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Parreno/Pardo
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PHILIPPE PARRENO Born Oran, Algeria, 1964 Lives and works in Paris, France
Education
1989 Institut des Hautes Etudes en arts plastiques, Palais de Tokyo, Paris 1983-1988 Ecole des Beaux-Arts de Grenoble 1981-1983 Math
SOLO-EXHIBITIONS
2013 1301PE, Los Angeles, CA
2012 Philippe Parreno, Fondation Beyeler, Basel, Switzerland (cat.)
2010 Philippe Parreno, Pilar Corrias Gallery, London, UK Philippe Parreno, Serpentine Gallery, London, UK June 8, 1968, Hessel Museum, CCS Bard College, Annandale-on-Hudson, NY
2009 Philippe Parreno, Irish Museum of Modern Art, Dublin, Ireland May, Kunsthalle Zurich, Switzerland Philippe Parreno, Musee national d'Art moderne, Centre Georges Pompidou, Paris, France
2008 Suicide in Vermilion Sands, Friedrich Petzel Gallery, New York, NY October, Pilar Corrias Ltd., London, UK Philippe Parreno, Walker Art Center, Minneapolis, MN Philippe Parreno, Friedrich Petzel Gallery, New York, NY
2007 Stories Are Propaganda, Friedrich Petzel Gallery, New York, NY What do you believe my eyes or my words?, Haunch of Venison, London, UK Le cri ultrasonic de l'ecureil, Air de Paris, Paris, France Philippe Parreno, Esther Schipper, Berlin, Germany
2006 Philippe Parreno, Friedrich Petzel Gallery, New York, NY Interior Cartoons, Esther Schipper, Berlin, Germany Again for Tomorrow, Royal College of Art Galleries, London, UK Briannnnnn & Ferryyyyyy/Law Creaitivity, with Liam Gillick, Kunsthalle Zurich, Swtizerland
2005 The Boy from Mars, Friedrich Petzel Gallery, New York, NY Philippe Parreno, Air de Paris, Paris, France Atlas of Clouds, 1301PE, Los Angeles, CA You and Me, Me and You, with Douglas Gordon, Fondazione Davide Halevim, Milan, Italy Briannnnnn & Ferryyyyyy, with Liam Gillick, Vamiali's, Athens, Greece
2004 Fade Away, Kunstverein, Munich, Germany Anna Sanders Films, Worldwide Video Festival, Filmmuseum, Amsterdam, The Netherlands (Rider): Law & Creativity, with Liam Gillick, Konsthalle, Lund, Sweden
2003 The Sky of The Seven Colors, CCA Kitakyushu, Japan Alien Season, Friedrich Petzel Gallery, New York, NY TV Channel, Yvon Lambert, Paris, France
2002 El Sueño de una cosa, Portikus Museum, Frankfurt, Germany Alien Season, Musee d'Art Moderne de la Ville de Paris, Paris, France Anywhere out of the world, Kunstverein Munchen, Munich, Germany A Smile Without a Cat, with Pierre Huyghe, Art Basel Miami Beach, FL
2001 Mont Analogue, Aire de Paris, Paris, France Mont Analogue, Friedrich Petzel Gallery, New York, NY Mont Analogue, Rirkrit Toravanija's Studio, Bangkok, Thailand In Many Ways the Exhibition Already Happened, ICA, London, UK El sueno de una cosa, Museet Project, Moderna Museet, Stocklhom, Sweden One Thousand Pictures Falling from One Thousand Walls, Friedrich Petzel Gallery, New York, NY About, with D. Gonzalez-Foerster and P. Huyghe, Contermpary Arts Center, Cincinnati, OH Anywhere Out of the World, Institut of Visual Culture, Cambridge, UK
2000 No Ghost Just a Shell: Anywhere Out of the World, Air de Paris, Paris, France No Ghost Just a Shell: Anywhere Out of the World, Schipper und Krome, Berlin, Germany One Thousand Pictures Falling from One Thousand Walls, MAMCO, Geneva, Switzerland Dominique Gonzalez-Foerster, Philippe Parreno, Pierre Huyghe, Kunstverein, Hamburg, Germany Pierre Huyghe, Philippe Parreno, Tramway, Glasgow, UK 06.00 PM, with Pierre Huyghe, San Francisco Art Institute, CA
1999 Ynglagatan, Stockholm, Sweden Listen to this Picture, Gallery Shipper&Krome, Berlin, Germany
1998 Blue Almost Transparent, Kunstverein Ludwigsburg, Ludwigsburg, Germany ARC, with Pierre Huyghe and D. Gonzalez-Foerster, Musée d'art moderne de la Ville de Paris, France Philippe Parreno, INOVA, Milwaukee, WI Galerie Schipper & Krome, Berlin, Germany Le Procès de Pol Pot, with Liam Gillick, Magasin, CNAC, Grenoble, France
1997 Postman Time,On art and its places open to 21 C, Kunsthalle, Nürenberg, Germany Air de Paris, Paris, France Vitrines des artistes, Nina Ricci, Paris, France Speech Bubbles, Galerie Sous-sol, Geneva, Switzerland
1996 Ou, Air de Paris, Paris, France While, Snow dancing, or The merlin disease, A birthday tree, Robert Prime, London, UK Happy Ending Sweden, 1996, Ynglagaten, Stockholm, Sweden Vicinato, with Carsten Höller and Rirkrit Tiravanija, Raum Aktueller Kunst, Vienna, Austria
1995 Snow Dancing, Le Consortium, Dijon, France Possessions NZET, Air de Paris, Gent, France While…, Kunstverein, Hamburg, Germany
1994 Werktische, Schipper & Krome, Cologne, Germany Vicinato, with Carsten Höller and Rikrit Tiravanija, Studio Guenzani, Milan, Italy Innocent et Emprionné, with Carsten Höller, Air de Paris, Paris, France (cat.) No More Reality versus Sukunft, with Carten Höller, Galerie Nicolai Wallner, Copenhagen, Denmark Cette culture qui nous vient de la rue..., cur. P. Restany, Galerie Municipale, Vitry-sur-Seine, France La nuit des heros, Salle Garance, Centre Georges Pompidou, Paris, France La nuit des heros, Espace FRAC Pouitou Charente, Angouleme, France
1993 Gegenüber von Bucholz & Bucholz, Daniel Bucholz, Cologne, Germany Plaidoyer, Galerie Esther Schipper, Cologne, Germany L'Imitateur, Magalerie, Paris, France No More Reality, Black Box, Munich, Germany
1992 Philippe Parreno, Galerie Claudine Papillon, Paris, France
1991 Try Snacking, with P. Joseph, Air de Paris, Paris, France
SELECTED GROUP EXHIBITIONS
2012 Print/Out, Museum of Modern Art, New York, NY Cage100: Opening Spaces for Action, Galerie für Zeitgenössische Kunst, Leipzig, Germany Ghosts in the Machine, The New Museum, New York, NY
2011 Illuminations, 54th International Art Exhibition, La Biennale di Venezia, Venice, Italy Minimalism and Applied II, Daimler Contemporary, Berlin, Germany
2010 Preder La Porte et Faire Le Mur, Frac Provence-Alpes-Cote d'Azur, Marseille, France Courant d'art au rayon de la quincaillerie, BHV, Paris, France Morality, Witte de With, Rotterdam, The Netherlands Love at first sight, Kaohsiung Museum of Fine Arts, Kaohsiung City, Taiwan Animal politique, Franc Poitou-Charentes, Angouleme, France The nice thing about Castillo/Corrales, Castillo/Corrales, Paris, France Biennale for International Light Art, Bergkamen, Bonen, Germany Frondenberg/Ruhr, Hamm, Lunen, Unna, Germany Last Ride in a Hot Air Balloon, 4th Auckland Triennal, New Zealand Spatial City: An Architecture of Idealism, Institute of Visual Art, Milwaukee, WI Double Bind, Villa Arson, Nice, France Pictures about Pictures, Discursive painting, Museum Moderner Kunst, Vienna, Austria Hard Targets, Wexner Center for the Arts, Columbus, OH Ibrido, Padiglione d'Arte Contemporanea, Milan, Italy One Room, One Work, 1301PE, Los Angeles, CA
2009 Top 10 Allegories, cur. Hard Hat, Galerie Francesca Pia, Zürich, Switzerland La Suite, Galerie Air de Paris, Paris, France The Puppet Show, Contemporary Arts Museum, Houston, TX; Frye Art Museum, Seattle, WA
2008 Theanyspacewhatever, Guggenheim Museum, New York, NY Absence, South Tipperary County Museum, IMMA National Programme, Dublin, Ireland The Puppet Show, Institute of Contemporary Art, Philadelphia, PN; Santa Monica Museum of Art, CA Pivot Points, Museum of Contemporary Art, North Miami, FL The Contemporary Museum, Honolulu, HI Video works from the Sandretto Re Rebaudengo Collection, Fondazione Sandretto Re Rebaudengo, Turin, Italy Yokohama Triennial, Japan Always Begins by Degrees, The Common Ground, Glasgow, UK
2007 An Atlas of Events, Fundacao Calouste Gulbenkian, Lisbon, Portugal (cat.) Everstill, Philip De Lorca House, Granada, Spain Words Fail Me, Museum of Contemporary Art, Detroit, MI 52nd Venice Biennale, cur. Robert Storr, Venice, Italy Words Fail Me, cur. Mathew Higgs, MOCAD, Detroit, MI Slash Fiction, Gasworks, London, UK Mood Swings, Galerie Micheline Szwajcer, Antwerp, Belgium Midi-Minuit/Mediodía-Medianoche, Palais de Tokyo, Paris, France; Centro Cultural Recoleta, Buenos Aires, Argentina Collateral 2, SESC, San Paul, Brazil Début de siècle, Musée Départemental de Rochechouart, Rochechouart, France Stop & Go, Fondazione Sandretto Re Rebaudengo, Turin, Italy Tomorrow, Artsonje Center & Kumho Museum of Art, Seoul, South Korea Existencias, Musac, Leon, Spain Everstill, cur. Hans Ulrich Obrist, Lorca's house, Granada, Spain A History of Two Mountains/ One the Original/ Two a Copy/ Both Equally Heavy, Auto Italia South East Gallery, London, UK Antes y después del minimalismo, Museu d'Art Espanyol Contemporani, Palma de Mallorca, Spain (I'm Always Touched) By Your Presence, Dear: New Acquisitions, Irish Museum of Modern Art, Dublin, Ireland Eros, Musée d'Art moderne et d'Art Contemporain, Liege, Belgium Nuit Blanche, Mayenne Ville, France Nuit Blanche, Versailles, France So Watt!, Espace Electra, Paris, France Auto Emotion, The Power Plant, Toronto, Canada Passage du temps, Collection Francois Pinault, Tri Postal, Lille, France La nuit des musées, ARC/Musée d'Art Moderne de la Ville de Paris, France Ateliers, l'artiste et ses lieux de creation, Centre Pompidou, Paris, France (cat.) Objectif Lunel, Espace Louis Feuillade, Lunel, France Dominique Gonzales-Foerster: Expodrome, ARC-Musée d'Art Moderne de la Ville de Paris, France Trajectory 4, cur. Maria Lind, LCCA, Riga, Latvia Learn to Read, Level 2 Gallery, Tate Modern, London, UK E-Flux video rental, Carpenter for Center for the Visual Arts, Cambridge, MA; Centre Culturel Suisse, Paris, France Airs de Paris, Centre Pompidou, Paris, France (cat.) Collateral, Hangar Bicocca, Milan, Italy Comic Abstraction, cur. Roxana Marcoci, Museum of Modern Art, New York, NY (cat.) L'emprise du lieu, cur. Daniel Buren, domaine Pommery, Reims, France
2006 .all Hawaii ENtrees/luNar reggae, Irish Museum of Modern Art, Dublin, Ireland (cat.) Thankyou For The Music, Spruth Magers Lee, London, UK Universal Experience: Art, Life, and the Tourist's Eye, MartRoverto, Roverto, Italy Again for tomorrow, Royal College of Art, London, UK Classical: Modern I, Daimler Chrysler Contemporary, Berlin, Germany The Expanded Eye, Kunsthaus Zürich, Switzerland D'entrée de jeu, La Chapelle Jeanne d'Arc, Thouars, France Cinema(s), Le Magasin, Grenoble, France A Short History of Performance, Part IV, Whitechapel Gallery, London, UK Tate Triennial, Tate Britain, London, UK Melancholia, with Pierre Huyghe, Sommer Contemporary Art, Tel Aviv, Israel Eldorado, Mudam, Luxembourg Exploring Party, Württembergischer Kunstverein Stuttgart, Stuttgart, Germany New Space, Pinchuk Art Center, Kiev, Ukraine E-Flux video rental, Extra City Center for Contemporary Art, Antwerp, Belgium; Arthouse at the Jones Center, Contemporary Art for Texas, Austin, TX Thank you for the music (London Beat), Sprüth Magers Lee, London, UK L'Ambassade des Possibles, 40mcube, Rennes, France Lovely Shangai Music, Zendai Museum of Modern Art, Shanghai, China 4th Liverpool Biennial, Liverpool, UK La Force de l'art: Superdéfense, cur. Eric Troncy, Grand Palais, Paris, France Classical: Modern, Daimler Chrysler Collection, Berlin, Germany Again for tomorrow, Royal College of Art, London, UK (cat.)
2005 Thank You For the Music, Sprüth Magers Projekte, Munich, Germany Beyond: An Extraordinary Space of Experimentation for Modernization, with Rirkrit Triavanija, The Second Guangzhou Triennial, Guangzhou, China Ambiance, K21, Düsseldorf, Germany (cat.) Mouvement, Museum Ludwig, Cologne, Germany (cat.) Present Perfect, Friedrich Petzel Gallery, New York, NY Bidibidobidiboo, cur. Francesco Bonami, Fondazione Sandretto Re Rebaudengo, Turin, Italy Group Show, Air de Paris, Paris, France Invisible Script (A Letter to Morel), W139, Amsterdam, The Netherlands Shadowland: An Exhibition as a Fim, Walker Art Center, Minneapolis, MN No Ghost Just a Shell, Van Abbemuseum, Eindhoven, The Netherlands (Rider): Law & Creativity, Konsthalle, Lund, Sweden Experiencing Duration, Biennale d'art Contemporain, Lyon, France (cat.) Funny Cuts: Cartoons und Comics in der sitgenossischen Kunst, Staatsgalerie, Stuttgart, Germany Boy From Mars, Friedrich Petzel Gallery, New York, NY A letter to Model, Contemporary Art Center, Vilnius, Lithuania Universal Experience: Art, Life and the Tourist's Eye, Museum of Contemporary Art, Chicago, IL (cat.) Light Art: from artificial light, ZKM, Karlsruhe, Germany Ann Lee, Les Abattoirs, Toulouse, France Strictement confidentiel, Centre international d'art et du paysage, Vassiviere, France En corps, et encore!, Centre Régional de Documentation Pédagogique, Poitiers, France War is over, galleria d'Arte Moderna e Contemporanea, Bergamo, Italy (cat.) Radio Days, De Appel, Amsterdam, The Netherlands Group Show, Air de Paris, Paris, France (cat.) Invisible Script (A letter to Morel), cur. Francois Piron, W 139, Amsterdam, The Netherlands
2004 Opportunity and regret, cur. Eva Maria Stadler, Grazer Kunstverein, Graz, Austria Museum of Contemporary Art, Kanazawa, Japan 3' Condensed Information, commissioned by Schirn Kunsthalle, Frankfurt, Germany Artist's Favourites, Institute of Contepmorary Art, London, UK Establishing Shot, Artists Space, New York, NY Across the border, Museum Dhondt-Dhaenens, Deurle, Belgium The Drawing Project, Vamiali's, Athens, Greece My Way, Air de Paris, Paris, France The Big Nothing, Insitute of Contemporary Art, Philadelphia, PA (cat.) Before the End, cur. Stéphanie Moisdon, Le Consortium Dijon, France (cat.) Grasduinen 1, SMAK Gent, Belgium No more reality, Nils Staerk Contemporary Art, Copenhagen, Denmark Dak Art 2004, Biennale Dakar, Senegal Utopia Station, Haus der Kunst, Munich, Germany Hors d'œuvre, CAPC, Bordeaux, France (cat.) El estado de las cosas, MARCO, Vigo, Spain (cat.) 21st Century Museum of Contemporary Art, Kanazawa, Japan Grotesque, Burlesque, Parodie, Abbaye Saint-Andre Centre d'Art Contemporain, Meymac, France Across the border, Museum Dhondt-Dhaenens, Deurle, Belgium La Collection d' art contemporain d'Agès B, Les Abbattoirs, Toulouse, France Sportivement vôtre, Domaine départemental de Chamarande, France (cat.)
2003 No Ghost Just a Shell, Rosa & Carlos de la Cruz Collection, Miami, FL C'est arrivé demain, cur. Le Consortium, Anne Pontagonie et Robert Nickas, Biennale de Lyon, France (cat.) Performance for the publication of Hans Ulrich Obrist Interviews – Volume 1, at Dia: Chelsea bookshop, New York, NY Game Art, Institut für Kulturaustausch, Tübingen, Germany It Happened Tomorrow, Lyon Biennale, Lyon, France Utopia Station, Biennale di Venezia, Venice, Italy The Daimler Chrysler Collection, Museum fuer Neue Kunst zkm Karlsruhe, Germany No Ghost Just a Shell, Van Abbemuseum, Eindhoven, The Netherlands (cat.) Coolustre, cur. Eric Troncy, Collection Lambert, Avignon, France The Air is Blue, Casa Barragán Mexico City, Mexico Philippe Parreno & Jorge Pardo, Air de Paris, Paris, France Sodium Dreams, Bard College, Annandale-on-Hudson, NY 25th International Biennial of Graphic Arts, with Pierre Huyghe, Ljubljana, Slovenia Lee 3 (tau ceti central armory show), Villa Arson, Nice, France Ill Communication, Duundee Conetmporary Arts, Dundee, UK Parcours de choix, Arsenal, Metz, France Animations, Kunst-Werke, Berlin, Germany (cat.) JRP Editions, Galeria Javier Lopez, Madrid, Spain Selected Multiples by JRP Editions, Galerie Edward Mitterand, Geneva, Switzerland
2002 Light x Eight: The Hanukkah Project 2002, The Jewish Museum, New York, NY Hell, neugerriemschneider, Berlin, Germany Touch, Relational Art from the 1990s to Now, Walter and McBean Galleries, San Francisco Art Institute, CA Chapter V, cur. Julie Baranes and Alejandro Cesarco, Art Resources Transfer, New York, NY Stories, Haus der Kunst, Munich, Germany (cat.) (The World May Be) Fantastic, Sydney Biennial, Australia Group Show, Friedrich Petzel Gallery, New York, NY No Ghost Just a Shell, SFMOMA, San Francisco, CA French Collection, Mamco, Geneva, Switzerland Sans commune mesure, Musée d'Art Contemporain Lille Métropole, Villeneuve d'Asq, France El aire es azul, casa museo Francisco Ramirez, Mexico City, Mexico No Ghost Just a Shell, Kunsthalle Zürich, Switzerland (cat.) Récits Récits, Abbaye-Saitn-André, Meymac, France Société perpendiculaire: la tapisserie, FRAC Provence-Alpes-Côte-d'Azur, France The object sculpture, The Henry Moore Institute, Leeds, UK (cat.) Exchange and transform, Kunstverein, Munich, Germany (cat.) Self/In Material Conscience, Fondazione Sandretto Re Rebaudengo, Guarene d'Alba, Italy Les vertues sont des titres, les souffrances sont des droits, Hôtel Saint-Simon, Angoulême, France Touch: Relational Art from the 1990's to Now, San Francisco Art Institute, Walter and McBean Galleries, San Francisco, CA
2001 Neue Welt, Frankfurter Kunstwerein, Frankfurt, Germany EGOFUGAL, 7th International Istanbul Biennial, Istanbul, Turkey Tele(visions), Kunsthalle Wien, Austria Intentional Communities, Centre d'Art Contemporain, Vilnius, Lithuania; Rooseum Art Center, Malmö, Sweden Dévoler, vivent les Fracs, IAC, Villeurbanne, France Dedallic Convention, MAK Galerie, Vienna, Austria Mouvements immobiles, Musée d'Art Moderne de Buenos Aires, Argentina Il Dono, Palazzo delle Papesse, Siena, Italy Double Life, Generali Foundation, Vienna, Austria Animations, PS1, New York, NY Let's Entertain, Kunstverein Wolfsburg, Ludwigsburg, Germany No Ghost just a Shell, in Exploding Cinema: Cinema without walls, Museum Boijmans Van Beuningen, Rotterdam, The Netherlands Tele(visions), Kunsthalle Wien, Austria
2000 Au-delá du spectacle, Centre Pompidou, Paris, France Cushy Job, ARTRA, Milan, Italy Air-Air, Grimaldi Forum, Monaco Une Monde Dans une Coquille de Noix, Frac Provence-Alpes-Côte d'Azur, Marseilles, France Today, Today, Today, Spazi Mentali, Spazi Reali, cur. Francesco Bonami, Pitty Imagine Discovery, Florence, Italy I love you too, but…, Galerie Für zeitgenössische Kunst, Leipzig, Germany Presumed Innocent, CAPC, Bordeaux, France Vincinato 2, neugerriemschneider, Berlin, Germany Beruhmte Kunstler helfen Koch und Kesslau, Koch und Kesslau, Berlin, Germany Acquisizioni recenti, Fondazione Sandretto Re Rebaudengo, Guarene d'Alba, Italy The real and the fake, Nationalgalerie im Hamburger Bahnhof, Berlin, Germany What if: Aart on the verge of architecture and design, Moderna Museet, Stockholm, Sweden Cette Culture qui nous vient de la rue, cur. P. Restany, Galerie Municipale, Vitry-sur-Seine, France EDIT, Badisher Kunstverein, Karlsruhe, Germany Let's Entertain, cur. P. Vergne, Walker Art Center, Minneapolis, MN (cat.). Travelled to, Portland Art Museum, Centre Georges Pompidou, Museo Rufino Tamayo, Miami Art Museum, FL Project #0004, Friedrich Petzel Gallery, New York, NY Vivre sa Vie, Tramway, Glasgow, UK
1999 Le Proces de Pol Pot, Magasin, Grenoble, France Culbutes, Oeuvre d'impertinence, with Pierre Joseph, Musée d'art Contemporain de Montréal, Canada Hypothèses de Collection, FRAC PACA, Musée du Luxembourg, Paris, France (cat.) Esther Shipper, Cologne, Germany 1972, Air de Paris, Paris, France D'Apertutto, with Pierre Huyghe and Dominique Gonzalez-Foerster, cur. H. Szeemann, Biennale di Venizia, Venice, Italy (cat.) Dreams, Fondazione Rebaudengo, Venice, Italy Une histoire parmi d'autres, Collection de Michel Poitevin, Nord-pas-de-Calais, France Bonne Année!, Air de Paris, Paris, France Weather Everything, Galerie für Zeitgenössische Kunst, Leipzig, Germany (cat.)
1998 May 98, Kunsthalle, Cologne, Germany (cat.) Leibesübungen, Sport und Kunst, Kulturrefat, Munich, Germany La Table, Air de Paris, Paris, France Dumbpop, Jerwood Gallery, London, UK. Traveled to Metropolitan University Gallery, Leeds, UK Air de Paris: Works by and/or Information about, Grazer Kunstverein, Graz, Austria Aperto, Biennale di Venezia, Venice, Italy
1997 Campo 6, cur. Francesco Bonami, Bonnefanten Museum, Maastricht, The Netherlands Images, Objets, Scènes, Magasin, Grenoble, France (cat.) Moment Ginza, Magasin, Grenoble, France Enter: Artist/Audience/Institution, cur. B. Steiner, Kunstmuseum Luzern, Switzerland (cat.) Connexions implicites, ENSBA, Paris, France (cat.) 1 minute scénario, cur. J. Sans, Foundation Cartier pour l'art contemporain, Printemps de Cahors. France (cat.) Verson Originale, cur. Georges Rey http://lyon-city.org L'Autre, cur. Harald Szeeman, Biennale de Lyon, France. (cat.) X-squared, with Pierre Hyughe, cur. A. Spiegl, Wiener Secession, Vienna, Austria (cat.) Identité, Le Nouveau Musée, Villeurbanne, France Nevermind, Forum Stadtpark, Graz, Austria Post-Production, Forde, Geneva, Switzerland Group Show, Robert Prime, London, UK Immobile, Magasin, Paris, France
1996 Traffic, with Maurizio Cattelan, cur. Nicolas Bourriaud CAPC Bordeaux, France (cat.) More Time, Less History, cur. Joao Fernandez, Fundacao Serralves, Oporto, Portugal (cat.) Nach Weimar, cur. K. Biesenbach and N. Schafhausen, Ladesmuseum, Weimar, Germany Kunstverein, Weimar, Germany (cat.) Campo 6, cur. Francesco Bonami, Galeriea Civica d'arte Moderna e Contemporanea, Turin, Italy (cat.) FRAC PACA, Marseille, France Found Footage, Galerie Gasser Grunert, Cologne, Germany (cat.) Schipper & Krome, Cologne, Germany Hide and Seek, cur. Ami Barak, Teddy Kollek Stadium, Malcha, Jerusalem, Israel (cat.)
1995 Volatile Colonies, with Rirkrit Tiravanija, cur. Kendell Geers, Biennale de Johannesburg, South Africa (cat.) The Moral Maze, with Liam Gillick, Le Consortium, Dijon, France A Voice Apron, Basilico Fine Arts, New York, NY Collection, fin Xxième, FRAC Poitou Charentes, Poitiers, France (cat.) Histoires de l'infâmie, cur. J.Y. Jouannais, 46è Biennale de Venice, Italy (cat.). Traveled to FRAC Auvergne, Mont-Luçon, France Ripple Across The Water, cur. Jan Hoet, Aoyama, Tokyo, Japan Rewind, cur. Eric Troncy, City Racing, London, UK Passions privées, Musée d'Art Moderne, Paris, France (cat.) Is It Nice?, Centre d'Art Contemporain, Neuchatel, France (cat.) Fast Forward, Konsthall Malmö, Sweden Toys, Galerie Jousse-Seguin, Paris, France Des fourmis dans les jambes, Association Galerie Artem, Quimper, France L'effect cinema, Musée du Luxembourg, Paris, France Snow Job, L'Usine, Geneva, Switzerland Omron on Screen, cur. Henry Bond, London, UK La Nuit des Heros, Espace Kodak, Paris, France Le Labyrinthe moral, Le Consortium, Dijon, France Biennale de Lyon, with Charles de Meaux, Musée d'art Contemporain, Lyon, France (cat.) Carsten Holler, Philippe Parreno, Rirkrit Triavanija, Studio Guenzani, Milan, Italy
1994 Don't Look Now, Thread Waxing Space, New York, NY (cat.) The Mdeia & Art Exhibition 94, MMC Studios, Cologne, Germany Surface de réparations, cur. Eric Troncy, FRAC Bourgogne, Dijon, France (cat.) Backstage, Kunstmuseum Luzern, Switzerland (cat.) FRAC Poitou Charentes, Angoulême, France Nouvelle vague, Musée d'Art Moderne et d'Art Contemporain, Nice, France (cat.) Sonne München, Daniel Buchholz, Cologne, Germany Sogetto-Sogetto, cur. G. Verzotti, Castello di Rivoli, Turin, Italy (cat.) Résidence secondaire, cur. Nicolas Bourriaud, rue St Nicolas, Paris, France (cat.) Rudiments pour un musée possible, MAMCO, Geneva, Switzerland No More Reality versus Zukunft, with C. Höller, Galleri Nicolai Wallner, Copenhagen, Denmark (cat.) Monaco Grand Prix 94, cur. A. Huber, Monte Carlo, Monaco Lost Paradise, cur. B. Steiner, Kunstraum, Vienna, Austria Surface de réparations, cur. Eric Troncy, 2. FRAC Bourgogne, Dijon, France Try Snaking, with P. Joseph, Air de Paris, Nice, France
1993 L'auberge Espagnole, Villa Arson, Nice, France Esther Schipper at the Christoper Grimes Gallery, Los Angeles, CA Domorama La Criée, cur. D. Perreau, Rennes, France Unité 1, cur. Y. Aupetitallot, Firminy, France (cat.) Standards, Aperto 93, 45 Biennale de Venizia, Venice, Italy (cat.) Le Principe de réalité, Villa Arson, Nice, France (cat.) Summer 93, Air de Paris, Nice, France La Peur des Anges, Air de Paris and Galerie Jousse Seguin, Paris, France Backstage, Kunstverein Hamburg, Germany Unplugged, cur. Nicolas Bourriaud, Holiday Inn and November TV, Cologne, Germany Christmasshop, Air de Paris, Paris, France
1992 Il faut construire l'Hacienda, cur. Eric Troncy and Nicolas Bourriaud, C.C.C. Tours, France (cat.) Cadavre-exquis, with P. Joseph and P. Perrin, Galerie M. Pommier, Tours, France Molteplici culture: Arte e Critica, Casa della Città, Rome, Italy (cat.) Tattoo Collection, Galerie Jennifer Flay, Paris, France. Traveled to Galerie Daniel, Buchholz, Cologne, Germany Group Show, curated by Air de Paris and Urbi et Orbi, Galerie Andrea Rosen, New York, NY Postcards from Alphaville, PS1, New York , NY (cat.) That's all… my friends, Galerie Montaigne, Paris, France Sport & Play, with Pierre Joseph, Gallery Yaki Kornblit, Amsterdam, The Netherlands Le Dimanche de la Vie, with Pierre Joseph, Galerie Gio Marconi, Milan, Italy Time Bandits, Fac Simile, Milan, Italy I, Myself and the Others, with P. Perrin, Magazin, Grenoble, France Nur 72 Stunden, cur. Christiane Schneider and Petra Stilper, Tiefgarage Bismarckstrabe, Cologne, Germany Poitou-Charentes, with Pierre Joseph, FRAC Angoulême, France Tiefgarage, with Pierre Joseph, Cologne, Germany (cat.)
1991 No Man's Time, cur. Eric Troncy & C. Bernard, Villa Arson, Nice, France (cat.) U-Vision, with Pierre Joseph, B. J. and Dominique Gonzalez-Foerster, Festwochen, Vienna, Austria (cat.) Topographie II: Underground, Wiener Festwochen, Vienna, Austria Gang Bang, Air de Paris, Paris, France Christmas Show, Air de Paris, Nice, France Real Time, Art Metropole, Toronto, Canada Vis à Vis, with Pierre Joseph, Le Miroir des Galeries, Anciennement Etablissements Sacrés, Liège, Belgium French Kiss II, le Retour, APAC, Nevers, France L'Amour de l'Art, with Dominique Gonzalez-Foerster, B. Joisten and Pierre Joseph, Biennale d'Art Contemporain, Lyon, France (cat.)
1990 The Köln Show, with B. Joisten and Pierre Joseph, Galerie Max Hetzler, Cologne, Germany French Kiss, cur. Eric Troncy, Geneva, Switzerland (cat.) Courts-metrage immobiles, with B. Joisten and Pierre Joseph, cur. Nicolas Bourriaud, XVIL Biennale, Prigioni, Venice, Italy (cat.) Grenoble/ Innsbruck, with Dominique Gonzalez-Foerster, B. Joisten and Pierre Joseph, Galerie im Taxispalais, Innsbrück, Austria (cat.) Ozone, with Dominique Gonzalez-Foerster, B. Joisten and Pierre Joseph, FRAC Corse, Corsica, France Les Ateliers du Paradis, with P. Perrin and Pierre Joseph, Air de Paris, Nice, France Once upon a Time in City Bild…, with Pierre Joseph, Esther Shipper, Cologne, Germany
1989 Il n'y a pas d'Art Francais, PUBLIC no. 4, Cologne; London; New York; Prague 23 images de l'art français, Galerie Trietikov, Moscow, Russia De l'instabilité, with Dominique Gonzalez Foerster, B. Joisten and Pierre Joseph, Centre National des Arts Plastiques, Paris, France (cat.) 1989, with B. Joisten and Pierre Joseph, CNAC Magazin, Grenoble, France Jeune Sculpture, with Dominique Gonzalez-Foerster, B. Joisten and Pierre Joseph, Port d'Austerlitz, Paris, France (cat.) Situation, with B. Joisten and Pirre Joseph, CREDAC, Ivry sur Seine, France (cat.) Smart Gallery, with Pierre Joseph, Galerie des Archives, Paris, France
1988 Minis, Midis & Maxis, Kunsthaus Palais Thurn und Taxis, Bregenz, Austria Arena, Galerie im Rathaus, Munich, Germany
COLLABORATIONS
2012 Dancing around the Bride: Cage, Cunningham, Johns, Rauschenberg, and Duchamp, Philadelphia Art Museum, Philadelphia, PA (Mise-en-scène)
2007 Zidane: A 21st Century Portrait, with Douglas Gordon, DHC/ART, Montréal Zidane: A 21st Century Portrait, with Douglas Gordon, Institute of Modern Art, Brisbane Stories are propaganda, with Rirkrit Tiravanija, Friedrich Petzel Gallery, New York
2005 Rirkrit Tiravanija: Une rétrospective (Tomorrow is another Fine Day), Couvent des Coedeliers, Paris Briannnnnn & Ferryyyyyy/ Law and Creativity, with Liam Gillick, Kunsthalle Malmö
2004 Rirkirit Tiravanija: No vitrines, no museums, no artists, just a lot of people, with Pierre Huyghe and Maurizio Nannucci, Telecom Italia Future Center, Venice
2003 Sodium Dreams, with D. Gonzales-Foerster & P. Huyghe, Center for Curatorial Studies Museum, Bard College, Annnandale-on-Hudson Pardo/Parreno, Air de Paris No Ghost, Just a Shell, with Pierre Huyghe, Van Abbemuseum, Eindhoven
2002 No Ghost Just a Shell, with Pierre Huyghe and Philippe Parreno: Institute of Visual Culture, Fitzwilliam Museum, Cambridge (cat.) No Ghost, Just a Shell, Kunsthalle Zürich No Ghost, Just a Shell, San Francisco Museum of Modern Art, San Francisco A smile without a cat, with Pierre Huyghe, cur. S. Antelo-Suarez, Art Basel Miami Beach Jorge Pardo, Philippe Parreno, 1301PE, Los Angeles
2001 No Ghost Just a Shell, with Pierre Huyghe and Dominique Gonzalez-Foerster, Museum Boijmans van Beuningen, Rotterdam In many ways the exhibition already happened, Pierre Huyghe, M/M, Philippe Parreno, R&Sie, Institute of Contemporary Artsa, London EGOFUGAL, Tokyo Opera City Art Gallery, Tokyo (cat.) Animations, PS1, Long Island City Dominique Gonzales-Foerster, Philippe Parreno, Pierre Huyghe, Kunstverein in Hamburg Cafe Costes, Cafe design with M/M Paris and Pierre Huyghe Canal Bourgogne, architectural project with François Roche Annlee, proposal for a TV series with Pierre Huyghe
2000 Kunstverein Hamburg, with Dominique Gonzalez-Foerster and Pierre Huyghe Ann-Lee in Anzen Zone, A film by Dominique Gonzalez-Foerster presented by Pierre Huyghe and Philippe Parreno, Galerie Jennifer Flay, Paris Tramway, Glasgow, with Pierre Huyghe 06.00 PM, with Pierre Huyghe, San Francisco Art Institute, San Francisco No Ghost Just a Shell: Annlee, with Pierre Huyghe
1999 D'Apertutto, with Pierre Huyghe and Dominique Gonzalez-Foerster, curated by H. Szeemann, Biennale de Venise, Venice (cat.) Vicinato 2, with Liam Gillick, Douglas Gordon, Carsten Höller, Pierre Huyghe and Rirkrit Tiravanija Le Pont du trieur, documentary written and directed with Charles de Meaux, film 35mm, 70 minutes
1998 Le Procès de Pol Pot, with Liam Gillick, CNAC Magasin, Grenoble Group Monography, with Pierre Huyghe and Dominique Gonzalez-Foerster, Musée d'art moderne de la Ville de Paris, Paris (cat.) What A Strange Game Where The Only Winning Move Is Not To Play, project for a public site with François Roche
1997 X-squared, Anna Sanders magazine, with Pierre Hyughe, curated by A. Spiegl, Wiener Secession, Vienna (cat.)
1996 Vicinato, film with Carsten Höller and Rirkrit Tiravanija, Raum Aktueller Kunst, Vienna Temporary School, with Dominique Gonzalez-Foerster and P. Huyghe, Université de Paris VIII, Paris, and Ulmö La Dolce Utopia, with Maurizio Cattelan, curated by Nicolas Bourriaud, CAPC Bordeaux (cat.)
1995 Vicinato, film with Carsten Höller and Rikrit Tiravanija, Studio Guenzani, Milan Cinemascope, with Rirkrit Tiravanija, curated by Kendell Geers, Biennal, Johannesburg (cat.) The Moral Maze, with Liam Gillick, Le Consortium, Dijon
1994 No More Reality versus Zukunft, with Carsten Höller, Galleri Nicolai Wallner, Copenhagen (cat.) Innocent et emprisonné: "mais ce que avez contre moi, c'est que j'ai abandonné mon premier amour", with Carsten Höller, Air de Paris, Paris
1992 Publico di merda, with P. Perrin, Magazin, Grenoble Snaking, film and exhibition with Pierre Joseph, Air de Paris, Nice
1991 La Vérité: L'Amour de l'Art, with P. Joseph, D. Gonzalez-Foerster and B. Joinsten, Biennale, Lyon, France Try Snaking, with P. Joseph, Air de Paris, Nice
1990 Ozone, with D. Gonzalez-Foerster, B. Joisten and P. Joseph, FRAC Corse, Corte Les Ateliers du Paradis, with P. Perrin and P. Joseph, Air de Paris, Nice Once upon a time in City Bild..., with P. Joseph, Esther Shipper, Cologne How We Gonna Behave, with B. Joisten and P. Joseph, Galerie Max Hetzler, Cologne (cat.) Composit, with B. Joisten and P. Joseph, curated by Bourriaud, XVILè Biennale, Prigioni, Venice
1989 Ozone, ith Dominique Gonzalez-Foerster, B. Joisten and Pierre Joseph, APAC Nevers, France Ozone, with Dominique Gonzalez-Foerster, B. Joisten and Pierre Joseph, Köln Messe and Esther Schipper, Cologne Smart Gallery, with Pierre Joseph, Galerie des Archives, Paris Video Ozone, with D. Gonzalez-Foerster, B. Joisten & P. Joseph, Centre National des Arts Plastiques, Paris (cat.) Hyper Hyper, with D. Gonzalez-Foerster, B. Joisten and P. Joseph, Port d'Austerlitz, Paris Composit, with B. Joisten and P. Joseph, CREDAC, Ivry sur Seine Siberia, with B. Joisten and P. Joseph, CNAC Magazin, Grenoble
FILMOGRAPHY
2001 Untitled, 2001
2000 Vicinato II, film with Carsten Höller, Pierre Huyghe, Liam Gillick and Douglas Gordon, 35 mm transferred onto DVD, 11.30 minutes, 2000 Credits, 35 mm film transferred onto DVD, 2000 anywhere out of the world 2000, 3D animation transferred onto DVD, 4 minutes, 2000
1999 Le pont du trieur, documentary with Charles de Meaux, 35mm, 74 minutes, 1999
1998 Some products, video music, Dave Stewart, Eligible Music, 3.10 minutes, 1998
1995 L'homme public, video, compilation of films and performances with Yves Lecoq, 19 minutes, 1995 Vicinato I, film with Carsten Höller and Rikrit Tiravanija, 16mm, B&W, 12 minutes, 1995
1994 La nuit des heros, film, 35mm, 13 minutes, 1994 Anna, vidéo, 4 minutes, 1994
1992 Snaking, film with Pierre Joseph, super 8 transferred on video, 3.07 minutes, B&W, 1992
1991 No more reality lecture, video, 38 minutes, 1991 No more reality, a demonstration, 4 minutes, 1991
1987 Flowers, CANAL+, 30s, 1987
PUBLISHED TEXTS BY PHILIPPE PARRENO (selection)
2004 "The Artists' Artists." Artforum International December 2004: 74.
2001 "Speech Bubbles." les presses du réel 2001. "Björk." Björk. New York: Bloomsburry, 2001. Riemschneider, Burkhard and Uta Grosenick, eds. Icons, Art Now. Cologne: Taschen, 2001.
2000 "Monter-Sampler, Scratch." Cinéma-Musique. Paris: Centre-Pompidou 2000. Bony, Anne, ed. "Les années 90." Editions du Regard 2000. "La séquence de spectateur." Douglas Gordon Art Press no. 255 March 2000. "It's Me And the System." Jorge Pardo Catalogue. Ostfildern: Hatje Cantz, 2000. "My Days Are Shorter than Your T-Shirt." Olafur Eliason. Catalogue. Wolfsburg: Kunstmuseum Wolfsburg, 2000.
1999 "Evidence To Be Submited to the Free Time Legacy." Pierre Huyghe Catalogue. Munich: Kustverein Munchen, 1999. Cream. London: Phaidon, 1999. 26-28. Art at the turn of the millennium. Cologne: Taschen, 1999. 378-381. Xsquared. Vienna: Wiener Secession, 1999.
1998 Paris: Musée d'Art Moderne de la Ville de Paris, 1998. Enter. Lucerne: Kunstmuseum Luzern, 1998. 32-35.
1997 "Anna Sanders." L'histoire d'un sentiment July 1997. Campo O6. Turin: Fondazione Sandretto Re Rebaudengo, 1997. Projet 8. Soeul: Total Museum of Contemporary Art, 1997. 46-50.
1996 More Time Less History. Porto, Fundaçao Serralves, 1996. Vincinato, film transcription, with Carten Höller and Rirkrit Tiravanija. London: GW, 1996. Une exposition serait-elle un cinéma sans caméra? Libération 27-28 May 1995. English version, Paletten no. 223 March 1996.
1995 Surface de reparations. Dijon: Frac Bourgogne, 1995. Infamie. Paris: Hazan, 1995. 64-67. Collection Xxème siècle. Angoulême: Frac Poitou Charentes, May 1995. NICAF, Air de Paris and AFAA, March 1995. Traffic. Bordeaux: CAPC, February 1995. "I'm Not A Customer, I'm A Passenger." Documents no. 7 March 1995. Snow dancing. London: GW, 1995. 53 pages.
1994 "Time Factor." Documents no. 6 October 1994: 22-23. Video, Prime Time no. 0 Dijon November 1994. Soggetto-Soggetto. Milaon: Charta, 1994. "No More Reality." Zapp video magazine no. 1 March 1994. Nouvelle Vague. Nice: MAMAC, 1994. 51-57.
1993 Troncy, Eric, ed. ZUP. Val de Reuil: Centre d'Art et Jardin, 1993. "General idea." Documents no. 4 October 1993. "Snaking." Zapp video magazine no. 0 December 1993. Backstage. Hamburg: Kunstverein im Hamburg & Kunstmuseum Luzern, 1993. "Aperto 93." Flash Art Summer 1993. Venice Biennale Catalog. Venice: The Venice Biennale, 1993. Principe de réalité. Nice: Villa Arson, 1993.
1992 "Fear of Angels." Documents no. 1 October 1992. "On ne peut plus s'installer devant une image comme au temps du 1er degree." Documents no. 0 March 1992. ARC. With Dominique Gonzalez-Foerster, Pierre Huyghe and Philippe Parreno. Le Dimanche de la vie. Milan: Gio Marconi, 1992. Il faut construire l'Hacienda. Tours: C.C.C., 1992.
1991 L'Amour de l'Art. Lyon: Biennale de Lyon, 1991. No Man's Time, Nice: Villa Arson, 1991. Nachschub, The Köln Show. Cologne: Spex, 1991.
1990 French Kiss. Geneva: Halle Sud, May 1990. Courts métrages immobiles. Paris: AFAA, May 1990.
1989 File last issue Toronto 1989.
SELECTED REVIEWS
2012 Azimi, Roxana. "Le fantôme de Marilyn hante la Fondation Beyeler." Le Quotidien l'Art no. 178 27 June 2012: 3 (ill). Bétard, Daphné, Françoise Chaloin, and Maureen Marozeau. "Art et cinéma." Le Journal des Arts no. 369 11-24 May 2012: 17-21. Lavrador, Judicael. "Le chef-d'ouevre ultime désacralisé." Beaux Art Magazine no. 333 March 2012: 57. Lequeux, Emmanuelle. "A la Fondation Beyeler, son compère Philippe Parreno joue une mélodie en sous-sols." Le Monde 19 June 2012: 25. Lequeux, Emmanuelle. "Avec Philippe Parreno dans la forêt obscure." Beaux Arts Magazine September 2012. Lequeux, Emmanuelle. "Philippe Parreno." Art Press no 393 October 2012: 20. Lequeux, Emmanuelle. "Questionner ce qui survit à l'image." Le Quotidien l'Art no. 178 27 June 2012: 1-2. "The Show Must Start." L'officiel Art no. 2 June-July-August 2012: 44. Tiravanija, Rirkrit. "The Artists' Artists Best of 2012 ." Artforum December 2012: 108, cover. Troncy, Eric. "Consécration." Numéro Hot no. 134. June-July 2012: 168-171 (ill). Troncy, Eric. "Dominique Gonzalez-Foerster, Richard Phillips, Philippe Parreno, Bâle." Frog no. 11 2012: cover, 93-96.
2011 Macel, Chrisitne. "Best of 2011." Artforum December 2011: 199. Prince, Mark. "Philippe Parreno, the Serpentine." Art in America May 2011: 175. Verzotti, Giorgio. "Philippe Parreno, Pilar Corrias/Serpentine Gallery." Artforum March 2011. Ward, Ossian. "Philippe Parreno, Serpentine Gallery, London." The Independent 28 November 2011.
2010 Béghin, Cyril. "Le rêce d'une chose." Cahiers du Cinéma no. 658 July-August 2010: 76-83 (ill). Béghin, Cyril. "Philippe Parreno, une autre réalité." Cahiers du Cinéma no. 661 November 2010: 37-38 (ill). Bounakoff, Pierre-Nicolas. "Philippe Parreno." Frog no. 9 2010: 229-244 (ill). Dreyfus, Jeanne. "Philippe Parreno." Frog no. 9 2010: 55-57 (ill). Dusart, Benoit. "Du Foot Comme Métaphor(s)." Art Meme no. 47 2010: 30-31. Howe, David Everitt. "The Space Between Reference and Regret." ArtReview issue 46 December 2010. Jeffries, Stuart. "Philippe Parreno: timing is everything." The Guardian 15 November 2010. Kunitz, Daniel. "Flying Solo." Modern Painters October 2010: 62-67 (ill). M.,S. "La redefinition de la notion d'auteur et de la propriété intellectuelle." Beaux Arts Magazine no. 309 March 2010: cover, 57 (ill.) Parreno, Philippe. "Do You Believe in Ghosts?" Kaleidoscope issue 8 Fall 2010: 188. Smith, Roberta. "Art? Life? Must We Choose?" The New York Times 2 July 2010: C21-25 (ill). Waters, Florence. "Philippe Parreno, Serpentine Gallery, review." The Telegraph 30 November 2010.
2009 Azimi, Rozzana. "Philippe Parreno." Le Journal des Arts 29 May 2009: 39-40. Béghin, Cyril. "Train d'images." Les Cahiers du Cinéma no. 648 September 2009: 58-59 (ill). Buhr, Eric. "Philippe Parreno." Monopol 1 July 2009 (ill). C.C., A. "Une expérience d'art." L'express Styles 25 June 2009: 27 (ill). Cena, Olivier. "Ça fait pschitt…" Télérama 24 June 2009: 51 (ill). Colard, Jean-Max. "Intelligence Collective." Les Inrockuptibles 9 June 2009: 34-37 (ill). Durand, Régis. "Philippe Parreno: brouillage des limites." Art Press 1 June 2009: 42-49 (ill). Fiduccia, Joanna. "Philippe Parreno: Relational Retrospecitve." Kaleidoscope issue 2 Summer 2009: 36 (ill). Fourgeaud, Nicolas. "L'hypothèse du spectacle émancipateur." Art 21 no. 23 Summer 2009: cover, 12-19 (ill). Gerard, Bartholomé. "Parreno suit son train." Libération 29 June 2009: 32. Gillick, Liam. "A Single Piano Note and a Giant Snowflake." Parkett no. 86 2009: cover, 146-155, (ill). Herbert, Martin. "Philippe Parreno's Moving Targets." Kaleidoscope issue 3 September-October 2009: 66-70 (ill). Jaumouillé, Laure. "Un art de l'étrangeté." Zerodeux vol. 2 no. 51 Autumn 2009: 36-40 (ill). Kelsey, John. "theanyspacewhatever." Artforum March 2009: 234, 236-237 (ill). Lequeux, Emmanuelle. "Philippe Parreno s'invente une biographie en images." Le Monde 11 June 2009 (ill). Macel, Christine. "Best of 2009." Artforum December 2009: 174 (ill). McDonough, Paul. "Philippe Parreno." Artforum November 2009: 220-221 (ill). Moisdon, Stéphanie. "Parreno à Beaubourg: Une exposition comme un voyage initiatique." Beaux Arts Magazine May 2009: 66-71 (ill). Obrist, Hans Ulrich. "A Polyphonic Conversation." Parkett no. 86 2009: cover, 163-168 (ill). Ostende, Florence. "Show Control." 2027 no. 3 2009: 129-147 (ill). Parreno, Philippe. "Edition for Parkett." Parkett no. 86 2009. Ramade, Bérénice. "Voyage dans le temps." L'oeil June 2009: 86. Reneau, Olivier. "Electron libre." Air France Madame no. 130 June-Jully 2009: 154-157 (ill). Schmidt, Jason. "Work in Progress." V Magazine no. 59 Summer 2009. Sharp, Chris. "Philippe Parreno." ArtReview no. 34 September 2009: 135 (ill). Sholis, Brian. "theanyspacewhatever ." Afterall 5 February 2009. Stillpass, Zoe. "Back to the Future." Parkett no. 86 2009: cover, 156-159 (ill). Trembley, Nicolas. "Les jeux de l'art." Numéro 1 August 2009: 40-43 (ill). Von Burg, Dominique. "Philippe Parreno." Kunst Bulletin July-August 2009: 70-71 (ill).
2008 Aguirre, Peio. "Modelos de cine." Art & Co. no 3 summer 2008: 23-25 (ill). Doyle, Jennifer. "Fever Pitch." Frieze no. 116 July-August 2008: 29-30 (ill). "Gros plan sur Zidane." Le Figaro online 16 December 2008. Gunti, Claus. "Le réalité remise en question: le statut de lim'age dans l'oeuvre de Philippe Parreno." Décadrages no. 13 Autumn 2008: 31-40 (ill). Lebovici, Elisabeth. "Autant en Emporte le Temps." Art Press no. 342 February 2008: 57-60 (ill). Macel, Christine. "Best of 2008." Artforum December 2008.
2007 Bailly, Bérénice. "Philippe Parreno marionette d'un ventriloque." Le Monde 17 February 2007: 27. Birnbaum, Daniel and Martin Herbert. "The Postman Rings Twice." Artforum September 2007: 97-98. Dahan, Alexis and Olivier Zahm. "Philippe Parreno." Purple Fashion issue 8 Fall-Winter 2007-2008: 120-133 (ill). Funcke, Bettina. "Displaced Struggles." Artforum March 2007: 282-286 (ill). Kitnick, Alex. "Philippe Parreno and Rirkrit Triavanija." Time Out April 2007. Mulholland, Neil. "Il Tempo del Postino." Flash Art no. 256 October 2007: 67. Orbist, Hans Ulrich. "Portrait of the Artist as a Blogger." Janus no. 21 January 2007: 16-21. Rappolt, Mark. "Il Tempo del Postino: Playing for Time." ArtReview issue 14 September 2007: 52-61 (ill). Spector, Nancy. "Time Frame." Frieze no. 110 October 2007: 27. Wtterwalkd, Elisabeth. "What Do You Believe, Your Eyes or My Words?" Semaine no. 156 November 2007.
2006 Blom, Ina. "Lamps, Televisuality and Biopolitics: Introductory comments to another history of video art." Verksted no. 8 2006: 167-183. Derieux, Florence. "Parreno's puppet." Flash Art November-December 2006: 46. Dupuis, Dorothée. "Les plus belles image sont celles que je me suis porjetées dans la tête: Entretien avec Philippe Parreno." Les cahier du MNAM no. 97 Autumn 2006: 85-93 (ill). Föll, Heike. "L'oduer de cinema." Text zur Kunst no. 64 December 2006. Fried, Michael. "Absorbed in the Action." Artforum September 2006: cover, 332-335 (ill). Griffin, Tim. "The Job Changes You." Artforum September 2006: cover, 336-339 (ill). Kopp, Céline. "Philippe Parreno and Rirkrit Tiravanija." Again For Tomorrow. London: Royal College of Art, 2006. 40. Moisdon, Stéphanie. "Eden Roc." Frog no. 4 Autumn-Winter 2006: 200-201. Orbist, Hans Ulrich. "21st Century Portrait." Spike no. 8 Summer 2006: cover, 52-59 (ill).
2005 Birnbaum, Daniel. "The Lay of the Land: An Experiment of Art and Community in Thailand." Artforum Summer 2005: 270-274 (ill). Comer-Greene, Rachel. "Philippe Parreno: The Boy from Mars." Time Out New York 21-27 April 2005. Davis, Ben. "Philippe Parreno." ArtReview June 2005: 107 (ill). Lack, Jessica. "Philippe Parreno." I-D Magazine May 2005: 68-70 (ill). Verini, James. "Gossip, It Seems Now Is Unprintable." The New York Times 27 February 2005. Wang, Michael. "Right Stuff." Artforum online 6 April 2005. "1000 words." Artforum February 2005: 144-145.
2004 Birnbaum, Daniel. "Philippe Parreno in Best of 2004: 13 Critics and Curators Look at the Year in Art." Artforum International December 2004: 160-161 (ill). Endter, Heike. "Hin und weg." Die Tageszeitung 2 February 2004: 17. "Expositiones Europa: Philippe Parreno." Exit Express no. 1 February 2004. Hauffen, Michael. "Philippe Parreno: Fade Away." Springerin vol. X no. 11 Spring 2004. Lind, Maria. "Fade Away." Kunstverein München Spring 2004: 2-8. Morton, Tom. "Team spirit, Tom Morton talks to Philippe Parreno." Frieze March 2004: 49, 80-85. Oliv, Freida. "Blasses Leuchten im Kunstverein." Münchner Merkur Kultur January 2004: 17-18. Obrist, Hans Ulrich. "Utopie en Herbe." Mixte October-Novembre 2004: 92-93 (ill). Rühle, Alex. "Krieg mich, wenn du kannst." Sueddeutsche Zeitung 17-18 January 2004. "Schirn Kunsthalle Frankfurt: 3." e-flux.com September 2004. Siegel, Katy and Paul Mattick. Money. London: Thames and Hudson, 2004. Sholis, Brian. "White Noise." Artnet June 2004. Sozanski, Edward. "Much Ado About Nothing." The Philadelphia Inquirer 9 May 2004. Sterling, Bruce. "The Boy From Paris." Domus May 2004: 48-49. Tschida, Anne. "Living the Moment." Loft: The Art Issue December 2004: 32-35 (ill). "Ungewohnt gewöhnlich." Süddeutsch Zeitung Extra January 2004: 15-21. 21st Century Museum of Contemporary Art, Kanazawa. Brochure for opening. 2004.
2003 AVANT. Lyon: 7e Biennale D'Art Contemporain de Lyon, 2003. 146f. Coollustre - Weather Everything Dramatically Different. Avignon: Collection Lambert, 2003. 78, 79-80, 119, 186-187, 228-229. Drolet, Owen. "Philippe Parreno at Friedrich Petzel Gallery." Flash Art no. 231 July-September 2003: 117. Hill, Joe. "New York: Friedrich Petzel Gallery: Philippe Parreno: Alien Seasons." Contemporary issue 53&54 2003: 111. Johnson, Ken. "Hanukkah With Neon Bulbs on a Grid." The New York Times 3 January 2003 Laster, Paul. "Philippe Parreno: Alien Seasons." flavorpill.com no.154 20 May 2003. Morton, Tom. "Pierre Huyghe, Bon voyage." Frieze issue 74 April 2003: 59f. Morton, Tom. "Negociations et Chants d'Amour." The In-Between. Paris: Forma and Les Presses du Reel, 2003. Nobel, Philip. "Sign of The Times." Artforum January 2003: cover, 104-111. "Philippe Parreno." It Happened Tomorrow. Lyon: Lyon Biennale, 2003. 37. "Philippe Parreno." The New Yorker 26 May 2003: 20. Scanlon, Jessie. "A Star is Born." Wired January 2003: 64. Smith, Roberta. "Philippe Parreno." The New York Times 23 May 2003: E36. Sundell, Margaret. "Second Nature." Time Out New York 22-29 May 2003: 74. Violette, Robert, ed. "Studio Philippe Parreno." Tate January-February 2003: 49-53.
2002 "Annlee steigt in den Kunsthimmel auf." Schweizer Illustrierte no. 34 19 August 2002.2. Bakke, Erik, ed. "Exhibition Preview." NY Arts International vol. 7 no. 6 2002: 60. "Besprekingen: Parreno." Metropolis M no. 4 2002: 49-53. Birnbaum, Daniel. "Best of 2002 # 7." Artforum December 2002: 118-119. Colard, Gjean-Max. "Preview: Philippe Parreno." Artforum May 2002: 80. "Das Mädchen 'Annlee' und Henry Dargers 'Vivian Girls.'" Neue Luzerner Zeitung 29 August 2002. Eshun, Ekow. "In Many Ways The Exhibition Has Already Happened." Contemporary February 2002: 92-93.. Grosenick, Uta, and Burkhard Riemschneider. "Art Now." Taschen 2002: 376-379. Heather, Rosemary. "Liam Gillick." Border Crossings vol. 21 no. 83 August 2002: 80. Heiser, Jörg. "Istanbul Biennial." Frieze no. 64 January-February 2002: 92. "Hingehen." Sonntags Zeitung 18 August 2002. Jones, Ronald. "Food für Thought." Artforum October 2002: 39. "Kunsthalle Zurich No Ghost Just a Shell Bis 27.10.2002." Praxis no. 37 11 September 2002. Lane, Mallery R. "Seducing Paris, a Café at a time." The New York Times 28 March 2002. Lequeux, Emmanuelle. "Parrenoïaque." Le Monde Aden 29 May-4 June 2002: cover, 2. Liebs, Holger. "Frueher oder spaeter kriegen sie dich." Sueddeutsche Zeitung 8 November 2002. McFarland, Dale. "In Many Ways the Exhibition Already Happened." Frieze no. 65 March 2002: 90-91. Nabakowski, Gislinde. "Philippe Parreno." Art Press no. 278 April 2002 "No Ghost Just a Shell." Accrochages no. 41 October 2002. "No Ghost Just a Shell." NZZ Ticket August 2002. Nobel, Philip. "No Ghost, Just a Shell: The Ann Lee Project." Artforum September 2002: 98. Nuridsany, Michel. "Philippe Parreno, artiste du 3e type." Le Figaro 7 June 2002. Obrist, Hans Ulrich. "The Tale of The One Thousand Signs." Parkett no. 66 2002: 141-155. Parreno, Philippe, Laurence Bossé, Hans Ulrich Orbist, et al. Alien Affection. Paris: ARC/Musée d'Art moderne de la Ville de Paris, 2002. "Philippe Parreno." La Lettre de Cologne no. 114 May 2002. "Philippe Parreno." Les Inrockuptibles vol. 4 issue 11 no. 335 22-28 May 2002. "Portrait d'Artiste: Philippe Parreno." L'Oeil no. 537 June 2002: 26f. Rongier, Sébastien. "Ann Lee, Image Rebelle." Art Presence no. 42 April-June 2002. Robinson, Walter. "Maximum Miami." Artnet.com 6 December 200 "Philippe Parreno." Frame vol. 4 issue 11 April-May 2002. Sailer, Alexia. "Multimediales Manga-Märchen." Südkurier 28 August 2002. Steiner, Urs. "Göre ohne Seele." Neue Zürcher Zeitung 3 September 2002. Vendrame, Simona. "News & Around." Tema Celeste no. 94 November-December 2002: 113. von Burg, Dominique. "Die Identität einer digitalen Figur." Zürichsee-Zeitung 17 September 2002. Werner, David. "Kunstmuse Annlee ist virtuell." Blick 28 August 2002.
2001 "Art, Education et Fiscalité." Connaissance des Arts no. 579 January 2001. Basilico, Stefano. "Philippe Parreno, One Thousand Pictures Falling from One Thousand Walls." Time Out New York no. 293 3-10 May 2001: 69. Blake, Nayland. "Happening Art." Interview Magazine photo Karl Lagerfield October 2001: 94. Buchloh, Benjamin H.D. "Control, by Design." Artforum September 2001: 162-163. Cotter, Holland. "Philippe Parreno." The New York Times 27 April 2001. Dupont, Véronique. "Art Attack." Jalouse November 2001: 71. Jetzer, Gianni. "Tausend Bilder zum guten Geschmack." Frame no. 6 March-April 2001. Lindgaard, Jade. "La Métamorphose." Les Inrockuptibles no. 274 23-29 January 2001. Mahoney, Robert. "Philippe Parreno at Friedrich Petzel." Art in America September 2001: 151. Moore, Lucy. "Little Girl Lost." Varsity 5 November 2001. Perret, Mai-Thu. "Philippe Parreno MAMCO Geneva." Frieze issue 51 March 2001: 110. "Preview." Artforum September 2001. "Public Relations: Bennett Simpson talks with Nicolas Bourriaud." Artforum April 2001: 47-48. Reneau, Olivier. "Une Star est Née." Le Journal du Centre National de la Photographie July-August 2001. Régnier, Philippe. "Un manifeste encore en devenir." Le journal des arts no. 118 5-8 January 2001. Rivoire, Annick. "Produire une idée à partir de l'image." Liberation no. 38 July 2001. Summers, Francis. "Art For Hire." Sleazenation vol. 4 issue 11 December 2001. "Top 10 Inez van Lamsweerde." Artforum April 2001: 52. Vendrame, Simona, ed. "France in London." Tema Celeste no. 89 January-February 2001: 112. Vergne, Philippe. "Philippe Parreno, la représentation en question." Art Press no. 64 January 2001: cover, 22-28.
2000 Büssing, Nicole, and H. Klaas. "Der Künstler als Produktkpirat." Neue Osnabrücker Zeitung 10 November 2000. Copeland, Mathieu. "Le multimedia & l'art contemporain." Studio multimedia no. 28 November 2000: 36-37. "Die Bilder denken Sie sich jetzt bitte selbst dazu." Die Welt 10 November 2000. Inkster, D. "Défense de la lecture le procès de Pol Pot." Art Press no. 21 2000. Poli, Francesco. "Philippe Parreno, Air de Paris." Tema Celeste no. 82 2000. Restany, P. "The Other Side of Art." Domus no. 822 January 2000: 81-86. Troncy, Eric. "No Ghost, just a shell." Art Press no. 260 September 2000: 82-83.
1999 Ardenne, P. "Le Procès de Pol Pot selon Gillick & Parreno." Visuel 8 July 1999: 11-15. Gillick, Liam. "Le Procès de Pol Pot." MAG October 1999: 4-5.
1998 "Avant-première." Les Inrockuptibles 14-20 October 1998. "Interview mit Philippe Parreno." Kunstmuseum Luzern May 1998. Lindgaard, J. "Billard à trois bandes à part." Aden 28 October-3 November 1998. Troncy, Eric. "La fabrique du reel." Beaux Arts no. 174 November 1998: 46-51.
1997 Bourriaud, Nicolas. "Le réalisme opératoire." Parachute no. 85 January-March 1997: 8-10. "Philippe Parreno, The Audience is Listening." Le Printemps de Cahors 1997: 65. Schmidt-Wulffen, Stephan. "Kunst ohne Publikum." Kunstverein Hamburg April 1997.
1996 Hahn, C. "Review." Bloc Notes no. 13 June 1996: 101. Larsen, B. "Traffic." Flash Art no. 189 Summer 1996: 126-127. Parreno, Philippe and Nicolas Bourriaud. "Correspondences." Paletten no. 223 March 1996. Restany, P. "New Orientations in Art." Domus no. 788 December 1996: 88-92.
1995 Bourriaud, Nicolas. "Virtualité Réelle." Art Press no. 208 December 1995. Jarton, C. "Philippe Parreno, éduquer et subvertir." Beaux Arts no. 131 February 1995: 102. Troncy, Eric. "Le Consortium, NZET Projekt." Art Press no. 201 April 1995: 77. Verzott, G. "Review: Philippe Parreno, Schipper & Krome." Artforum Fall 1995. Schiff, Hajo. "Traum von Kunst." Taz Hamburg 4 May 1995.
1994 Magda, P. "La nuit des héros." Art Press no. 191 May 1994: 75. Perreau, D. "Les années 90, expositions paradoxales." Artefactum 3 January 1994: 12-15. Saint-Jacques, C. "Höller and Philippe Parreno." Le journal des expositions no. 13 February 1994. Troncy, Eric. "Air de Paris, Carsten Höller and Philippe Parreno." Flash Art Fall 1994: 104. Troncy, Eric. "Disengagement." Art Monthly no. 174: cover, 15. Troncy, Eric. "Inter-activity." Documents Fall 1994: 24. Troncy, Eric. "It is Alive!" Flash Art Summer 1994. Viéville, Mollet. "La nuit des héros." Sans Titre no. 26, 1994.
1993 Blasé, C. Kunstbulletin July 1993. "Gonzalez-Foerster, and B. Joisten: It's more like Post-Art." Purple Prose no. 3 Summer 1993: 24. Jouannais, J.Y. "Unité." Art Press no. 182 July-August 1993: 80. Nuridsany, M. "Adoré hier, insulté aujourd'hui, l'art contemporain est-il détestable?" Le Figaro 26 January 1993. Perrin, F. "Le Principe de réalité." Flash Art no. 173 November-December 1993: 10. "Trends der Neunziger." Focus July 1993: 66. Troncy, Eric. "Project Unité." Flash Art no. 172 October 1993. Zahm, O. "Philippe Parreno." Purple Prose no. 4 October 1993.
1992 "Interview with Philippe Parreno." Documents March 1992. "La peur des anges." Documents no. 1 October 1992.
PUBLIC COLLECTIONS
Solomon R. Guggenheim Museum, New York Musée d'Art Moderne de la Ville de Paris, Paris MNAM, Centre Pompidou, paris Contemporary Art Museum Kanazawa, Japan EVN AG Colelction, Wien Walker Art Center, Minneapolis Fonds National d'Art Contemporain, Puteaux Musée d'Art Contemporain, Lyon CIRVA, Marseille Landesbank Baden-Württemberg, Stuttgart Fondazione Sandretto re Rabaudengo, Torino Fonds Régional d'Art Contemporain Languedoc Roussillon, Montpellier Fonds Régional d'Art Contemporain PACA, Marseille Fonds Régional d'Art Contemporain Nord Pas de Calais, Dunkerque Fonds Régional d'Art Contemporain Poitou Charentes, Angoulême
JORGE PARDO Born Havana, Cuba, 1963 Lives and works in Los Angeles, CA
EDUCATION
BFA Art Center College of Design, Pasadena, CA University of Illinois at Chicago, IL
SOLO EXHIBITIONS
2012 Galerie Gisela Capitain, Cologne, Germany
2011 Untitled (One Colorado), Armory Center for the Arts, Pasadena, CA Jorge Pardo, neugerriemschneider, Berlin, Germany
2010 Friedrich Petzel Gallery, New York, NY Bulgogi, Gagosian Gallery, New York, NY Irish Museum of Modern Art, Dublin, Ireland
2009 1301PE, Los Angeles, CA Jorge Pardo, K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany
2008 Eröffnug, Gallery Gisela Capitain, Cologne Haunch of Venison, London, UK Jorge Pardo: House, Museum of Contemporary Art, Cleveland, OH Reinstallation of Latin American Galleries, LACMA, Los Angeles, CA
2007 I love my wife, neugerriemschneider, Berlin, Germany Jorge Pardo: House, Museum of Contemporary Art, North Miami, FL Friedrich Petzel Gallery, New York, NY
2006 Momentary Monuments, Gio Marconi, Milan, Italy Friedrich Petzel Gallery, New York, NY
2005 Galerie Gisela Capitain, Cologne, Germany Haunch of Venison, Zurich, Switzerland Las Vegas, neugerriemschneider, Berlin, Germany
2004 Friedrich Petzel Gallery, New York, NY 1301PE, Los Angeles, CA Fundació La Caixa, Barcelona, Spain
2003 Jorge Pardo, Gagosian Gallery, Beverly Hills, CA Galleria Emi Fontana, Milano, Italy Jorge Pardo, Haunch of Venison, London, UK Gagosian Gallery, Los Angeles, CA Gio Marconi, Milan, Italy Galerie Gisela Capitan, Cologne, Germany Galerie Ghislaine Hussenot, Paris, France Prototype, Dia Art Foundation, New York, NY
2002 Le Consortium, Dijon, France Museum Dhondt-Dhaenens, Deurle, Belgium China Art Objects, Los Angeles, CA neugerriemschneider, Berlin, Germany Taka Iishi, Tokyo, Japan PKM, Seoul, South Korea Public Art Fund Project, Madison Square Park, New York, NY Galerie Meyer Kainer, Vienna, Austria Gio Marconi, Milan, Italy
2001 Galerie Ghislaine Hussenot, Paris, France Galerie Gisela Capitain, Cologne, Germany Montblanc Kulturstiftung, Hamburg, Germany Friedrich Petzel Gallery, New York, NY
2000 Dia Art Foundation, New York, NY Kunsthalle Basel, Switzerland (cat.) Galeria Marta Cevera, Madrid, Spain 1301PE, Los Angeles, CA
1999 The Fabric Workshop, Philadelphia, PA Royal Festival Hall, London, England (cat.) neugerriemschneider, Berlin, Germany Swish I'm a Fish, Museum Abteiberg. Mönchengladbach, Germany (cat.) 1301PE, Los Angeles, CA
1998 Jorge Pardo 4166 Sea View Lane, Museum of Contemporary Art, Los Angeles, CA Ghislaine Hussenot & Philipe Rizzo, Brussels, Belgium Patrick Painter, Santa Monica, CA Baby Blue, Galerie Gisela Capitan, Cologne, Germany Wool, Cotton, Latex, Wax & Steel, Friedrich Petzel Gallery, New York, NY Kunstverein Ludwigsburg, Villa Franck, Ludwigsburg, Germany
1997 Lighthouse, Museum Boijmans Van Beuningen, Rotterdam, The Netherlands Musuem of Contemporary Art, Chicago, IL Garnish and Landscape, with Tobias Rehberger, Gesellschaft fuer Gegenwartskunst, Augsburg, Germany
1996 It Hangs Out There, Friedrich Petzel Gallery, New York, NY neugerriemschneider, Berlin, Germany
1995 Nafta, Tom Solomon's Garage, Los Angeles, CA Borgmann Capitain Gallery, Cologne, Germany
1994 Zeichnungen, neugerriemschneider, Berlin, Germany One Component of the Work Is That the Show Will Have Many Titles, One of Them Being: MoCA.Three Prints Per Second, Friedrich Petzel / Nina Borgmann, New York, NY
1993 Person's Weekend Museum, Tokyo, Japan (cat.) Tom Solomon's Garage, Los Angeles, CA
1992 Terrain Gallery, San Francisco, CA
1991 Luhring Augustine Hetzler, Santa Monica, CA
1990 Tom Solomon's Garage, Los Angeles, CA Petersburg Gallery, New York, NY
1988 Bliss Gallery, Pasadena, CA
GROUP EXHIBITIONS
2012 The Feverish Library, Friedrich Petzel Gallery, New York, NY 11th Bienal de la Habana, Havana, Cuba
2010 The Artist's Museum: Los Angeles Artists 1980-2010, MOCA, Los Angeles, CA A Basic Impulse, Galleria Comunale d'Arte Contemporanea di Monfalcone, Monfalcone, Italy The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY
2009 The House the Cat Built, Galeria Salvador Diaz, Madrid, Spain
2008 Construction, 1301PE, Los Angeles, CA Abstrakt/Abstract, Museum Kunst Kärnten, Vienna, Austria Celebrating the Lucelia Artist Award, 2001-2006, Smithsonian American Art Museum, Washington D.C. theanyspacewhatever, Guggenheim Museum, New York, NY
2007 Exhibitionism: An Exhibition of Exhibitions of works from the Marieluise Hessel Collection, Bard College, Annandale-on-Hudson, New York, NY Sculptors Drawing, Aspen Art Museum, CO The Lath Picture Show, Friedrich Petzel Gallery, New York, NY Door Cycle, Friedrich Petzel Gallery, New York, NY Alone in the Jungle, Mandarin Gallery, Los Angeles, CA Celebrating the Lucelia Artist Award, 2001-2006, Smithsonian American Art Museum, Washington, D.C.
2005 In Situ, Häusler Contemporary, Munich, Germany Fairy Tales Forever, AroS Aarhus Kunstmuseum, Arhos, Denmark View Eight: A Few Domestic Objects Interrogate a Few Works of Art, curated by Bruce Ferguson, Mary Boone Gallery, New York, NY Design¹ Art, Museum of Design, Atlanta, GA; Aspen Art Museum, CO .all Hawaii ENtrees / luNar reggae, Irish Museum of Modern Art, Dublin, Ireland POPulence, Blaffer Gallery, University of Houston, Houston, TX Hans Christian Anderson Group Show, Arhos, Denmark Extreme Abstraction, Albright-Knox Art Gallery, Buffalo, NY Present Perfect, Friedrich Petzel Gallery, New York, NY Ways of Living, Kettles Yard, Cambridge, UK Think Blue, Blum & Poe, Los Angeles, CA Galerie Meyer Kainer, Vienna, Austria
2004 26th Bienal de São Paulo, Fundação Bienal de São Paulo, Brazil Trans/Migrations: Graphics at Contemporary Art, San Juan Poly/Graphic Triennial, Old San Juan, Puerto Rico Nothing Compared to This, Contemporary Arts Center, Cincinnati, OH Abstract Reality, Sead Gallery, Antwerp, Belgium Off the Wall, Bruce Museum, Greenwich, CT North Fork/South Fork: East End Art Now, Parrish Art Museum, Southampton, NY Design¹ Art, Smithsonian Cooper-Hewitt, National Design Museum, New York, NY Taka Ishii Gallery, Tokyo, Japan 100 Artists See God, curated by John Baldessari and Meg Cranston, Independent Curators International, The Jewish Museum, San Francisco, CA; Laguna Art Museum, Laguna Beach, CA; Institute of Contemporary Arts, London, Engalnd; Contemporary Art Center of Virginia, Virginia Beach, VA; Albright College Freedman Art Gallery, Reading, PA; Cheekwood Museum of Art, Nashville, TN
2003 Jessica Stockholder: Table Top Sculpture, Gorney, Bravin + Lee, New York, NY Gio Marconi, Milan, Italy I Moderni/The Moderns, Castello di Rivoli Museo d'Arte Contemporanea, Rivoli, Italy On The Wall, The RISD Museum, Providence, RI It Happened Tomorrow, Lyon Biennale, France Flower Power, Palais de Beaux-Arts, Lille, France
2002 Jorge Pardo & Philippe Parreno, 1301PE, Los Angeles, CA Refraction, Jorge Pardo and Gerhard Richter, Dia Center for the Arts, New York, NY No Return, Sammlung Haubrok, Städtiches Museum Abteiberg, Mönchengladbach, Liverpool Biennial, UK Culture meets culture, Busan Biennale, Busan, South Korea touch, Relational Art from the 1990s to Now, San Francisco Art Institute, CA
2001 Active Ingredients, Copia, American Center for Food Wine & the Arts, Napa, CA Reverb, Jorge Pardo and Gilberto Zorio, Dia Center for the Arts, New York, NY Comfort, curated by Kristin Chambers, Cleveland Center for Contemporary Art, OH Public Offerings, Museum of Contemporary Art, Los Angeles, CA KolnSkulpture3, curated by Dr. Michael Stoffel, SkulptutenparkKoln, Cologne, Germany In Between: Art and Architecture, MAK Center for Art and Architecture, Los Angeles, CA The Beauty of Intimacy, Lens and Paper, Gemeentemuseum Den Haag, The Netherlands Beau Monde: Toward a Redeemed Cosmopolitanism: SITE Santa Fe Forth International Biennal, Santa Fe, NM Collaborations with Parkett, 1984 to Now, Museum of Modern Art, New York, NY
2000 Made in California: Art, Image and Identity, Los Angeles County Museum of Art, CA 1989, curated by Ilene Kurtz, David Kiehl & Patrick Moore, Curt Marcus Gallery, New York, NY Talleres: Art from the Guadalajara Workshops, Mexican Cultural Institute, Washington, D.C. Threads of Dissent, The Fabric Workshop, Philadelphia, PA Against Design, curated by Steven Beyer, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA; Palm Beach Institute of Contemporary Art, Lake Worth, FL; Museum of Contemporary At, San Diego, CA; Kemper Museum of Contemporary Art, Kansas City, MO Double Space, curated by A.S. Bessa, Apex Art Curatorial Program, New York, NY Objecthood 00, Rethymnon Centre for Contemporary Art, Rethymnon, Greece Strange Paradise, Casino Luxembourg, Luxembourg Quoitidiana, Castello di Rivoli, Turin, Italy Rags to Riches, curated by Petra Bungert and Alexandra Dimentieva, Center for Contemporary Non-Objective Art, Brussels, Belgium (cat.) What If, curated by Maria Lind and Liam Gillick, Moderna Museet, Stockholm, Sweden Quiet Life, Blickle Stiftung, Germany Fast Forward, Kunstverein Hamburg, Germany Strange Paradise, Casino Luxembourg, Luxembourg
1999 Threads of Dissent, The Isabella Stewart Gardner Museum, Boston, MA Objecthood 00, Hellenic American Union, Athens, Greece Comfort Zone: Furniture by Artists, curated by Amy Wolf, The Public Art Fund, Paine Webber Art Gallery, New York, NY (cat.) Jorge Pardo and Bob Weber, China Art Objects, Los Angeles, CA Drawn by…, Metro Pictures, New York, NY Talleres: Art From Guadalajara Workshops, curated by Carlos Ashida, Track 16 Gallery, Santa Monica, CA DConstructivism: life back in to art, Brisbane Convention and Exhibition Center, Australia Wonder world – notes for a solid collection, Newsantandrea, Savona, Italy Konstruktionszeichnungen, Kunst-Werke, Berlin, Germany
1998 Light X Eight: The Hanukkah Project, Jewish Museum, New York, NY Richard Hawkins/Jorge Pardo, Brent Petersen Gallery, Los Angeles, CA Chaos, Control, Chaos, Control. You Like? You Like, curated by Anne Lemieux, Elias Fine Art, Boston, MA artranspennine, with Atelier van Lieshout, Francoise Quardon, and Langlands and Bell, curated by Penelope Curtis, The Henry Moore Institute, Leeds, UK (cat.) Dad's Art, neugerriemschneider, Berlin, Germany ___, 1994untitled,1994(meettim&burkhard)brançusi,1997, Grazer Kunstverein, Austria FAST FORWARD archives, Hamburger Kunstverein, Hamburg, Germany Fast Forward / Body Check, Kunstverein Hamburg, Germany Works for the Ideal Home, Art Metropole, Toronto, Canada Scratches on the surface of things, Museum Boijmans Van Beuningen, Amsterdam, The Netherlands Marienhof - Konzepte der Kunst, Rathaus, Munich, Germany Kunst für Bundestagsneubauten, Deutscher Bundestag, Berlin, Germany Jason Meadows / Jorge Pardo, Brent Petersen Gallery, Los Angeles, CA Mai '98, Kunsthalle Köln, Germany (cat.) Minis, Midis & Maxis, Künstlerhaus Palais Thurn und Taxis, Bregenz, Austria
1997 Angel Hair EX. LA., Dogenhaus Galerie, Leipzig, Germany Check in, Museum für Gegenwartskunst, Basel, Switzerland Hospital, Galerie Max Hetzler, Berlin, Germany Kunst..Arbeit, Aus der Sammlung SudWest LB, Stuttgart, Germany (cat.) KolnSkulptur 1, Kunsthalle Köln, Germany (cat.) Kevin Appel, Francis Cape, Jorge Pardo, curated by Margaret Murray, Janice Guy, New York, NY Assuming Positions, Institute of Contemporary Art, London, UK (cat.) Home Sweet Home, Deichtorhallen, Hamburg, Germany (cat.) Rooms With a View: Environments for Videos, curated by Nancy Spector, Guggenheim Museum Soho, New York, NY Laying Low: Postminimalism/Scatter Art, Kunstnernes Hus, Oslo, Norway (cat.) Bastards of Modernity, Angles Gallery, Santa Monica, CA Skulptur. Projekte in Munster 1997, Munster, Germany (cat.) Cruising L.A., Galeria Soledad Lorenzo, Madrid, Spain (cat.)
1996 True Bliss, Los Angeles Contemporary Exhibitions, CA (cat.) Just Past: Contemporary and Permanent Collection 1975-1996, MoCA Los Angeles, CA Friedrich Petzel Gallery, New York, NY Ab Fab, Feature Inc., New York, NY Blum & Poe, Santa Monica, CA Defining the 90's, Museum of Contemporary Art, Miami, FL (cat.) Projekte/Projects: Art at the New Trade Fair of Leipzig, Leipzig, Germany (cat.) Multiple Pleasure, Tanya Bonakdar Gallery, New York, NY Dark Memories Hovering, Marc Foxx Gallery, Santa Monica, CA Traffic, CAPC Musee d'Art Contemporain, Bordeaux, France (cat.) le labyrinthe moral, Centre d'Art Contemporain, Dijon, France nach Weimar, Kunstsammlung zu Weimar, Weimar, Germany (cat.) wunderbar, Hamburger Kunstverein, Hamburg, Germany (cat.) Faustrecht der Freiheit, Sammlung Volkmann, Kunstsammlung Gera, Germany Alle Neune, ACC Galerie, Weimar, Germany groupshow, Friedrich Petzel Gallery, New York, NY Ranch, Peter Strauss Ranch, Santa Monica, CA Jim Iserman, Jorge Pardo, Richard Telles Fine Art, Los Angeles, CA Affairs, Institut für Gegenwartskunst, Vienna, Austria Der Umbau Raum, Künstlerhaus Stuttgart, Germany Legende I, Museet for Samtidskunst, Roskilde, Denmark
1995 Affairs, Institut fuer Gegenwartskunst, Vienna, Austria Hawaii, with Pae White, Mitchell Kane, and Mythter, Friedrich Petzel Gallery, New York, NY Alles was modern ist, Galerie Baerbel Graesslin, Frankfurt, Germany Dark Memories Hovering Below the Transparent Screen of the Present Will Project Images of Reality in Sharp Silhouette, to Create the Pleasurable Effect of a Double World, Marc Foxx, Santa Monica, CA Le Consortium, Dijon, France
1994 Filmcuts, neugerriemschneider, Berlin, Germany Das Ende der Avantgarde - Kunst als Dienstleistung, Sammlung Schuermann, Kunsthalle der Hypo-Kulturstiftung, Munich, Germany (cat.) Saturday Night Fever, curated by Michael Cohen and Catherine Liu, Tom Solomon's Garage, Los Angeles, CA Interdisciplinary, Woodbury University, Burbank, CA Temporary Translation(s) - Kunst der Gegenwart und Fotografie, Sammlung Schuermann, Deichtorhallen Hamburg, Germany (cat.) Neue Moebel fuer die Villa, Villa Merkel, Esslingen, Germany Lost Paradise, Kunstraum Wien, Vienna, Austria Pure Beauty: Some Recent Work From Los Angeles, curated by Ann Goldstein, Museum of Contemporary Art, Los Angeles, CA; American Center, Paris, France Backstage, Kunstmuseum Luzern, Switzerland Untitled Groupshow, Metro Pictures, New York, NY Love in the Ruins, Long Beach Museum of Art, CA (cat.) Breakdown, MOCA San Diego, CA (cat.) Museum auf Zeit, slide projections at Museum Fridericianum, Kassel, Germany
1993 Backstage, Kunstverein Hamburg, Germany Pardo- Segar- Rirkit Tiravanija- Tobier, 1301, Santa Monica, CA Displace, Michael Cohen Gallery, New York, NY Summer Group Exhibition, Anderson O'Day Gallery, London, UK 11 Artists, organized by Tim Neuger, Kunstlerhaus Bethanien, Berlin, Germany Six Artists, organized by Tim Neuger, Galerie Max Hetzler, Berlin, Germany
1992 Gallery Artists Group Show, Thomas Solomon's Garage, Los Angeles, CA Tele Mundo, Terrain Gallery, San Francisco, CA Very, Very, Very…, Shoshana Wayne Gallery, Santa Monica, CA 5 Artists Summer Show, Terrain Gallery, San Francisco, CA Mars Gallery, Tokyo, Japan Object/objet, with Stephen Berens, Elizabeth Bryant, and Anne Walsh, El Camino College Art Gallery, Torrance, CA California: North and South, Aspen Museum of Art, CO Art Center College of Design, Pasadena, CA (cat.)
1991 Phenon/Phenotype: A Group Therapy, Terrain Gallery, San Francisco, CA L.A. Times, curated by Jackie Christ, Boise Museum of Modern Art, ID Facing the Finish, curated by John Caldwell and Robert Riley, San Francisco Museum of Modern Art, San Francisco, CA; Santa Barbara Contemporary Arts Forum, CA (cat.)
1990 Omnia ad Majorem Dei Gloriam, curated by Peter Wright, Grace Cathedral, San Francisco, CA Improvements on the Ordinary, curated by Dan Peterman, Randolph Street, Chicago, IL Luhring Augustine Hetzler, Santa Monica, CA New Sculpture, with Craig Watson, Terrain Gallery, San Francisco, CA
1989 H20, curated by Thomas Solomon, Beverly Hills, CA
1987 Graduate Group Show, Art Center College of Design, Pasadena, CA
Bibliography
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2009 Between the Lines: a coloring book of drawings by contemporary artists. vol. 2 New York: RX Art, 2009. Bochynek, Martin. "Jorge Pardo: Freizeit Für die grauen Zellen." Kölner Stadt-Anzeiger 12 May 2009. Clearwater, Bonnie. "Celebrity Equinox." International Corporate Art 2009: 58-59. Edwards, Geof. "Enlightened Conversion." Texas Architect 6 May 2009: 50-55. Herrera, Adriana. "Rosa De la Cruz: And her new bet on contemporary art." Arte Al Dia Internacional issue 129 December 2009. Holzwarth, Hans W., ed. 100 Contemporary Artists (L-Z). Cologne: Taschen, 2009. 460-467. Kelsey, John. "theanyspacewhatever." Artforum International March 2009: 236-237. Klein, Cecilia F. "In the Belly of the Beast." Artforum International, January 2009: 85-90. Krystof, Doris. "Jorge Pardo. K21 Kunstsammlung Nordrhein-Westfalen." Texte zur Kunst 2009. Kutscher, Barbara. "Der Gewalt Einer Lawine." 20_21 Das Magazin Der Kunstsammlung Nordrhein-Westfalen, no. 10 Spring 2009: 10-15. Last, Nana. "Jorge Pardo. K21 Kunstammung Nordrhein-Westfalen." Artforum International January 2009. Molesworth, Helen. "Social Problem." Artforum International March 2009: 101-102. Simblist, Noah. "Theanyspacewhatever." Art Papers January/February 2009: 61-62. Simon, Jane. "Return to Function." Madison Museum of Contemporary Art 2009: 15-41, 60-61. Söntgen, Beate. "Der Bildermacher Oder: Wie Man Die Dinge In Der Bar Betrachten Soll, Über Jorge Pardo im K21." Texte zur Kunst issue 75 vol. 19 September 2009: 202-205. Zsolnay, Robert. "Not a Museum Man." Mercedes Magazine, Fine Arts April 2009: 52-56.
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2006 "Ausstellungen." Monopol April/May 2006: 134. Bloemink, Barbara. "Use and Enthuse." ArtReview April 2006: 29. Colman, David. "Jorge Pardo." Elle Decor May 2006: 66-68. Egan, Maura. "Artistic License." The New York Times Style Magazine Spring 2006: 134-139 (ill.) Egan, Maura. "Ein Kunstwerk in Extralarge." Architectural Digest (German) June 2006: 142-149. Falconer, Morgan. "Everything must go." ArtReview April 2006: 35. "In the Air." Art + Auction December 2006: 27 (ill.) Louie, Elaine. "CURRENTS: Murals; The Transformative Power of a Fresh Coat of Paint." New York Times 23 February 2006. Rochette, Anne and Wade Saunders. "Place Matters: Los Angeles Sculptors Today." Art in America November 2006: 184-186 (ill.)
2005 CAP Collection. Dublin: CAP Art Limited, 2005. 212-213. Coles, Alex. "Jorge Pardo's Lifestyle as an Ethnography of Design." Ways of Living. Cambrdige: Kettle's Yard, 2005. 35-38 (ill.) Davis, Nicole. "The New York List." www.artnet.com January 2005. Extreme Abstraction. Buffalo: Albright-Knox Art Gallery, 2005. 70. Falconer, Morgan. "Beyond the Yard." Art + Auction September 2005: 158. Grosenick, Uta, ed. Art Now Vol. 2. Cologne: Taschen, 2005. 380-383. Hirsch, Faye. "Abstract Generations." Art in America October 2005: 123-128, 191. "Jorge Pardo." Texte Zur Kunst Issue 59 September 2005: 244-245. Kino, Carol. "Changes at the Top." Art +Auction February 2005, p. 129. Last, Nana. "Function and Field: Demarcating Conceptual Practices." Theory in Contemporary Art since 1985. Eds. Zoya Kocur and Simon Leung. Osxford: Blackwell Publishing, 2005. "The Originals." The New York Times Style Magazine Fall 2005: 137. Pagel, David. "The Hyper-Refined Simplicity of Ravishing Craftiness." Populence. Catalogue. Houston: Blaffer Gallery and The Art Museum of the University of Houston, 2005. 52-64 (ill) Sanders, Constanze. "Ohne private Spenden läuft nichts mehr in der Kultur." RAG-Magazin April 2005: 8-13. Spiegler, Marc. "Safety First." ArtReview October 2005: 45-46. Wright, Karen. "California Dreaming." Modern Painters October 2005: 96-99.
2004 26a Bienal de Sao Paulo. Sau Paulo: Sao Paulo Bienal, 2004. 187-188. Alfano, Jennifer. "Lifestyle: The World of Kim Heirston." Harper's Bazaar November 2004: 134 (ill.) "Arte e Cultura." diversão.terra.com September 2004. Bloemink, Barbara. "The Continuum Between, and Transformations of, Art and Design." Design Art 2004: 142-145 (ill.) Coles, Alex. "The Plywood and Rubber Plant School of Art and Design." Contemporary issue 61 2004: 38-41. Ewing, John. "Jorge Pardo." ArtNexus July-September 2004: 135-136. La Fuente, Pablo. "Light Fantastic." ArtReview February 2004: 155f. Gershon, Stacey B. and Nancy Hall-Duncan. Off the Wall Works for the JP Morgan Chase Collection. Greenwich: Bruce Museum, 2004. 48. Gilmore, Jonathan. "Jorge Pardo." Art in America no. 8 September 2004: 122-123 (ill.) Heeger, Susan. "Wild Things." Los Angeles Times Magazine 1 August 2004: 18. It Happened Tomorrow. Lyon: Lyon Biennale, 2004. 24. "Jorge Pardo – Penelope." Tate Liverpool Exhibitions and Events July-September 2004: 60. "Light entertainment for Lever House lobby." ArtReview vol. 2 no. 5 2004: 16. Longwell, Alicia G. North Fork/South Fork: East End Art Now. Southampton: Parrish Art Museum, 2004. 63 (ill.) Lorenzoni, Rogério. "Jorge Pardo diz que Pichação é legal e estranha." Diversao 29 September 2004 (ill.) "Mary Zlot – Shaping a Collecction." Art + Auction August 2004: 69. Mönig, Roland, ed. "Michel Majerus." Plum Collection: Museum Kurhaus. Kleve: Museum Kurhaus Kleve, 2004. 108-109. "North Fork South Fork, The Parrish Museum's Summer Show." Avenue July 2004: 8 (ill.) Prince, Nigel. "Jorge Pardo – Haunch of Venison." Untitled no. 32 Summer 2004: 60. Ruyter, Lisa. Catalogue of The Armory Show 2004: The International Fair of New Art. New York: The Armory Show, 2004 (ill.) Schwendener, Martha. "Fully Furnished." Time Out New York 30 September-7 October 2004: 70 (ill.) Tumlir, Jan. "Jorge Pardo – Gagosian Gallery." Artforum February 2004: 155f.
2003 AVANT. Lyon: 7e Biennale D'Art Contemporain de Lyon, 2003. 142f. Bayliss, Sarah. "Walking on Lucas Samaras." ARTnews December 2003: 98-100. Beatrice, Luca. "I Moderni." Flash Art 2003. Beccaria, Marcella. "Jorge Pardo, l'arte come luogo capace di appartenere alla vita." Abitare vol. 429 June 2003: 182-185. Bradley, Will. "Giovanni Intra 1968-2002." Frieze no. 73 March 2003: 54-55. Downey, Anthony. "New York: DIA: Chelsea." Contemporary issue 52 2003: 68f. Ebner, Jorg. "Ruine auf Außenposten, Londoner Galerien: Pardo, Dack, Gillick und Shonibare." Frankfurter Allgemeine Zeitung 13 December 2003. Gonzalez, Veronica and Lara Stapleton, eds. Juncture. New York: Soft Skull, 2003. 155. "If He Builds It..." ArtReview vol. 1 no. 12 2003: 18. Jongbloed, Marjorie, Brigitte Oetker, and Christiane Schneider, eds. Jahresring 50: Jahrbuch für Moderne Kunst. Cologne: Oktagon, 2003. 114-121. Kotler, Steven. "Jorge Pardo." Art + Auction December 2003: 32-36. Last, Nana. "Conceptualism's (Con)quests." Harvard Design Magazine Fall 2003-Winter 2004: 14-21. "Noisy Sale at Phillips." Artnet.com 12 November 2003. Pilson, John. "The Moderns." World of Art vol. 3 issue 7 April 2003. "Sculpture Forever." Flash Art no. 231 July - September 2003: 105. Sharp, Amanda. "Shop Talk." Frieze no. 74 April 2003: 52-53. Sheets, Hilarie M. "There's No Piece Like Home." ARTnews December 2003: 102-103. Spiegler, Marc. "Miami Beach." Art & Auction February 2003: 100-101. Woolford, Donelle and Miljohn Ruperto, eds. "4166 Sea View Lane, A Reader." Commerce Winter 2003.
2002 Adler, Vanessa. The Object Sculpture. Leeds: Henry Moore Institute, 2002. 156-159, 169, 192. Angio, Joe, ed. "West 22nd Street." Time Out New York 20-27 June 2002: 18. Baker, Kenneth. "Viewers experience artist's loss by eating his candy." San Francisco Chronicle 2 November 2002. Blickle, Ursula, ed. 10 Jahre 1991-2001. Kraichtal: Urusal Blickle Stiftung, 2002. 48. Cobb, Chris. "Touch." Stretche November 2002. Culture Meets Culture. Busan: Busan Biennale, 2002. 60. De Cecco, Emanuela. Total Living. Gardena: Charta, 2002. 154-155. Eskin, Blake. "Making More Andys Possible." ARTnews May 2002: 48, 50. Grosenick, Uta and Burkhard Riemschneider, eds. Art Now. Cologne: Taschen, 2002. 272-275. Guzik, Jon Alain. "More Art About Buildings and Food." SOMA vol. 15 10 December 2001-January 2002: 34-35. Higgie, Jennifer. "Jennifer Higgie on Pae White." Frieze Issue 86 April 2002: 64-69. "Jorge Pardo." BT Monthly vol. 54 no. 818 April 2002: 130-137. Landi, Ann. "The Power of Suggestion." ARTnews Summer 2002: 164-165. Lloyd, Ann Wilson. "Art is a Necessity Among Techies Too." New York Times 15 December 2002: 50-51. MacKenzie, Julie, ed. Spoon. New York: Phaidon, 2002. 292-295. Morton, Tom. "The Object Sculpture." Frieze no. 69 September 2002: 103. No Return. Mönchengladbach: Sammlung Haubrok, Städtiches Museum Abteiberg, 2002. 71-73, 153. Pappalardo, Bethany Anne. "Jorge Pardo." Tema Celeste no. 89 January-February 2001: 113. Peyton, Elizabeth. 16 Artists. Salzburg: Salzburg Kunstverien, 2002. 17. Pini, Ivonne, ed. "News." ArtNexus vol. 1 no. 43 January-May 2002. Schmid, Doreen ed. Active Ingredients. Napa: Copia, 2001-2002. 15, 26, 27, 52-53, 58. "Shining Armory Show." Time Out New York no. 336 7-14 March 2002. Tumlir, Jan. "Jorge Pardo: The Butler Did It." Flash Art vol. 35 no. 227 November-December 2002: 90-93. Vendrame, Simona ed. "News & Around." Tema Celeste no. 93 September-October 2002: 114. Vincent, Steven. "Collective Obsessive." Smock vol. 2 no. 1 Winter 2002: 82-91. Vogel, Sabine B. "Vienna Critic's Picks." Artforum online January 2002.
2001 Berwick, Carly. "A House, a Boat, a Bar." ARTnews December 2001: 112-113. "Calendar, Comfort…" Dwell March 2001. Campbell, Clayton. "Beau Monde." Flash Art October 2001: 98. Campbell, Clayton. "Public Offerings." D'Art International Fall 2001: 25, 27. Chambers, Kristin. Comfort: Reclaiming Place in a Virtual World. Cleveland: Cleveland Center for Contemporary Art, 2001. 37, 63-66. Chang, Krystal. "Architectural Survey." Metropolis May 2001. Cutter, Kimberly. "East Side Story." W September 2001: 204-208. Delson, Susan, ed. "Inspirations." Museums Los Angeles vol. 3 no. 1 Spring/Summer 2001: 128E. Drohojowska-Philp, Hunter. "It's a Beautiful World." Artnet.com 17 July 2001. "The Future of Comfort." Flash Art International March-April 2001. Geer, Suvan. "Viewpoint." Artweek 12 July 2001: 5. Glueck, Grace. "Jorge Pardo." The New York Times 2 February 2001: E37. Goodman, Wendy. "White Hot." Elle Decor October 2001: 223-227. Gopnik, Blake. "Pardo Wins First Lucelia Artist Award." The Washington Post 24 May 2001: c5. Gregos, Katerina. "New York Now." Contemporary Visual Arts Issue 34 2001: 53-57. Griffin, Tim. "Electrify Me." Time Out New York no. 303 July 2001: 12-19. Grosenick, Uta and Burkhard Riemschneider, eds. Art Now! Icons. Cologne: Taschen, 2001. Harris, Susan. "Beau Monde." Tema Celeste September-October 2001: 100. Hornbrook, Kathy. "Museum of Contemporary Art Reclaiming the 'Comfort Zone.'" The Plain Dealer 27 April 2001. Johnson, Ken. "Jorge Pardo." The New York Times 2 November 2001: E37. Kaufman, Kim. "Number 4." Artivents.com 6 March 2001. Klein, Jennie. "It's a beautiful Morning." New Art Examiner November-December 2001: 74-81. Knight, Christopher. "Art For School's Sake." Los Angeles Times Calendar 8 July 2001: 67. "Lamps in the Lobby." Artnet.com 3 May 2001. Litt, Steven. "A Spunky Vision of Domestic Future in The Modem Age." The Plain Dealer 18 March 2001. Loers, Veit. Jorge Pardo. Cologne: Koln Skulptur 3, 2001. Lütticken, Sven. "Het schilderi en de afvalbak." De Witte Raaf 89 January-February 2001: 11-13 (ill.) MacAdam, Barbara. "Electrify Me!" ArtNews October 2001: 171 (ill.) Mitchell, Charles D. "Making the Case for Pleasure." Art in America November 2001: 122-130. "MOCA Examines Points of Emergence Of Today's Significant Artists." Antiques & The Arts Weekly 30 March 2001. Muchnic, Suzanne. "That 90's Show." Los Angeles Times Sunday Calendar 1 April 2001: 4-5, 75. Nico, Israel. "Public Offerings." Artforum September 2001: 190. Pagel, David. "Before Their Art Was Famous." Los Angeles Times 4 April 2001: F8. "Pardo House." Krabbesholm.dk October 2001. Parkett, Collaborations & Editions Since 1984. New York: Museum of Modern Art, 2001. 186-7. Relyea, Lane. "What You Say Is What You See." Artforum October 2001: 51-52. Richard, Frances. "Electrify Me." Artforum online July 2001. Rizk, Mysoon. "Comfort." New Art Examiner July-August 2001: 90. Roberts, James, ed. "If You Could Have Any Five Artworks…" Frieze November-December 2001: 65-80. Schjeldal, Peter. "Desert Songs." The New Yorker 13 August 2001: 82-83. Simpson, Bennett. "The Sociology of Jorge Pardo." ArtNexus no. 40 May-July 2001: cover, 48-52. Simpson, Bennett. "Specific Spectacles: Art & Entertainment." Art & Text no. 71 November 2000-January 2001: 70-77. Spaid, Sue. "Comfort." Art &Text no.74 2001: 82-83. Troncy, Eric. "L'art pour territoire." Numéro no. 27 Winter 2001: 296-301. Tumlir, Jan. "90s Art in Los Angeles." Art & Text no. 71 November 2000-January 2001: 42-51. Utter, Dougla M. "Cold Comfort." Cleveland Free Times 14-20 March 2001: 26. Vendrame, Simona. "Hybrids." Tema Celeste no. 85 May-June 2001: 108. Vogel, Carol. "Atrium Attractions." The New York Times 27 April 2001: E32. Von Bonin, Cosima. "Bruder Poul Sticht In See." Cologne: DuMont Buchverlag, 2001. 68. Yannopoulos, Charles. "Digital Discomfort." Clevescene.com 29 March 2001.
2000 Against Design. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2000. Attias, Laurie. "Elysian Fields." Frieze November-December 2000: 109. Barron, Stephanie, Sheri Bernstein and Ilene S. Fort. Made in California: Art, Image and Identity. Los Angeles: Los Angeles County Museum of Art, 2000. 269. Blair, Dike. "Thinking Outside the Box." Time Out New York 14-21 September 2000: 111. Erikson, Emily. "Preview: U.S. Shorts." Artforum January 2001. Hamilton, William. "New Art's Interior Move." The New York Times 3 February 2000: F1, F8. Miles, Christopher. "Flat Wares." Artforum May 2000: 87. Muller, Markus. "Outside Event." Space Issue 3 2000: 26-28. Plagens, Peter. "Against Design." Newsweek.com 2000. Poels, Jan-Willem. "On The Cusp." Frame no. 18 January-February 2001: 14. Relyea, Lane. "L.A.-Based and Superstructure." Public Offerings. Los Angeles: Museum of Contemporary Art, 2000. 263, 266. Schafaff, Jorn and Barbara Steiner, eds. Jorge Pardo. Ostfildern: Hatje Cantz Verlag, 2000. Siegel, Katy. "Best of 2000." Artforum December 2000: 116. Singerman, Howard. "Jorge Pardo." Public Offerings. Los Angeles: Museum of Contemporary Art, 2000. 120-127 (ill.) Sozanski, Edward. "Along the Fuzzy Boundary between Art and Design." The Philadelphia Inquirer 13 February 2000: A11. "Very New Art: Jorge Pardo." Monthly Art Magazine Bijitsu Techno vol. 52 no. 782 January 2000: 180-181.
1999 Argyropoulou, Nadia, Stergios Delialis, Yorgos Tzirtzikalis and Dmitra Vamilai. Objecthood 00. Athens: Hellenic American Union, 1999. 62-65. Brackman, Yvette. "Maximizing the Pastoral." ARTBYTE April-May 1999: 62. Bush, Kate. "4160 Sea View Lane." Parkett no. 56 1999: 152-159. "Edition for Parkett: Jorge Pardo." Parkett no. 56 1999: 160. Ferguson, Russell. "What is Lost for Art is Gained for Life." Parkett no. 56 1999: 122-129. Frangenberg, Frank. "Raise High the Room Beam." Parkett no. 56 1999: 148-150. Gantz, Jeffrey. "Threads of Dissent." Boston Phoenix 29 October 1999: 1, 15. Goldsmith, Diane. "It's all in how you see it." The Philadelphia Inquirer Home & Design Friday 28 May 1999: Front page, E8. Grosenick, Uta, Lars Bang Larsen, and Burkhard Riemschneider. Art at the turn of the Millennium. Cologne: Taschen, 1999. 374. Haeg, Fritz. "Interview with Jorge Pardo." L.A. Design May-June 1999: 13-15. Hainley, Bruce. "Jorge Pardo." Artforum December 1998. Herbstreuth, Peter. "Jorge Pardo." Kunstforum July-August 1999: 351-352. Kwon, Miwon. "Richard Serra & Jorge Pardo." Documents Winter 1999: 48-54. Murphy, Dominic. "Rogue's Gallery." The Guardian Weekend 22 May 1999: 60-61. Ouroussoff, Nicolai. "Jorge Pardo." Art Issues no. 57 March-April 1999: 41. Pardo, Jorge. "La Oficina." Trans vol. 6 1999. Sanders, Joel. "Frames of Mind." Artforum November 1999: 126-131, 157. Sherman, Mary. "Weaving a Lasting Message." Boston Sunday Herald 31 October 1999: 76. Temin, Christine. "Warning: Threads of Dissent May Irritate Skin." Boston Globe 3 November 1999. Tumlir, Jan. Jorge Pardo. London: The Royal Festival Hall, 1999. Van Winkel, Camiel. "Off the Table." Parkett no. 56 1999: 142-47. Vegh, Christina. "4166 Sea View Lane-ein Kunstlerhaus von Jorge Pardo." Werk, Bauen+Wohnen vol. 3 March 1999: 46-51. Vegh, Christina. "The Tonality of Contradictory Settings." Parkett no. 56 1999: 130-139.
1998 Avgikos, Jan. "The Shape of Art at the End of the Century." Sculpture April 1998: 46-53. Basualdo, Carlos. "Jorge Pardo." Cream Contemporary Art in Culture 1998: 320-323. Codrington, Andrea. "Public Eye: Furniture in Art." The New York Times January 1998: F2. DeBord, Matthew. "LA casual + NY critical = A New Urbanity." Siksi Summer 1998: 56-61. Drohojowska-Philp, Hunter. "Welcome to the House that Jorge Built." Los Angeles Times Calendar 11 October 1998: 62, 82. Dziewior, Yilmaz. "Interview mit Jorge Pardo." Kunsthalle Koln May 1998. Firpo, Erica. "Home Improvement." Los Angeles Downtown News vol. 27 no. 45 26 October 1998: 10. Frangenbuerg, Frank. "Die Moral der Kunst." Kolner Stadt-Anzeiger no. 50 28 February-1 March 1998: 39. Hainley, Bruce. "Jorge Pardo." Artforum December 1998: 135-6. Holmqvist, Karl. "Hospital." Flash Art vol. XXXI no. 199 March-April 1998: 79. Ise, Claudine. Los Angeles Times Friday 18 September 1998. "Jorge Pardo: 'Lighthouse.'" Art Now International Gallery Guide February 1998: 10-11. Kandel, Susan. "Home Work." Artforum November 1998: 92-93. Knight, Christopher. "Stay-at-Home Artist." Los Angeles Times Calendar 17 October 1998: F14 Levere, Jane. "Artist on the Edge." Robb Report April 1998: 133. Lewis, Christopher. "Pardo's House on a Hill." Art in America December 1998: 35. Liebmann, Lisa. "Jorge Pardo." Artforum December 1998: 96. Rossmann, Andreas. "Landnahme fur die Kunst." Frankfurter Allegmeine Zeitung 10 August 1998: 35. Schneider, Iris. "Noon Art." Los Angeles Times Best Bets 10-11 October 1998. Schulze, Karin. "Welcome to the Sculpture." Spiegel November 1998: 6-10. Smith, Roberta. The New York Times 12 June 1998: E37. Steiner, Barbara. "Ein Haus, Das Kein Haus Ist." Neue Bildende Kunst August-September 1998: 24-29.
1997 Brooks, Rosetta. "Jim Iserman and Jorge Pardo at Richard Telles." LA Weekly 27 December-2 January 1997: 41. Buchloh, Benjamin. "Sculpture Projects in Muenster." Artforum September 1997: 115-117. Bush, Kate. "Design for Life." Frieze Issue 36 September-October 1997: 52-57. Decter, Joshua. Artforum Summer 1997: 142. Feaver, William. "Frankly, this Place is Going Down the Drain." The Observer 20 July 1997. "Is this the Cutting Edge." The Guardian 22 July 1997. Grabner, Michelle. "Jorge Pardo: Living Without Boundaries." Sculpture Magazine December 1997: 38-41. Hainley, Bruce. "Bastards of Modernity." Artforum March 1997: 98-9. Hixson, Kathryn. New Art Examiner June 1997: 36. Iannaccone, Carmine. Frieze March-April 1997: 83-4. Ingleby, Richard. "Down the Pan." The Independent 25 July 1997. Killiam, Brad. "Veneer Plywood." Art Muscle January-February 1997: 22. Musgrave, David. Art Monthly no. 209 September 1997: 40-42. "Position of Pretension." Hampstead & Highgate Express 1 August 1997. Sherlock, Maureen. "The Sentimental Education of a Solitary Walker." New Art Examiner September 1997: 25-31, 69. Slyce, John. What's On 27 August 1997: 17. Smith, Roberta. "A Channel-Surfing Experience with Beanbag Chairs and Gym." The New York Times 25 April 1997: C22. Sonna, Birgit. "Kunst mit Altmuhl und Amobe." Suddeutsche Zeitung no. 27 1997: 14.
1996 Guth, Peter. "Menschenstroeme im Licht-Atem." Frankfurter Allgemeine Zeitung 20 March 1996: 37. Hegewisch, Katherina. "Die Kunst der drei Grazien." Wochenpost 21 March 1996: 38-39. Herbstreuth, Peter. "The First Summer of Art in the Nineties." Atelier International no. 831 November 1996: 17-36. Herbstreuth, Peter. "In ig fuereinander bestimmt." Der Tagesspiegel no. 15567 15 March 1996: 23. Herbstreuth, Peter. "Jorge Pardo in der Galerie neugerriemschneider." Das Kunst Bulletin no. 10 1996: 36. Husemann, Ralf. "Schrille Toene: Die Kunst in neuen Leipziger Messebau." Sueddeutsche Zeitung 15 March 1996: 14. Manetas, Miltos. "Jorge Pardo." Flash Art Summer 1996: 132-133. Pagel, David. Los Angeles Times 27 November 1996: F30. Schmerler, Sarah. "4 Rms,Video Vu." Time Out New York 1-8 May 1996: 36. Volk, Gregory. "Jorge Pardo at Friedrich Petzel." Art in America December 1996: 93. Walker, Hamsa. Dialogue May-June 1996: 25. Ziegler, Ulf Erdmann. "Open City: Report from Munster." Art in America no. 9 September 1997: 34-39.
1995 Dziewior, Yilmaz. "Jorge Pardo." Artforum vol. 34 no. 3 November 1995: 100. Greene, David A. "I Saw the Light (and Space)...and It Was Good." Los Angeles Reader 21 April 1995: 24. Mueller, Sabine. "Der Betrachter Prallt Zurueck." Koelner Stadt-Anzeiger 2 June 1995: 14. Schneider, Christiane. "Jorge Pardo." Frieze September-October 1995: 81-83.
1994 Avgikos, Jan. Artforum April 1994. Choon, Angela. "Openings." Art & Antiques February 1994: 26. Clothier, Peter. "Pure Beauty." Art News vol. 94 no. 2 February 1994:132. Cohen, Michael. "Pachuco Style." Flash Art vol. 27 no. 176 May-June 1997: 87-90. Fricke, Harald. "Kunst in Berlin jetzt: Jorge Pardo." Die Tageszeitung May 1994: 18. Goldstein, Ann. Pure Beauty. Paris: The American Center, 1994. Reader 21 April 1994: 24. Kanjo, Kathryn. Breakdown. San Diego: San Diego Museum of Art, 1994. Pinkus, Robert L. "Show's ideas are too clever, too obvious and forgettable." San Diego Union Tribune 5 May 1994: 32. Schmidt-Wulffen, Stephan. "Notizen Zu Skulptur Und Gegenwart." Neue Bildenede Kunst February-March 1994: 16-21. Schneider, Christiane. "Jorge Pardo." Jahresring 41 1994: 34-35. Texte zur Kunst November 1994 (cover ill.) Wilson, William. "Pure Beauty: Irony Becomes Stale Second Time Around." Los Angeles Times 27 September 1994: F14.
1993 Bellars, Peter. "A Four-Man Show with New Ideas." Asahi Evening News 21 March 1993: 9. Blum, Timothy and George Porcari. Jorge Pardo. Tokyo: Person's Weekend Museum, 1993. Greene, David A. "Jorge Pardo at Thomas Solomon's Garage." Art Issues 29 September-October: 38. Pagel, David. "Young Lamplighter." Los Angeles Times 12 April 1993: F8. Scarbourough, James. "Jorge Pardo: Thomas Solomon's Garage." Flash Art vol. 26 no. 172 October 1993: 88-89.
1992 Kane, Mitchell. Pressure on the Public. Hillsboro, WI: The Hirsch Farm Project, 1992. Knight, Christopher. "10 California Artists: 'Facing the Finish.'" Los Angeles Times 1 May 1992: F24.
1991 Geer, Suvan. "Jorge Pardo Gets Honest About Hype." Los Angeles Times 2 August 1991: F18. Kandel, Susan. "L.A. in Review: Jorge Pardo." Arts October 1991: 102-3. Riley, Robert. "Remodeling: Notes on Nayland Blake, Jim Campbell, James Luna, Jorge Pardo, and Millie Wilson." Facing the Finish. San Francisco: San Francisco Museum of Modern Art, 1991. Van Proyen, Mark. "Born to Shop: 'Facing the Finish' at the San Francisco Museum of Modern Art." Artweek 24 October 1991: 1, 15-16.
1990 Brougher, Nora Halpern. "Jorge Pardo." Flash Art vol. 23 no. 154 October 1990: 156-157. Knight, Christopher. "Impressive Debut." Los Angeles Times 27 April 1990. Kornblau, Gary. "Jorge Pardo at Thomas Solomon Gallery." Art Issues September-October 1990: 35.
Public Collections
Boijmans Van Beuningen Museum, Rotterdam, Holland Museum of Contemporary Art, Chicago Museum of Contemporary Art, Los Angeles Museum of Contemporary Art, Miami Museum of Modern Art, New York Museum van Hedendaagse Kunst, Ghent, Belgium
Selected Public Projects and Commissions
Untitled, Guajataca, 2005 Penelope Revealed, Wolstenholme Square, Liverpool, 2004 Untitled, Lever House, New York, 2004 Untitled, Ständehaus Düsseldorf Museum K 20/21, 2003 Delegates Dining Room, German Parliament, Paul-Löbe-Haus, Berlin, 2003 Historic Turbine-Hall of the Stadtwerke Düsseldorf, 2003 Café, Bundestaag, Berlin, 2002 Kitchen at Copia: The American Center for Food, Wine and the Arts, Napa, 2001 Dormitory, Krabbesholm, Hojskole, Skive, 2001 Bar, Center for Contemporary Art, Glasgow, 2001 Dormitory, Massachusetts Institute of Technology, Cambridge, 2001 Lamps, Sotheby's, New York, 2001 Project, Dia Center for the Arts, New York, 2000 Autobahn-Raststatte, Pratteln, 2000 Fabric Workshop & Museum, Philadelphia, 1999 4166 Sea View Lane, Los Angeles, 1998 Pier, Muenster, 1997 Tomatensuppe, Koln, 1997 Lighthouse, Museum Boijmans-van Beuningen, 1997 Clock, clock, clock, clock, clock (you have to say it fast), Stuttgart, 1997 Reading Room, Boijmans Van Beuningen Museum, Rotterdam, 1996 East Meets West Restaurant, The Leipzig Expo Center, Leipzig, 1996
Grants/Awards Smithsonian American Art Museum Lucelia Award The Louis Comfort Tiffany Foundation |
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