

Ise, Claudine. Los Angeles Times Friday 18 September 1998.

"Jorge Pardo:  'Lighthouse.'" Art Now  International Gallery Guide February 1998: 10-11.

Kandel, Susan. "Home Work." Artforum November 1998: 92-93.

Knight, Christopher. "Stay-at-Home Artist." Los Angeles Times Calendar 17 October 1998: F14

Levere, Jane. "Artist on the Edge." Robb Report April 1998: 133.

Lewis, Christopher. "Pardo's House on a Hill." Art in America December 1998: 35.

Liebmann, Lisa. "Jorge Pardo." Artforum December 1998: 96.

Rossmann, Andreas. "Landnahme fur die Kunst." Frankfurter Allegmeine Zeitung 10 August 1998: 35.

Schneider, Iris. "Noon Art." Los Angeles Times Best Bets 10-11 October 1998.

Schulze, Karin. "Welcome to the Sculpture." Spiegel November 1998: 6-10.

Smith, Roberta. The New York Times 12 June 1998: E37.

Steiner, Barbara. "Ein Haus, Das Kein Haus Ist." Neue Bildende Kunst August-September 1998: 24-29.

 

1997   Brooks, Rosetta. "Jim Iserman and Jorge Pardo at Richard Telles." LA Weekly 27 December-2 January 1997: 41.

Buchloh, Benjamin. "Sculpture Projects in Muenster." Artforum September 1997: 115-117.

Bush, Kate. "Design for Life." Frieze Issue 36 September-October 1997: 52-57.

Decter, Joshua. Artforum Summer 1997: 142.

Feaver, William. "Frankly, this Place is Going Down the Drain." The Observer 20 July 1997.

"Is this the Cutting Edge." The Guardian 22 July 1997.

Grabner, Michelle. "Jorge Pardo:  Living Without Boundaries." Sculpture Magazine December 1997: 38-41.

Hainley, Bruce. "Bastards of Modernity." Artforum March 1997: 98-9.

Hixson, Kathryn. New Art Examiner June 1997: 36.

Iannaccone, Carmine. Frieze March-April 1997: 83-4.

Ingleby, Richard. "Down the Pan." The Independent 25 July 1997.

Killiam, Brad. "Veneer Plywood." Art Muscle January-February 1997: 22.

Musgrave, David. Art Monthly no. 209 September 1997: 40-42.

"Position of Pretension." Hampstead & Highgate Express 1 August 1997.

Sherlock, Maureen. "The Sentimental Education of a Solitary Walker." New Art Examiner September 1997: 25-31, 69.

Slyce, John. What's On 27 August 1997: 17.

Smith, Roberta. "A Channel-Surfing Experience with Beanbag Chairs and Gym." The New York Times 25 April 1997: C22.

Sonna, Birgit. "Kunst mit Altmuhl und Amobe." Suddeutsche Zeitung no. 27 1997: 14.

 

1996   Guth, Peter. "Menschenstroeme im Licht-Atem." Frankfurter Allgemeine Zeitung 20 March 1996: 37.

Hegewisch, Katherina. "Die Kunst der drei Grazien." Wochenpost 21 March 1996: 38-39.

Herbstreuth, Peter. "The First Summer of Art in the Nineties." Atelier International no. 831 November 1996: 17-36.

Herbstreuth, Peter. "In ig fuereinander bestimmt." Der Tagesspiegel no. 15567 15 March 1996: 23.

Herbstreuth, Peter. "Jorge Pardo in der Galerie neugerriemschneider." Das Kunst Bulletin no. 10 1996: 36.

Husemann, Ralf. "Schrille Toene: Die Kunst in neuen Leipziger Messebau." Sueddeutsche Zeitung 15 March 1996: 14.

Manetas, Miltos. "Jorge Pardo." Flash Art Summer 1996: 132-133.

Pagel, David. Los Angeles Times 27 November 1996: F30.

Schmerler, Sarah. "4 Rms,Video Vu." Time Out New York 1-8 May 1996: 36.

Volk, Gregory. "Jorge Pardo at Friedrich Petzel." Art in America December 1996: 93.

Walker, Hamsa. Dialogue May-June 1996: 25.

Ziegler, Ulf Erdmann. "Open City: Report from Munster." Art in America no. 9 September 1997: 34-39.

 

1995  Dziewior, Yilmaz. "Jorge Pardo." Artforum vol. 34 no. 3 November 1995: 100.

Greene, David A. "I Saw the Light (and Space)...and It Was Good." Los Angeles Reader 21 April 1995: 24.

Mueller, Sabine. "Der Betrachter Prallt Zurueck." Koelner Stadt-Anzeiger 2 June 1995: 14.

Schneider, Christiane. "Jorge Pardo." Frieze September-October 1995: 81-83.

 

1994  Avgikos, Jan. Artforum April 1994.

Choon, Angela. "Openings." Art & Antiques February 1994: 26.

Clothier, Peter. "Pure Beauty." ARTnews vol. 94 no. 2 February 1994:132.

Cohen, Michael. "Pachuco Style." Flash Art vol. 27 no. 176 May-June 1997: 87-90.

Fricke, Harald. "Kunst in Berlin jetzt: Jorge Pardo." die tageszeitung May 1994: 18.

Goldstein, Ann. Pure Beauty. Paris: The American Center, 1994.

Reader 21 April 1994: 24.

Kanjo, Kathryn. Breakdown. San Diego: San Diego Museum of Art, 1994.

Pinkus, Robert L. "Show's ideas are too clever, too obvious and forgettable." San Diego Union Tribune 5 May 1994: 32.

Schmidt-Wulffen, Stephan. "Notizen Zu Skulptur Und Gegenwart." Neue Bildenede Kunst February-March 1994: 16-21.

Schneider, Christiane. "Jorge Pardo." Jahresring 41 1994: 34-35.

Texte zur Kunst November 1994 (cover ill.)

Wilson, William. "Pure Beauty: Irony Becomes Stale Second Time Around." Los Angeles Times 27 September 1994: F14.

 

1993  Bellars, Peter. "A Four-Man Show with New Ideas." Asahi Evening News 21 March 1993: 9.

Blum, Timothy and George Porcari. Jorge Pardo. Tokyo: Person's Weekend Museum, 1993.

Greene, David A. "Jorge Pardo at Thomas Solomon's Garage." Art Issues 29 September-October: 38.

Pagel, David. "Young Lamplighter." Los Angeles Times 12 April 1993: F8.

Scarbourough, James. "Jorge Pardo: Thomas Solomon's Garage." Flash Art vol. 26 no. 172 October 1993: 88-89.

 

1992   Kane, Mitchell. Pressure on the Public. Hillsboro, WI: The Hirsch Farm Project, 1992.

Knight, Christopher. "10 California Artists: 'Facing the Finish.'" Los Angeles Times 1 May 1992: F24.

 

1991   Geer, Suvan. "Jorge Pardo Gets Honest About Hype." Los Angeles Times 2 August 1991: F18.

Kandel, Susan. "L.A. in Review: Jorge Pardo." Arts October 1991: 102-3.

Riley, Robert. "Remodeling: Notes on Nayland Blake, Jim Campbell, James Luna, Jorge Pardo, and Millie Wilson." Facing the Finish. San Francisco: San Francisco Museum of Modern Art, 1991.

Van Proyen, Mark. "Born to Shop: 'Facing the Finish' at the San Francisco Museum of Modern Art." Artweek 24 October 1991: 1, 15-16.

 

1990   Brougher, Nora Halpern. "Jorge Pardo." Flash Art vol. 23 no. 154 October 1990: 156-157.

Knight, Christopher. "Impressive Debut." Los Angeles Times 27 April 1990.

Kornblau, Gary. "Jorge Pardo at Thomas Solomon Gallery." Art Issues September-October 1990: 35.

 

 

Public Collections

 

Boijmans Van Beuningen Museum, Rotterdam, Holland

Museum of Contemporary Art, Chicago

Museum of Contemporary Art, Los Angeles

Museum of Contemporary Art, Miami

Museum of Modern Art, New York

Museum van Hedendaagse Kunst, Ghent, Belgium

 

 

Selected Public Projects and Commissions

 

Streetcar Stop for Portland, 2014

Untitled, Guajataca, 2005

Penelope Revealed, Wolstenholme Square, Liverpool, 2004

Untitled, Lever House, New York, 2004

Untitled, Stndehaus Dsseldorf Museum K 20/21, 2003

Delegates Dining Room, German Parliament, Paul-Lbe-Haus, Berlin, 2003

Historic Turbine-Hall of the Stadtwerke Dsseldorf, 2003

Caf, Bundestaag, Berlin, 2002

Kitchen at Copia: The American Center for Food, Wine and the Arts, Napa, 2001

Dormitory, Krabbesholm, Hojskole, Skive, 2001

Bar, Center for Contemporary Art, Glasgow, 2001

Dormitory, Massachusetts Institute of Technology, Cambridge, 2001

Lamps, Sotheby's, New York, 2001

Project, Dia Center for the Arts, New York, 2000

Autobahn-Raststatte, Pratteln, 2000

Fabric Workshop & Museum, Philadelphia, 1999

4166 Sea View Lane, Los Angeles, 1998

Pier, Muenster, 1997

Tomatensuppe, Koln, 1997

Lighthouse, Museum Boijmans-van Beuningen, 1997

Clock, clock, clock, clock, clock (you have to say it fast), Stuttgart, 1997

Reading Room, Boijmans Van Beuningen Museum, Rotterdam, 1996

East Meets West Restaurant, The Leipzig Expo Center, Leipzig, 1996

 

 

Grants/Awards

 

Smithsonian American Art Museum Lucelia Award

The Louis Comfort Tiffany Foundation

MacArthur Fellowship Award, 2010