Philippe Parreno

Lives and works in Paris, France





1989 Institut des Hautes Etudes en arts plastiques, Palais de Tokyo, Paris

1983-1988 Ecole des Beaux-Arts de Grenoble

1981-1983 Math





2015   Hypothesis, Hangar Bicocca, Milan, Italy

          H {N)Y P N(Y} OSIS: Philippe Parreno, Park Avenue Armory, New York, NY

2014   The Kitchen, New York, NY

          Serralves Museum, Porto, Portugal

          TV Channel, CAC Malaga, Malaga, Spain

          Philippe Parreno: With a Rhythmic Instinction to be Able to Travel Beyond Existing Forces of Life, Pilar Corrias, London, UK

          How Can We Tell the Dancers from the Dance, Schinkel Pavillon, Berlin, Germany

          Quasi-Objects, Esther Schipper, Berlin, Germany

2013   Anywhere, Anywhere Out of the World, Palais de Tokyo, Paris, France

          Fade to Black, 1301PE, Los Angeles, CA

          Philippe Parreno, Garage Center for Contemporary Culture, Moscow, Russia


2012   Philippe Parreno, Fondation Beyeler, Basel, Switzerland (cat.)


2010   Philippe Parreno, Pilar Corrias Gallery, London, UK

Philippe Parreno, Serpentine Gallery, London, UK

June 8, 1968, Hessel Museum, CCS Bard College, Annandale-on-Hudson, NY


2009   Philippe Parreno, Irish Museum of Modern Art, Dublin, Ireland

May, Kunsthalle Zurich, Switzerland

Philippe Parreno, Musee national d'Art moderne, Centre Georges Pompidou, Paris, France


2008   Suicide in Vermilion Sands, Friedrich Petzel Gallery, New York, NY

October, Pilar Corrias Ltd., London, UK

Philippe Parreno, Walker Art Center, Minneapolis, MN

Philippe Parreno, Friedrich Petzel Gallery, New York, NY


2007   Stories Are Propaganda, Friedrich Petzel Gallery, New York, NY

What do you believe my eyes or my words?, Haunch of Venison, London, UK

Le cri ultrasonic de l'ecureil, Air de Paris, Paris, France

Philippe Parreno, Esther Schipper, Berlin, Germany


2006   Philippe Parreno, Friedrich Petzel Gallery, New York, NY

Interior Cartoons, Esther Schipper, Berlin, Germany

Again for Tomorrow, Royal College of Art Galleries, London, UK

Briannnnnn & Ferryyyyyy/Law Creaitivity, with Liam Gillick, Kunsthalle Zurich, Swtizerland


2005   The Boy from Mars, Friedrich Petzel Gallery, New York, NY

Philippe Parreno, Air de Paris, Paris, France

Atlas of Clouds, 1301PE, Los Angeles, CA

You and Me, Me and You, with Douglas Gordon, Fondazione Davide Halevim, Milan, Italy

Briannnnnn & Ferryyyyyy, with Liam Gillick, Vamiali's, Athens, Greece


2004   Fade Away, Kunstverein, Munich, Germany

Anna Sanders Films, Worldwide Video Festival, Filmmuseum, Amsterdam, The Netherlands

(Rider): Law & Creativity, with Liam Gillick, Konsthalle, Lund, Sweden


2003   The Sky of The Seven Colors, CCA Kitakyushu, Japan

Alien Season, Friedrich Petzel Gallery, New York, NY

TV Channel, Yvon Lambert, Paris, France


2002   El Sueño de una cosa, Portikus Museum, Frankfurt, Germany

Alien Season, Musee d'Art Moderne de la Ville de Paris, Paris, France

Anywhere out of the world, Kunstverein Munchen, Munich, Germany

A Smile Without a Cat, with Pierre Huyghe, Art Basel Miami Beach, FL


2001   Mont Analogue, Aire de Paris, Paris, France

Mont Analogue, Friedrich Petzel Gallery, New York, NY

Mont Analogue, Rirkrit Toravanija's Studio, Bangkok, Thailand

In Many Ways the Exhibition Already Happened, ICA, London, UK

El sueno de una cosa, Museet Project, Moderna Museet, Stocklhom, Sweden

One Thousand Pictures Falling from One Thousand Walls, Friedrich Petzel Gallery, New York, NY

About, with D. Gonzalez-Foerster and P. Huyghe, Contermpary Arts Center, Cincinnati, OH

Anywhere Out of the World, Institut of Visual Culture, Cambridge, UK


2000   No Ghost Just a Shell: Anywhere Out of the World, Air de Paris, Paris, France

No Ghost Just a Shell: Anywhere Out of the World, Schipper und Krome, Berlin, Germany

One Thousand Pictures Falling from One Thousand Walls, MAMCO, Geneva, Switzerland

Dominique Gonzalez-Foerster, Philippe Parreno, Pierre Huyghe, Kunstverein, Hamburg, Germany

Pierre Huyghe, Philippe Parreno, Tramway, Glasgow, UK

06.00 PM, with Pierre Huyghe, San Francisco Art Institute, CA


1999   Ynglagatan, Stockholm, Sweden

Listen to this Picture, Gallery Shipper&Krome, Berlin, Germany


1998   Blue Almost Transparent, Kunstverein Ludwigsburg, Ludwigsburg, Germany

ARC, with Pierre Huyghe and D. Gonzalez-Foerster, Musée d'art moderne de la Ville de Paris, France

Philippe Parreno, INOVA, Milwaukee, WI

Galerie Schipper & Krome, Berlin, Germany

Le Procès de Pol Pot, with Liam Gillick, Magasin, CNAC, Grenoble, France


1997   Postman Time,On art and its places open to 21 C, Kunsthalle, Nürenberg, Germany

Air de Paris, Paris, France

Vitrines des artistes, Nina Ricci, Paris, France

Speech Bubbles, Galerie Sous-sol, Geneva, Switzerland


1996   Ou, Air de Paris, Paris, France

While, Snow dancing, or The merlin disease, A birthday tree, Robert Prime, London, UK

Happy Ending Sweden, 1996, Ynglagaten, Stockholm, Sweden

Vicinato, with Carsten Höller and Rirkrit Tiravanija, Raum Aktueller Kunst, Vienna, Austria


1995   Snow Dancing, Le Consortium, Dijon, France

Possessions NZET, Air de Paris, Gent, France

While…, Kunstverein, Hamburg, Germany


1994   Werktische, Schipper & Krome, Cologne, Germany

Vicinato, with Carsten Höller and Rikrit Tiravanija, Studio Guenzani, Milan, Italy

Innocent et Emprionné, with Carsten Höller, Air de Paris, Paris, France (cat.)

No More Reality versus Sukunft, with Carten Höller, Galerie Nicolai Wallner, Copenhagen, Denmark

Cette culture qui nous vient de la rue..., cur. P. Restany, Galerie Municipale, Vitry-sur-Seine, France

La nuit des heros, Salle Garance, Centre Georges Pompidou, Paris, France

La nuit des heros, Espace FRAC Pouitou Charente, Angouleme, France


1993   Gegenüber von Bucholz & Bucholz, Daniel Bucholz, Cologne, Germany

Plaidoyer, Galerie Esther Schipper, Cologne, Germany

L'Imitateur, Magalerie, Paris, France

No More Reality, Black Box, Munich, Germany


1992   Philippe Parreno, Galerie Claudine Papillon, Paris, France


1991   Try Snacking, with P. Joseph, Air de Paris, Paris, France




2015   Collection Colette & Michel Poitevin, Galerie Lasécu, Lille, France

2014   The Illusion of Light, Palazzo Grassi, Venice, Italy

          Futbal: The Beautiful Game, LACMA, Los Angeles, CA

          Solaris Chronicles, Atelier de la Mecanique, Parc des Ateliers, Arles France

          Gillick, Hans Ulrich Obrist, and Philippe Parreno, Arles, France

2013   Light Show, Hayward Gallery, London, UK

          Prima Materia, cur. Caroline Bourgeois and Michael Govan, Punta della Dogana, François Pinault Foundation, Venice, Italy

2012   Print/Out, Museum of Modern Art, New York, NY

Cage100: Opening Spaces for Action, Galerie für Zeitgenössische Kunst, Leipzig, Germany

Ghosts in the Machine, The New Museum, New York, NY


2011   Illuminations, 54th International Art Exhibition, La Biennale di Venezia, Venice, Italy

Minimalism and Applied II, Daimler Contemporary, Berlin, Germany


2010   Preder La Porte et Faire Le Mur, Frac Provence-Alpes-Cote d'Azur, Marseille, France

Courant d'art au rayon de la quincaillerie, BHV, Paris, France

Morality, Witte de With, Rotterdam, The Netherlands

Love at first sight, Kaohsiung Museum of Fine Arts, Kaohsiung City, Taiwan

Animal politique, Franc Poitou-Charentes, Angouleme, France

The nice thing about Castillo/Corrales, Castillo/Corrales, Paris, France

Biennale for International Light Art, Bergkamen, Bonen, Germany

Frondenberg/Ruhr, Hamm, Lunen, Unna, Germany

Last Ride in a Hot Air Balloon, 4th Auckland Triennal, New Zealand

Spatial City: An Architecture of Idealism, Institute of Visual Art, Milwaukee, WI

Double Bind, Villa Arson, Nice, France

Pictures about Pictures, Discursive painting, Museum Moderner Kunst, Vienna, Austria

Hard Targets, Wexner Center for the Arts, Columbus, OH

Ibrido, Padiglione d'Arte Contemporanea, Milan, Italy

One Room, One Work, 1301PE, Los Angeles, CA


2009   Top 10 Allegories, cur. Hard Hat, Galerie Francesca Pia, Zürich, Switzerland

La Suite, Galerie Air de Paris, Paris, France

The Puppet Show, Contemporary Arts Museum, Houston, TX; Frye Art Museum, Seattle, WA


2008   Theanyspacewhatever, Guggenheim Museum, New York, NY

Absence, South Tipperary County Museum, IMMA National Programme, Dublin, Ireland

The Puppet Show, Institute of Contemporary Art, Philadelphia, PN; Santa Monica Museum of Art, CA

Pivot Points, Museum of Contemporary Art, North Miami, FL

The Contemporary Museum, Honolulu, HI

Video works from the Sandretto Re Rebaudengo Collection, Fondazione Sandretto Re Rebaudengo, Turin, Italy

Yokohama Triennial, Japan

Always Begins by Degrees, The Common Ground, Glasgow, UK


2007   An Atlas of Events, Fundacao Calouste Gulbenkian, Lisbon, Portugal (cat.)

Everstill, Philip De Lorca House, Granada, Spain

Words Fail Me, Museum of Contemporary Art, Detroit, MI

52nd Venice Biennale, cur. Robert Storr, Venice, Italy

 Words Fail Me, cur. Mathew Higgs, MOCAD, Detroit, MI

Slash Fiction, Gasworks, London, UK

Mood Swings, Galerie Micheline Szwajcer, Antwerp, Belgium

Midi-Minuit/Mediodía-Medianoche, Palais de Tokyo, Paris, France; Centro Cultural Recoleta, Buenos Aires, Argentina

Collateral 2, SESC, San Paul, Brazil

Début de siècle, Musée Départemental de Rochechouart, Rochechouart, France

Stop & Go, Fondazione Sandretto Re Rebaudengo, Turin, Italy

Tomorrow, Artsonje Center & Kumho Museum of Art, Seoul, South Korea 

Existencias, Musac, Leon, Spain

Everstill, cur. Hans Ulrich Obrist, Lorca's house, Granada, Spain

A History of Two Mountains/ One the Original/ Two a Copy/ Both Equally Heavy, Auto Italia South East Gallery, London, UK

Antes y después del minimalismo, Museu d'Art Espanyol Contemporani, Palma de Mallorca, Spain 

(I'm Always Touched) By Your Presence, Dear: New Acquisitions, Irish Museum of Modern Art, Dublin, Ireland

Eros, Musée d'Art moderne et d'Art Contemporain, Liege, Belgium  

Nuit Blanche, Mayenne Ville, France

Nuit Blanche, Versailles, France

So Watt!, Espace Electra, Paris, France  

Auto Emotion, The Power Plant, Toronto, Canada

Passage du temps, Collection Francois Pinault, Tri Postal, Lille, France

La nuit des musées, ARC/Musée d'Art Moderne de la Ville de Paris, France

Ateliers, l'artiste et ses lieux de creation, Centre Pompidou, Paris, France (cat.)

Objectif Lunel, Espace Louis Feuillade, Lunel, France

Dominique Gonzales-Foerster: Expodrome, ARC-Musée d'Art Moderne de la Ville de Paris, France

Trajectory 4, cur. Maria Lind, LCCA, Riga, Latvia

Learn to Read, Level 2 Gallery, Tate Modern, London, UK   

E-Flux video rental, Carpenter for Center for the Visual Arts, Cambridge, MA; Centre Culturel Suisse, Paris, France

Airs de Paris, Centre Pompidou, Paris, France (cat.)  

Collateral, Hangar Bicocca, Milan, Italy

Comic Abstraction, cur. Roxana Marcoci, Museum of Modern Art, New York, NY (cat.)

L'emprise du lieu, cur. Daniel Buren, domaine Pommery, Reims, France


2006   .all Hawaii ENtrees/luNar reggae, Irish Museum of Modern Art, Dublin, Ireland (cat.)

Thankyou For The Music, Spruth Magers Lee, London, UK

Universal Experience: Art, Life, and the Tourist's Eye, MartRoverto, Roverto, Italy

Again for tomorrow, Royal College of Art, London, UK

Classical: Modern I, Daimler Chrysler Contemporary, Berlin, Germany

The Expanded Eye, Kunsthaus Zürich, Switzerland

D'entrée de jeu, La Chapelle Jeanne d'Arc, Thouars, France

Cinema(s), Le Magasin, Grenoble, France

A Short History of Performance, Part IV, Whitechapel Gallery, London, UK

Tate Triennial, Tate Britain, London, UK

Melancholia, with Pierre Huyghe, Sommer Contemporary Art, Tel Aviv, Israel

Eldorado, Mudam, Luxembourg

Exploring Party, Württembergischer Kunstverein Stuttgart, Stuttgart, Germany

New Space, Pinchuk Art Center, Kiev, Ukraine

E-Flux video rental, Extra City Center for Contemporary Art, Antwerp, Belgium; Arthouse at the Jones Center, Contemporary Art for Texas, Austin, TX

Thank you for the music (London Beat), Sprüth Magers Lee, London, UK

L'Ambassade des Possibles, 40mcube, Rennes, France

Lovely Shangai Music, Zendai Museum of Modern Art, Shanghai, China

4th Liverpool Biennial, Liverpool, UK

La Force de l'art: Superdéfense, cur. Eric Troncy, Grand Palais, Paris, France

Classical: Modern, Daimler Chrysler Collection, Berlin, Germany

Again for tomorrow, Royal College of Art, London, UK (cat.)


2005   Thank You For the Music, Sprüth Magers Projekte, Munich, Germany

Beyond: An Extraordinary Space of Experimentation for Modernization, with Rirkrit Triavanija, The Second Guangzhou Triennial, Guangzhou, China

Ambiance, K21, Düsseldorf, Germany (cat.)

Mouvement, Museum Ludwig, Cologne, Germany (cat.)

Present Perfect, Friedrich Petzel Gallery, New York, NY

Bidibidobidiboo, cur. Francesco Bonami, Fondazione Sandretto Re Rebaudengo, Turin, Italy

Group Show, Air de Paris, Paris, France

Invisible Script (A Letter to Morel), W139, Amsterdam, The Netherlands

Shadowland: An Exhibition as a Fim, Walker Art Center, Minneapolis, MN

No Ghost Just a Shell, Van Abbemuseum, Eindhoven, The Netherlands

(Rider): Law & Creativity, Konsthalle, Lund, Sweden

Experiencing Duration, Biennale d'art Contemporain, Lyon, France (cat.)

Funny Cuts: Cartoons und Comics in der sitgenossischen Kunst, Staatsgalerie, Stuttgart, Germany

Boy From Mars, Friedrich Petzel Gallery, New York, NY

A letter to Model, Contemporary Art Center, Vilnius, Lithuania

Universal Experience: Art, Life and the Tourist's Eye, Museum of Contemporary Art, Chicago, IL (cat.)

Light Art: from artificial light, ZKM, Karlsruhe, Germany

Ann Lee, Les Abattoirs, Toulouse, France

Strictement confidentiel, Centre international d'art et du paysage, Vassiviere, France 

En corps, et encore!, Centre Régional de Documentation Pédagogique, Poitiers, France

War is over, galleria d'Arte Moderna e Contemporanea, Bergamo, Italy (cat.)

Radio Days, De Appel, Amsterdam, The Netherlands

Group Show, Air de Paris, Paris, France (cat.)

Invisible Script (A letter to Morel), cur. Francois Piron, W 139, Amsterdam, The Netherlands


2004   Opportunity and regret, cur. Eva Maria Stadler, Grazer Kunstverein, Graz, Austria

Museum of Contemporary Art, Kanazawa, Japan

3' Condensed Information, commissioned by Schirn Kunsthalle, Frankfurt, Germany

Artist's Favourites, Institute of Contepmorary Art, London, UK

Establishing Shot, Artists Space, New York, NY

Across the border, Museum Dhondt-Dhaenens, Deurle, Belgium

The Drawing Project, Vamiali's, Athens, Greece

My Way, Air de Paris, Paris, France

The Big Nothing, Insitute of Contemporary Art, Philadelphia, PA (cat.)

Before the End, cur. Stéphanie Moisdon, Le Consortium Dijon, France (cat.)

Grasduinen 1, SMAK Gent, Belgium

No more reality, Nils Staerk Contemporary Art, Copenhagen, Denmark

Dak Art 2004, Biennale Dakar, Senegal

Utopia Station, Haus der Kunst, Munich, Germany

Hors d'œuvre, CAPC, Bordeaux, France (cat.)

El estado de las cosas, MARCO, Vigo, Spain (cat.)

21st Century Museum of Contemporary Art, Kanazawa, Japan

Grotesque, Burlesque, Parodie, Abbaye Saint-Andre Centre d'Art Contemporain, Meymac, France

Across the border, Museum Dhondt-Dhaenens, Deurle, Belgium

La Collection d' art contemporain d'Agès B, Les Abbattoirs, Toulouse, France

Sportivement vôtre, Domaine départemental de Chamarande, France (cat.)


2003   No Ghost Just a Shell, Rosa & Carlos de la Cruz Collection, Miami, FL

C'est arrivé demain, cur. Le Consortium, Anne Pontagonie et Robert Nickas, Biennale de Lyon, France (cat.)

Performance for the publication of Hans Ulrich Obrist Interviews – Volume 1, at Dia: Chelsea bookshop, New York, NY

Game Art, Institut für Kulturaustausch, Tübingen, Germany

It Happened Tomorrow, Lyon Biennale, Lyon, France

Utopia Station, Biennale di Venezia, Venice, Italy

The Daimler Chrysler Collection, Museum fuer Neue Kunst zkm Karlsruhe, Germany

No Ghost Just a Shell, Van Abbemuseum, Eindhoven, The Netherlands (cat.)

Coolustre, cur. Eric Troncy, Collection Lambert, Avignon, France

The Air is Blue, Casa Barragán Mexico City, Mexico

Philippe Parreno & Jorge Pardo, Air de Paris, Paris, France

Sodium Dreams, Bard College, Annandale-on-Hudson, NY

25th International Biennial of Graphic Arts, with Pierre Huyghe, Ljubljana, Slovenia

Lee 3 (tau ceti central armory show), Villa Arson, Nice, France

Ill Communication, Duundee Conetmporary Arts, Dundee, UK

Parcours de choix, Arsenal, Metz, France

Animations, Kunst-Werke, Berlin, Germany (cat.) 

JRP Editions, Galeria Javier Lopez, Madrid, Spain

Selected Multiples by JRP Editions, Galerie Edward Mitterand, Geneva, Switzerland


2002   Light x Eight: The Hanukkah Project 2002, The Jewish Museum, New York, NY

Hell, neugerriemschneider, Berlin, Germany

Touch, Relational Art from the 1990s to Now, Walter and McBean Galleries, San Francisco Art Institute, CA

Chapter V, cur. Julie Baranes and Alejandro Cesarco, Art Resources Transfer, New York, NY

Stories, Haus der Kunst, Munich, Germany (cat.)

(The World May Be) Fantastic, Sydney Biennial, Australia

Group Show, Friedrich Petzel Gallery, New York, NY

No Ghost Just a Shell, SFMOMA, San Francisco, CA 

French Collection, Mamco, Geneva, Switzerland

Sans commune mesure, Musée d'Art Contemporain Lille Métropole, Villeneuve d'Asq, France

El aire es azul, casa museo Francisco Ramirez, Mexico City, Mexico

No Ghost Just a Shell, Kunsthalle Zürich, Switzerland (cat.)

Récits Récits, Abbaye-Saitn-André, Meymac, France

Société perpendiculaire: la tapisserie, FRAC Provence-Alpes-Côte-d'Azur, France

The object sculpture, The Henry Moore Institute, Leeds, UK (cat.) 

Exchange and transform, Kunstverein, Munich, Germany (cat.) 

Self/In Material Conscience, Fondazione Sandretto Re Rebaudengo, Guarene d'Alba, Italy

Les vertues sont des titres, les souffrances sont des droits, Hôtel Saint-Simon, Angoulême, France

Touch: Relational Art from the 1990's to Now, San Francisco Art Institute, Walter and McBean Galleries, San Francisco, CA


2001   Neue Welt, Frankfurter Kunstwerein, Frankfurt, Germany

EGOFUGAL, 7th International Istanbul Biennial, Istanbul, Turkey

Tele(visions), Kunsthalle Wien, Austria

Intentional Communities, Centre d'Art Contemporain, Vilnius, Lithuania; Rooseum Art Center, Malmö, Sweden

Dévoler, vivent les Fracs, IAC, Villeurbanne, France

Dedallic Convention, MAK Galerie, Vienna, Austria

Mouvements immobiles, Musée d'Art Moderne de Buenos Aires, Argentina

Il Dono, Palazzo delle Papesse, Siena, Italy

Double Life, Generali Foundation, Vienna, Austria

Animations, PS1, New York, NY

Let's Entertain, Kunstverein Wolfsburg, Ludwigsburg, Germany

No Ghost just a Shell, in Exploding Cinema: Cinema without walls, Museum Boijmans Van Beuningen, Rotterdam, The Netherlands

Tele(visions), Kunsthalle Wien, Austria


2000   Au-delá du spectacle, Centre Pompidou, Paris, France

Cushy Job, ARTRA, Milan, Italy

Air-Air, Grimaldi Forum, Monaco

Une Monde Dans une Coquille de Noix, Frac Provence-Alpes-Côte d'Azur, Marseilles, France

Today, Today, Today, Spazi Mentali, Spazi Reali, cur. Francesco Bonami, Pitty Imagine Discovery, Florence, Italy

I love you too, but…, Galerie Für zeitgenössische Kunst, Leipzig, Germany

Presumed Innocent, CAPC, Bordeaux, France

Vincinato 2, neugerriemschneider, Berlin, Germany

Beruhmte Kunstler helfen Koch und Kesslau, Koch und Kesslau, Berlin, Germany

Acquisizioni recenti, Fondazione Sandretto Re Rebaudengo, Guarene d'Alba, Italy

The real and the fake, Nationalgalerie im Hamburger Bahnhof, Berlin, Germany

What if: Aart on the verge of architecture and design, Moderna Museet, Stockholm, Sweden

Cette Culture qui nous vient de la rue, cur. P. Restany, Galerie Municipale, Vitry-sur-Seine, France

EDIT, Badisher Kunstverein, Karlsruhe, Germany

Let's Entertain, cur. P. Vergne, Walker Art Center, Minneapolis, MN (cat.). Travelled to, Portland Art Museum, Centre Georges Pompidou, Museo Rufino Tamayo, Miami Art Museum, FL

Project #0004, Friedrich Petzel Gallery, New York, NY

Vivre sa Vie, Tramway, Glasgow, UK


1999   Le Proces de Pol Pot, Magasin, Grenoble, France

Culbutes, Oeuvre d'impertinence, with Pierre Joseph, Musée d'art Contemporain de Montréal, Canada

Hypothèses de Collection, FRAC PACA, Musée du Luxembourg, Paris, France (cat.)

Esther Shipper, Cologne, Germany

1972, Air de Paris, Paris, France

D'Apertutto, with Pierre Huyghe and Dominique Gonzalez-Foerster, cur. H. Szeemann, Biennale di Venizia, Venice, Italy (cat.)

Dreams, Fondazione Rebaudengo, Venice, Italy

Une histoire parmi d'autres, Collection de Michel Poitevin, Nord-pas-de-Calais, France

Bonne Année!, Air de Paris, Paris, France

Weather Everything, Galerie für Zeitgenössische Kunst, Leipzig, Germany (cat.)


1998   May 98,  Kunsthalle, Cologne, Germany (cat.)

Leibesübungen, Sport und Kunst, Kulturrefat, Munich, Germany

La Table, Air de Paris, Paris, France

Dumbpop, Jerwood Gallery, London, UK. Traveled to Metropolitan University Gallery, Leeds, UK

Air de Paris: Works by and/or Information about, Grazer Kunstverein, Graz, Austria

Aperto, Biennale di Venezia, Venice, Italy


1997   Campo 6, cur. Francesco Bonami, Bonnefanten Museum, Maastricht, The Netherlands

Images, Objets, Scènes, Magasin, Grenoble, France (cat.)

Moment Ginza, Magasin, Grenoble, France

Enter: Artist/Audience/Institution, cur. B. Steiner, Kunstmuseum Luzern, Switzerland (cat.)

Connexions implicites, ENSBA, Paris, France (cat.)

1 minute scénario, cur. J. Sans, Foundation Cartier pour l'art contemporain, Printemps de Cahors. France (cat.)

Verson Originale, cur. Georges Rey

L'Autre, cur. Harald Szeeman, Biennale de Lyon, France. (cat.)

X-squared, with Pierre Hyughe, cur. A. Spiegl, Wiener Secession, Vienna, Austria (cat.)

Identité, Le Nouveau Musée, Villeurbanne, France

Nevermind, Forum Stadtpark, Graz, Austria

Post-Production, Forde, Geneva, Switzerland

Group Show, Robert Prime, London, UK

Immobile, Magasin, Paris, France


1996   Traffic, with Maurizio Cattelan, cur. Nicolas Bourriaud CAPC Bordeaux, France (cat.)

More Time, Less History, cur. Joao Fernandez, Fundacao Serralves, Oporto, Portugal (cat.)

Nach Weimar, cur. K. Biesenbach and N. Schafhausen, Ladesmuseum, Weimar, Germany

Kunstverein, Weimar, Germany (cat.)

Campo 6, cur. Francesco Bonami, Galeriea Civica d'arte Moderna e Contemporanea, Turin, Italy (cat.)

FRAC PACA, Marseille, France

Found Footage, Galerie Gasser Grunert, Cologne, Germany (cat.)

Schipper & Krome, Cologne, Germany

Hide and Seek, cur. Ami Barak, Teddy Kollek Stadium, Malcha, Jerusalem, Israel (cat.)


1995   Volatile Colonies, with Rirkrit Tiravanija, cur. Kendell Geers, Biennale de Johannesburg, South Africa (cat.)

The Moral Maze, with Liam Gillick, Le Consortium, Dijon, France

A Voice Apron, Basilico Fine Arts, New York, NY

Collection, fin Xxième, FRAC Poitou Charentes, Poitiers, France (cat.)

Histoires de l'infâmie, cur. J.Y. Jouannais, 46è Biennale de Venice, Italy (cat.). Traveled to FRAC Auvergne, Mont-Luçon, France

Ripple Across The Water, cur. Jan Hoet, Aoyama, Tokyo, Japan

Rewind, cur. Eric Troncy, City Racing, London, UK

Passions privées, Musée d'Art Moderne, Paris, France (cat.)

Is It Nice?, Centre d'Art Contemporain, Neuchatel, France (cat.)

Fast Forward, Konsthall Malmö, Sweden

Toys, Galerie Jousse-Seguin, Paris, France

Des fourmis dans les jambes, Association Galerie Artem, Quimper, France

L'effect cinema, Musée du Luxembourg, Paris, France

Snow Job, L'Usine, Geneva, Switzerland

Omron on Screen, cur. Henry Bond, London, UK

La Nuit des Heros, Espace Kodak, Paris, France

Le Labyrinthe moral, Le Consortium, Dijon, France

Biennale de Lyon, with Charles de Meaux, Musée d'art Contemporain, Lyon, France (cat.)

Carsten Holler, Philippe Parreno, Rirkrit Triavanija, Studio Guenzani, Milan, Italy


1994   Don't Look Now, Thread Waxing Space, New York, NY (cat.)

The Mdeia & Art Exhibition 94, MMC Studios, Cologne, Germany

Surface de réparations, cur. Eric Troncy, FRAC Bourgogne, Dijon, France (cat.)

Backstage, Kunstmuseum Luzern, Switzerland (cat.)

FRAC Poitou Charentes, Angoulême, France

Nouvelle vague, Musée d'Art Moderne et d'Art Contemporain, Nice, France  (cat.)

Sonne München, Daniel Buchholz, Cologne, Germany

Sogetto-Sogetto, cur. G. Verzotti, Castello di Rivoli, Turin, Italy (cat.)

Résidence secondaire, cur. Nicolas Bourriaud, rue St Nicolas, Paris, France (cat.)

Rudiments pour un musée possible, MAMCO, Geneva, Switzerland

No More Reality versus Zukunft, with C. Höller, Galleri Nicolai Wallner, Copenhagen, Denmark (cat.)

Monaco Grand Prix 94, cur. A. Huber, Monte Carlo, Monaco

Lost Paradise, cur. B. Steiner, Kunstraum, Vienna, Austria

Surface de réparations, cur. Eric Troncy, 2. FRAC Bourgogne, Dijon, France

Try Snaking, with P. Joseph, Air de Paris, Nice, France


1993   L'auberge Espagnole, Villa Arson, Nice, France

Esther Schipper at the Christoper Grimes Gallery, Los Angeles, CA

Domorama La Criée, cur. D. Perreau, Rennes, France

Unité 1, cur. Y. Aupetitallot, Firminy, France (cat.)

Standards, Aperto 93, 45 Biennale de Venizia, Venice, Italy  (cat.)

Le Principe de réalité, Villa Arson, Nice, France (cat.)

Summer 93, Air de Paris, Nice, France

La Peur des Anges, Air de Paris and Galerie Jousse Seguin, Paris, France

Backstage, Kunstverein Hamburg, Germany

Unplugged, cur. Nicolas Bourriaud, Holiday Inn and November TV, Cologne, Germany

Christmasshop, Air de Paris, Paris, France


1992   Il faut construire l'Hacienda, cur. Eric Troncy and Nicolas Bourriaud, C.C.C. Tours, France (cat.)

Cadavre-exquis, with P. Joseph and P. Perrin, Galerie M. Pommier, Tours, France

Molteplici culture: Arte e Critica, Casa della Città, Rome, Italy (cat.)

Tattoo Collection, Galerie Jennifer Flay, Paris, France. Traveled to Galerie Daniel, Buchholz, Cologne, Germany

Group Show, curated by Air de Paris and Urbi et Orbi, Galerie Andrea Rosen, New York, NY

Postcards from Alphaville, PS1, New York , NY (cat.)

That's all… my friends, Galerie Montaigne, Paris, France

Sport & Play, with Pierre Joseph, Gallery Yaki Kornblit, Amsterdam, The Netherlands

Le Dimanche de la Vie, with Pierre Joseph, Galerie Gio Marconi, Milan, Italy

Time Bandits, Fac Simile, Milan, Italy

I, Myself and the Others, with P. Perrin, Magazin, Grenoble, France

Nur 72 Stunden, cur. Christiane Schneider and Petra Stilper, Tiefgarage Bismarckstrabe, Cologne, Germany

Poitou-Charentes, with Pierre Joseph, FRAC Angoulême, France

Tiefgarage, with Pierre Joseph, Cologne, Germany (cat.)


1991   No Man's Time, cur. Eric Troncy & C. Bernard, Villa Arson, Nice, France (cat.)

U-Vision, with Pierre Joseph, B. J. and Dominique Gonzalez-Foerster, Festwochen, Vienna, Austria (cat.)

Topographie II: Underground, Wiener Festwochen, Vienna, Austria

Gang Bang, Air de Paris, Paris, France

Christmas Show, Air de Paris, Nice, France

Real Time, Art Metropole, Toronto, Canada

Vis à Vis, with Pierre Joseph, Le Miroir des Galeries, Anciennement Etablissements Sacrés, Liège, Belgium

French Kiss II, le Retour, APAC, Nevers, France

L'Amour de l'Art, with Dominique Gonzalez-Foerster, B. Joisten and Pierre Joseph, Biennale d'Art Contemporain, Lyon, France (cat.)


1990   The Köln Show, with B. Joisten and Pierre Joseph, Galerie Max Hetzler, Cologne, Germany

French Kiss, cur. Eric Troncy, Geneva, Switzerland (cat.)

Courts-metrage immobiles, with B. Joisten and Pierre Joseph, cur. Nicolas Bourriaud, XVIL Biennale, Prigioni, Venice, Italy (cat.)

Grenoble/ Innsbruck, with Dominique Gonzalez-Foerster, B. Joisten and Pierre Joseph, Galerie im Taxispalais, Innsbrück, Austria (cat.)

Ozone, with Dominique Gonzalez-Foerster, B. Joisten and Pierre Joseph, FRAC Corse, Corsica, France

Les Ateliers du Paradis, with P. Perrin and Pierre Joseph, Air de Paris, Nice, France

Once upon a Time in City Bild…, with Pierre Joseph, Esther Shipper, Cologne, Germany


1989   Il n'y a pas d'Art Francais, PUBLIC no. 4, Cologne; London; New York; Prague

23 images de l'art français, Galerie Trietikov, Moscow, Russia

De l'instabilité, with Dominique Gonzalez Foerster, B. Joisten and Pierre Joseph, Centre National des Arts Plastiques, Paris, France (cat.)

1989, with B. Joisten and Pierre Joseph, CNAC Magazin, Grenoble, France

Jeune Sculpture, with Dominique Gonzalez-Foerster, B. Joisten and Pierre Joseph, Port d'Austerlitz, Paris, France (cat.)

Situation, with B. Joisten and Pirre Joseph, CREDAC, Ivry sur Seine, France (cat.)

Smart Gallery, with Pierre Joseph, Galerie des Archives, Paris, France


1988   Minis, Midis & Maxis, Kunsthaus Palais Thurn und Taxis, Bregenz, Austria

Arena, Galerie im Rathaus, Munich, Germany





2013   The Bride and the Bachelors: Duchamp with Cage, Cunningham, Rauschenberg and Johns - Mise en scène by Philippe Parreno, Barbican Art Gallery, London, UK

2012   Dancing around the Bride: Cage, Cunningham, Johns, Rauschenberg, and Duchamp, Philadelphia Art Museum, Philadelphia, PA (Mise-en-scène)


2007   Zidane: A 21st Century Portrait, with Douglas Gordon, DHC/ART, Montréal

Zidane: A 21st Century Portrait, with Douglas Gordon, Institute of Modern Art, Brisbane

Stories are propaganda, with Rirkrit Tiravanija, Friedrich Petzel Gallery, New York


2005   Rirkrit Tiravanija: Une rétrospective (Tomorrow is another Fine Day), Couvent des Coedeliers, Paris

Briannnnnn & Ferryyyyyy/ Law and Creativity, with Liam Gillick, Kunsthalle Malmö


2004   Rirkirit Tiravanija: No vitrines, no museums, no artists, just a lot of people, with Pierre Huyghe and Maurizio Nannucci, Telecom Italia Future Center, Venice


2003   Sodium Dreams, with D. Gonzales-Foerster & P. Huyghe, Center for Curatorial Studies Museum, Bard College, Annnandale-on-Hudson

Pardo/Parreno, Air de Paris

No Ghost, Just a Shell, with Pierre Huyghe, Van Abbemuseum, Eindhoven


2002   No Ghost Just a Shell, with Pierre Huyghe and Philippe Parreno: Institute of Visual Culture, Fitzwilliam Museum, Cambridge (cat.)

No Ghost, Just a Shell, Kunsthalle Zürich

No Ghost, Just a Shell, San Francisco Museum of Modern Art, San Francisco

A smile without a cat, with Pierre Huyghe, cur.  S. Antelo-Suarez, Art Basel Miami Beach

Jorge Pardo, Philippe Parreno, 1301PE, Los Angeles


2001   No Ghost Just a Shell, with Pierre Huyghe and Dominique Gonzalez-Foerster, Museum Boijmans van Beuningen, Rotterdam

In many ways the exhibition already happened, Pierre Huyghe, M/M, Philippe Parreno, R&Sie, Institute of Contemporary Artsa, London

EGOFUGAL, Tokyo Opera City Art Gallery, Tokyo (cat.)

Animations, PS1, Long Island City

Dominique Gonzales-Foerster, Philippe Parreno, Pierre Huyghe, Kunstverein in Hamburg

Cafe Costes, Cafe design with M/M Paris and Pierre Huyghe

Canal Bourgogne, architectural project with François Roche

Annlee, proposal for a TV series with Pierre Huyghe


2000   Kunstverein Hamburg, with Dominique Gonzalez-Foerster and Pierre Huyghe

Ann-Lee in Anzen Zone, A film by Dominique Gonzalez-Foerster presented by Pierre Huyghe and Philippe Parreno, Galerie Jennifer Flay, Paris

Tramway, Glasgow, with Pierre Huyghe

06.00 PM, with Pierre Huyghe, San Francisco Art Institute, San Francisco

No Ghost Just a Shell: Annlee, with Pierre Huyghe


1999   D'Apertutto, with Pierre Huyghe and Dominique Gonzalez-Foerster, curated by H.  Szeemann, Biennale de Venise, Venice (cat.)

Vicinato 2, with Liam Gillick, Douglas Gordon, Carsten Höller, Pierre Huyghe and Rirkrit Tiravanija

Le Pont du trieur, documentary written and directed with Charles de Meaux, film 35mm, 70 minutes


1998   Le Procès de Pol Pot, with Liam Gillick, CNAC Magasin, Grenoble

Group Monography, with Pierre Huyghe and Dominique Gonzalez-Foerster, Musée d'art moderne de la Ville de Paris, Paris (cat.)

What A Strange Game Where The Only Winning Move Is Not To Play, project for a public site with François Roche


1997   X-squared, Anna Sanders magazine, with Pierre Hyughe, curated by A. Spiegl, Wiener Secession, Vienna (cat.)


1996   Vicinato, film with Carsten Höller and Rirkrit Tiravanija, Raum Aktueller Kunst, Vienna

Temporary School, with Dominique Gonzalez-Foerster and P. Huyghe, Université de Paris VIII, Paris, and Ulmö

La Dolce Utopia, with Maurizio Cattelan, curated by Nicolas Bourriaud, CAPC Bordeaux (cat.)


1995   Vicinato, film with Carsten Höller and Rikrit Tiravanija, Studio Guenzani, Milan

Cinemascope, with Rirkrit Tiravanija, curated by Kendell Geers, Biennal, Johannesburg (cat.)

The Moral Maze, with Liam Gillick, Le Consortium, Dijon


1994   No More Reality versus Zukunft, with Carsten Höller, Galleri Nicolai Wallner, Copenhagen (cat.)

Innocent et emprisonné: "mais ce que avez contre moi, c'est que j'ai abandonné mon premier amour", with Carsten Höller, Air de Paris, Paris


1992   Publico di merda, with P. Perrin, Magazin, Grenoble

Snaking, film and exhibition with Pierre Joseph, Air de Paris, Nice


1991   La Vérité: L'Amour de l'Art, with P. Joseph, D. Gonzalez-Foerster and B. Joinsten, Biennale, Lyon, France

Try Snaking, with P. Joseph, Air de Paris, Nice


1990   Ozone, with D. Gonzalez-Foerster, B. Joisten and P. Joseph, FRAC Corse, Corte

Les Ateliers du Paradis, with P. Perrin and P. Joseph, Air de Paris, Nice

Once upon a time in City Bild..., with P. Joseph, Esther Shipper, Cologne

How We Gonna Behave, with B. Joisten and P. Joseph, Galerie Max Hetzler, Cologne (cat.)

Composit, with B. Joisten and P. Joseph, curated by Bourriaud, XVILè Biennale, Prigioni, Venice


1989   Ozone, ith Dominique Gonzalez-Foerster, B. Joisten and Pierre Joseph, APAC Nevers, France

Ozone, with Dominique Gonzalez-Foerster, B. Joisten and Pierre Joseph, Köln Messe and Esther Schipper, Cologne

Smart Gallery, with Pierre Joseph, Galerie des Archives, Paris

Video Ozone, with D. Gonzalez-Foerster, B. Joisten & P. Joseph, Centre National des Arts Plastiques, Paris (cat.)

Hyper Hyper, with D. Gonzalez-Foerster, B. Joisten  and P. Joseph, Port d'Austerlitz, Paris

Composit, with B. Joisten and P. Joseph, CREDAC, Ivry sur Seine

Siberia, with B. Joisten and P. Joseph, CNAC Magazin, Grenoble





2001   Untitled, 2001


2000   Vicinato II, film with Carsten Höller, Pierre Huyghe, Liam Gillick and Douglas Gordon, 35 mm transferred onto DVD, 11.30 minutes, 2000

Credits, 35 mm film transferred onto DVD, 2000

anywhere out of the world 2000, 3D animation transferred onto DVD, 4 minutes, 2000


1999   Le pont du trieur, documentary with Charles de Meaux, 35mm, 74 minutes, 1999


1998   Some products, video music, Dave Stewart, Eligible Music, 3.10 minutes, 1998


1995   L'homme public, video, compilation of films and performances with Yves Lecoq, 19 minutes, 1995

Vicinato I, film with Carsten Höller and Rikrit Tiravanija, 16mm, B&W, 12 minutes, 1995


1994   La nuit des heros, film, 35mm, 13 minutes, 1994

Anna, vidéo, 4 minutes, 1994


1992   Snaking, film with Pierre Joseph, super 8 transferred on video, 3.07 minutes, B&W, 1992


1991   No more reality lecture, video, 38 minutes, 1991

No more reality, a demonstration, 4 minutes, 1991


1987   Flowers, CANAL+, 30s, 1987





2004   "The Artists' Artists." Artforum International December 2004: 74.


2001   "Speech Bubbles." les presses du réel 2001.

"Björk." Björk. New York: Bloomsburry, 2001.

Riemschneider, Burkhard and Uta Grosenick, eds. Icons, Art Now. Cologne: Taschen, 2001.


2000   "Monter-Sampler, Scratch." Cinéma-Musique. Paris: Centre-Pompidou 2000.

Bony, Anne, ed. "Les années 90." Editions du Regard 2000.

"La séquence de spectateur." Douglas Gordon Art Press no. 255 March 2000.

"It's Me And the System." Jorge Pardo Catalogue. Ostfildern: Hatje Cantz, 2000.

"My Days Are Shorter than Your T-Shirt." Olafur Eliason. Catalogue. Wolfsburg: Kunstmuseum Wolfsburg, 2000.


1999   "Evidence To Be Submited to the Free Time Legacy." Pierre Huyghe Catalogue. Munich: Kustverein Munchen, 1999.

Cream. London: Phaidon, 1999. 26-28.

Art at the turn of the millennium. Cologne: Taschen, 1999. 378-381.

Xsquared. Vienna: Wiener Secession, 1999.


1998   Paris: Musée d'Art Moderne de la Ville de Paris, 1998.

Enter. Lucerne: Kunstmuseum Luzern, 1998. 32-35.


1997   "Anna Sanders." L'histoire d'un sentiment July 1997.

Campo O6. Turin: Fondazione Sandretto Re Rebaudengo, 1997.

Projet 8. Soeul: Total Museum of Contemporary Art, 1997. 46-50.


1996   More Time Less History. Porto, Fundaçao Serralves, 1996.

Vincinato, film transcription, with Carten Höller and Rirkrit Tiravanija. London: GW, 1996.

Une exposition serait-elle un cinéma sans caméra? Libération 27-28 May 1995. English version, Paletten no. 223 March 1996.


1995   Surface de reparations. Dijon: Frac Bourgogne, 1995.

Infamie. Paris: Hazan, 1995. 64-67.

Collection Xxème siècle. Angoulême: Frac Poitou Charentes, May 1995.

NICAF, Air de Paris and AFAA, March 1995.

Traffic. Bordeaux: CAPC, February 1995.

"I'm Not A Customer, I'm A Passenger." Documents no. 7 March 1995.

Snow dancing. London: GW, 1995. 53 pages.


1994   "Time Factor." Documents no. 6 October 1994: 22-23.

Video, Prime Time no. 0 Dijon November 1994.

Soggetto-Soggetto. Milaon: Charta, 1994.

"No More Reality." Zapp video magazine no. 1 March 1994.

Nouvelle Vague. Nice: MAMAC, 1994. 51-57.


1993   Troncy, Eric, ed. ZUP. Val de Reuil: Centre d'Art et Jardin, 1993.

"General idea." Documents no. 4 October 1993.

"Snaking." Zapp video magazine no. 0 December 1993.

Backstage. Hamburg: Kunstverein im Hamburg & Kunstmuseum Luzern, 1993.

"Aperto 93." Flash Art Summer 1993.

Venice Biennale Catalog. Venice: The Venice Biennale, 1993.

Principe de réalité. Nice: Villa Arson, 1993.


1992   "Fear of Angels." Documents no. 1 October 1992.

"On ne peut plus s'installer devant une image comme au temps du 1er degree." Documents no. 0 March 1992.

ARC. With Dominique Gonzalez-Foerster, Pierre Huyghe and Philippe Parreno.

Le Dimanche de la vie. Milan: Gio Marconi, 1992.

Il faut construire l'Hacienda. Tours: C.C.C., 1992.


1991   L'Amour de l'Art. Lyon: Biennale de Lyon, 1991.

No Man's Time, Nice: Villa Arson, 1991.

Nachschub, The Köln Show. Cologne: Spex, 1991.


1990   French Kiss. Geneva: Halle Sud, May 1990.

Courts métrages immobiles. Paris: AFAA, May 1990.


1989   File last issue Toronto 1989.





2012   Azimi, Roxana. "Le fantôme de Marilyn hante la Fondation Beyeler." Le Quotidien l'Art no. 178 27 June 2012: 3 (ill).

Bétard, Daphné, Françoise Chaloin, and Maureen Marozeau. "Art et cinéma." Le Journal des Arts no. 369 11-24 May 2012: 17-21.

Lavrador, Judicael. "Le chef-d'ouevre ultime désacralisé." Beaux Art Magazine no. 333 March 2012: 57.

Lequeux, Emmanuelle. "A la Fondation Beyeler, son compère Philippe Parreno joue une mélodie en sous-sols." Le Monde 19 June 2012: 25.

Lequeux, Emmanuelle. "Avec Philippe Parreno dans la forêt obscure." Beaux Arts Magazine September 2012.

Lequeux, Emmanuelle. "Philippe Parreno." Art Press no 393 October 2012: 20.

Lequeux, Emmanuelle. "Questionner ce qui survit à l'image." Le Quotidien l'Art no. 178 27 June 2012: 1-2.

"The Show Must Start." L'officiel Art no. 2 June-July-August 2012: 44.

Tiravanija, Rirkrit. "The Artists' Artists Best of 2012 ." Artforum December 2012: 108, cover.

Troncy, Eric. "Consécration." Numéro Hot no. 134. June-July 2012: 168-171 (ill).

Troncy, Eric. "Dominique Gonzalez-Foerster, Richard Phillips, Philippe Parreno, Bâle." Frog no. 11 2012: cover, 93-96.


2011   Macel, Chrisitne. "Best of 2011." Artforum December 2011: 199.

Prince, Mark. "Philippe Parreno, the Serpentine." Art in America May 2011: 175.

Verzotti, Giorgio. "Philippe Parreno, Pilar Corrias/Serpentine Gallery." Artforum March 2011.

Ward, Ossian. "Philippe Parreno, Serpentine Gallery, London." The Independent 28 November 2011.


2010   Béghin, Cyril. "Le rêce d'une chose." Cahiers du Cinéma no. 658 July-August 2010: 76-83 (ill).

Béghin, Cyril. "Philippe Parreno, une autre réalité." Cahiers du Cinéma no. 661 November 2010: 37-38 (ill).

Bounakoff, Pierre-Nicolas. "Philippe Parreno." Frog no. 9 2010: 229-244 (ill).

Dreyfus, Jeanne. "Philippe Parreno." Frog no. 9 2010: 55-57 (ill).

Dusart, Benoit. "Du Foot Comme Métaphor(s)." Art Meme no. 47 2010: 30-31.

Howe, David Everitt. "The Space Between Reference and Regret." ArtReview issue 46 December 2010.

Jeffries, Stuart. "Philippe Parreno: timing is everything." The Guardian 15 November 2010.

Kunitz, Daniel. "Flying Solo." Modern Painters October 2010: 62-67 (ill).

M.,S. "La redefinition de la notion d'auteur et de la propriété intellectuelle." Beaux Arts Magazine no. 309 March 2010: cover, 57 (ill.)

Parreno, Philippe. "Do You Believe in Ghosts?" Kaleidoscope issue 8 Fall 2010: 188.

Smith, Roberta. "Art? Life? Must We Choose?" The New York Times 2 July 2010: C21-25 (ill).

Waters, Florence. "Philippe Parreno, Serpentine Gallery, review." The Telegraph 30 November 2010.


2009   Azimi, Rozzana. "Philippe Parreno." Le Journal des Arts 29 May 2009: 39-40.

Béghin, Cyril. "Train d'images." Les Cahiers du Cinéma no. 648 September 2009: 58-59 (ill).

Buhr, Eric. "Philippe Parreno." Monopol 1 July 2009 (ill).

C.C., A. "Une expérience d'art." L'express Styles 25 June 2009: 27 (ill).

Cena, Olivier. "Ça fait pschitt…" Télérama 24 June 2009: 51 (ill).

Colard, Jean-Max. "Intelligence Collective." Les Inrockuptibles 9 June 2009: 34-37 (ill).

Durand, Régis. "Philippe Parreno: brouillage des limites." Art Press 1 June 2009: 42-49 (ill).

Fiduccia, Joanna. "Philippe Parreno: Relational Retrospecitve." Kaleidoscope issue 2 Summer 2009: 36 (ill).

Fourgeaud, Nicolas. "L'hypothèse du spectacle émancipateur." Art 21 no. 23 Summer 2009: cover, 12-19 (ill).

Gerard, Bartholomé. "Parreno suit son train." Libération 29 June 2009: 32.

Gillick, Liam. "A Single Piano Note and a Giant Snowflake." Parkett no. 86 2009: cover, 146-155,  (ill).

Herbert, Martin. "Philippe Parreno's Moving Targets." Kaleidoscope issue 3 September-October 2009: 66-70 (ill).

Jaumouillé, Laure. "Un art de l'étrangeté." Zerodeux vol. 2 no. 51 Autumn 2009: 36-40 (ill).

Kelsey, John. "theanyspacewhatever." Artforum March 2009: 234, 236-237 (ill).

Lequeux, Emmanuelle. "Philippe Parreno s'invente une biographie en images." Le Monde 11 June 2009 (ill).

Macel, Christine. "Best of 2009." Artforum December 2009: 174 (ill).

McDonough, Paul. "Philippe Parreno." Artforum November 2009: 220-221 (ill).

Moisdon, Stéphanie. "Parreno à Beaubourg: Une exposition comme un voyage initiatique." Beaux Arts Magazine May 2009: 66-71 (ill).

Obrist, Hans Ulrich. "A Polyphonic Conversation." Parkett no. 86 2009: cover, 163-168 (ill).

Ostende, Florence. "Show Control." 2027 no. 3 2009: 129-147 (ill).

Parreno, Philippe. "Edition for Parkett." Parkett no. 86 2009.

Ramade, Bérénice. "Voyage dans le temps." L'oeil June 2009: 86.

Reneau, Olivier. "Electron libre." Air France Madame no. 130 June-Jully 2009: 154-157 (ill).

Schmidt, Jason. "Work in Progress." V Magazine no. 59 Summer 2009.

Sharp, Chris. "Philippe Parreno." ArtReview no. 34 September 2009: 135 (ill).

Sholis, Brian. "theanyspacewhatever ." Afterall 5 February 2009.

Stillpass, Zoe. "Back to the Future." Parkett no. 86 2009: cover, 156-159 (ill).

Trembley, Nicolas. "Les jeux de l'art." Numéro 1 August 2009: 40-43 (ill).

Von Burg, Dominique. "Philippe Parreno." Kunst Bulletin July-August 2009: 70-71 (ill).


2008   Aguirre, Peio. "Modelos de cine." Art & Co. no 3 summer 2008: 23-25 (ill).

Doyle, Jennifer. "Fever Pitch." Frieze no. 116 July-August 2008: 29-30 (ill).

"Gros plan sur Zidane." Le Figaro online 16 December 2008.

Gunti, Claus. "Le réalité remise en question: le statut de lim'age dans l'oeuvre de Philippe Parreno." Décadrages no. 13 Autumn 2008: 31-40 (ill).

Lebovici, Elisabeth. "Autant en Emporte le Temps." Art Press no. 342 February 2008: 57-60 (ill).

Macel, Christine. "Best of 2008." Artforum December 2008.


2007   Bailly, Bérénice. "Philippe Parreno marionette d'un ventriloque." Le Monde 17 February 2007: 27.

Birnbaum, Daniel and Martin Herbert. "The Postman Rings Twice." Artforum September 2007: 97-98.

Dahan, Alexis and Olivier Zahm. "Philippe Parreno." Purple Fashion issue 8 Fall-Winter 2007-2008: 120-133 (ill).

Funcke, Bettina. "Displaced Struggles." Artforum March 2007: 282-286 (ill).

Kitnick, Alex. "Philippe Parreno and Rirkrit Triavanija." Time Out April 2007.

Mulholland, Neil. "Il Tempo del Postino." Flash Art no. 256 October 2007: 67.

Orbist, Hans Ulrich. "Portrait of the Artist as a Blogger." Janus no. 21 January 2007: 16-21.

Rappolt, Mark. "Il Tempo del Postino: Playing for Time." ArtReview issue 14 September 2007: 52-61 (ill).

Spector, Nancy. "Time Frame." Frieze no. 110 October 2007: 27.

Wtterwalkd, Elisabeth. "What Do You Believe, Your Eyes or My Words?" Semaine no. 156 November 2007.


2006   Blom, Ina. "Lamps, Televisuality and Biopolitics: Introductory comments to another history of video art." Verksted no. 8 2006: 167-183.

Derieux, Florence. "Parreno's puppet." Flash Art November-December 2006: 46.

Dupuis, Dorothée. "Les plus belles image sont celles que je me suis porjetées dans la tête: Entretien avec Philippe Parreno." Les cahier du MNAM no. 97 Autumn 2006: 85-93 (ill).

Föll, Heike. "L'oduer de cinema." Text zur Kunst no. 64 December 2006.

Fried, Michael. "Absorbed in the Action." Artforum September 2006: cover, 332-335 (ill).

Griffin, Tim. "The Job Changes You." Artforum September 2006: cover, 336-339 (ill).

Kopp, Céline. "Philippe Parreno and Rirkrit Tiravanija." Again For Tomorrow. London: Royal College of Art, 2006. 40.

Moisdon, Stéphanie. "Eden Roc." Frog no. 4 Autumn-Winter 2006: 200-201.

Orbist, Hans Ulrich. "21st Century Portrait." Spike no. 8 Summer 2006: cover, 52-59 (ill).


2005   Birnbaum, Daniel. "The Lay of the Land: An Experiment of Art and Community in Thailand." Artforum Summer 2005: 270-274  (ill).

Comer-Greene, Rachel. "Philippe Parreno: The Boy from Mars." Time Out New York 21-27 April 2005.

Davis, Ben. "Philippe Parreno." ArtReview June 2005: 107 (ill).

Lack, Jessica. "Philippe Parreno." I-D Magazine May 2005: 68-70 (ill).

Verini, James. "Gossip, It Seems Now Is Unprintable." The New York Times 27 February


Wang, Michael. "Right Stuff." Artforum online 6 April 2005.

"1000 words." Artforum February 2005: 144-145.


2004   Birnbaum, Daniel. "Philippe Parreno in Best of 2004: 13 Critics and Curators Look at the Year in Art." Artforum International December 2004: 160-161 (ill).

Endter, Heike. "Hin und weg." Die Tageszeitung 2 February 2004: 17.

"Expositiones Europa: Philippe Parreno." Exit Express no. 1 February 2004.

Hauffen, Michael. "Philippe Parreno: Fade Away." Springerin vol. X no. 11 Spring 2004.

Lind, Maria. "Fade Away." Kunstverein München Spring 2004: 2-8.

Morton, Tom. "Team spirit, Tom Morton talks to Philippe Parreno." Frieze March 2004: 49, 80-85.

Oliv, Freida. "Blasses Leuchten im Kunstverein." Münchner Merkur Kultur January 2004: 17-18.

Obrist, Hans Ulrich. "Utopie en Herbe." Mixte October-Novembre 2004: 92-93 (ill).

Rühle, Alex. "Krieg mich, wenn du kannst." Sueddeutsche Zeitung 17-18 January 2004.

"Schirn Kunsthalle Frankfurt: 3." September 2004.

Siegel, Katy and Paul Mattick. Money. London: Thames and Hudson, 2004.

Sholis, Brian. "White Noise." Artnet June 2004.

Sozanski, Edward. "Much Ado About Nothing." The Philadelphia Inquirer 9 May 2004.

Sterling, Bruce. "The Boy From Paris." Domus May 2004: 48-49.

Tschida, Anne. "Living the Moment." Loft: The Art Issue December 2004: 32-35 (ill).

"Ungewohnt gewöhnlich." Süddeutsch Zeitung Extra January 2004: 15-21.

21st  Century Museum of Contemporary Art, Kanazawa. Brochure for opening. 2004.


2003   AVANT. Lyon: 7e Biennale D'Art Contemporain de Lyon, 2003. 146f.

Coollustre - Weather Everything Dramatically Different. Avignon: Collection Lambert, 2003.  78, 79-80, 119, 186-187, 228-229.

Drolet, Owen. "Philippe Parreno at Friedrich Petzel Gallery." Flash Art no. 231 July-September 2003: 117.

Hill, Joe. "New York: Friedrich Petzel Gallery: Philippe Parreno: Alien Seasons." Contemporary issue 53&54 2003: 111.

Johnson, Ken. "Hanukkah With Neon Bulbs on a Grid." The New York Times 3 January 2003

Laster, Paul. "Philippe Parreno: Alien Seasons." no.154 20 May 2003.

Morton, Tom. "Pierre Huyghe, Bon voyage." Frieze issue 74 April 2003: 59f.

Morton, Tom. "Negociations et Chants d'Amour." The In-Between. Paris: Forma and Les Presses du Reel, 2003.

Nobel, Philip. "Sign of The Times." Artforum January 2003: cover, 104-111.

"Philippe Parreno." It Happened Tomorrow. Lyon: Lyon Biennale, 2003. 37.

"Philippe Parreno." The New Yorker 26 May 2003: 20.

Scanlon, Jessie. "A Star is Born." Wired January 2003: 64.

Smith, Roberta. "Philippe Parreno." The New York Times 23 May 2003: E36.

Sundell, Margaret. "Second Nature." Time Out New York 22-29 May 2003: 74.

Violette, Robert, ed. "Studio Philippe Parreno." Tate January-February 2003: 49-53.


2002   "Annlee steigt in den Kunsthimmel auf." Schweizer Illustrierte no. 34 19 August 2002.2.

Bakke, Erik, ed. "Exhibition Preview." NY Arts International vol. 7 no. 6 2002: 60.

"Besprekingen: Parreno." Metropolis M no. 4 2002: 49-53.

Birnbaum, Daniel. "Best of 2002 # 7." Artforum December 2002: 118-119.

Colard, Gjean-Max. "Preview: Philippe Parreno." Artforum May 2002: 80.

"Das Mädchen 'Annlee' und Henry Dargers 'Vivian Girls.'" Neue Luzerner Zeitung 29 August 2002.

Eshun, Ekow. "In Many Ways The Exhibition Has Already Happened." Contemporary February 2002: 92-93..

Grosenick, Uta, and Burkhard Riemschneider. "Art Now." Taschen 2002: 376-379.

Heather, Rosemary. "Liam Gillick." Border Crossings vol. 21 no. 83 August 2002: 80.

Heiser, Jörg. "Istanbul Biennial." Frieze no. 64 January-February 2002: 92.

"Hingehen." Sonntags Zeitung 18 August 2002.

Jones, Ronald. "Food für Thought." Artforum October 2002: 39.

"Kunsthalle Zurich No Ghost Just a Shell Bis 27.10.2002." Praxis no. 37 11 September 2002.

Lane, Mallery R. "Seducing Paris, a Café at a time." The New York Times 28 March 2002.

Lequeux, Emmanuelle. "Parrenoïaque." Le Monde Aden 29 May-4 June 2002: cover, 2.

Liebs, Holger. "Frueher oder spaeter kriegen sie dich." Sueddeutsche Zeitung 8 November 2002.

McFarland, Dale. "In Many Ways the Exhibition Already Happened." Frieze no. 65 March 2002: 90-91.

Nabakowski, Gislinde. "Philippe Parreno." Art Press no. 278 April 2002

"No Ghost Just a Shell." Accrochages no. 41 October 2002.

"No Ghost Just a Shell." NZZ Ticket August 2002.

Nobel, Philip. "No Ghost, Just a Shell: The Ann Lee Project." Artforum September 2002: 98.

Nuridsany, Michel. "Philippe Parreno, artiste du 3e type." Le Figaro 7 June 2002.

Obrist, Hans Ulrich. "The Tale of The One Thousand Signs." Parkett no. 66 2002: 141-155.

Parreno, Philippe, Laurence Bossé, Hans Ulrich Orbist, et al. Alien Affection. Paris: ARC/Musée d'Art moderne de la Ville de Paris, 2002.

"Philippe Parreno." La Lettre de Cologne  no. 114 May 2002.

"Philippe Parreno." Les Inrockuptibles vol. 4 issue 11 no. 335 22-28 May 2002.

"Portrait d'Artiste: Philippe Parreno." L'Oeil no. 537 June 2002: 26f.

Rongier, Sébastien. "Ann Lee, Image Rebelle." Art Presence no. 42 April-June 2002. Robinson, Walter. "Maximum Miami." 6 December 200

"Philippe Parreno." Frame vol. 4 issue 11 April-May 2002.

Sailer, Alexia. "Multimediales Manga-Märchen." Südkurier 28 August 2002.

Steiner, Urs. "Göre ohne Seele." Neue Zürcher Zeitung 3 September 2002.

Vendrame, Simona. "News & Around." Tema Celeste no. 94 November-December 2002: 113.

von Burg, Dominique. "Die Identität einer digitalen Figur." Zürichsee-Zeitung 17 September 2002.

Werner, David. "Kunstmuse Annlee ist virtuell." Blick 28 August 2002.


2001   "Art, Education et Fiscalité." Connaissance des Arts no. 579 January 2001.

Basilico, Stefano. "Philippe Parreno, One Thousand Pictures Falling from One Thousand Walls." Time Out New York no. 293 3-10 May 2001: 69.

Blake, Nayland. "Happening Art." Interview Magazine photo Karl Lagerfield October 2001: 94.

Buchloh, Benjamin H.D. "Control, by Design." Artforum September 2001: 162-163.

Cotter, Holland. "Philippe Parreno." The New York Times 27 April 2001.

Dupont, Véronique. "Art Attack." Jalouse November 2001: 71.

Jetzer, Gianni. "Tausend Bilder zum guten Geschmack." Frame no. 6 March-April 2001.

Lindgaard, Jade. "La Métamorphose." Les Inrockuptibles no. 274 23-29 January 2001.

Mahoney, Robert. "Philippe Parreno at Friedrich Petzel." Art in America September 2001: 151.

Moore, Lucy. "Little Girl Lost." Varsity 5 November 2001.

Perret, Mai-Thu. "Philippe Parreno MAMCO Geneva." Frieze issue 51 March 2001: 110.

"Preview." Artforum September 2001.

"Public Relations: Bennett Simpson talks with Nicolas Bourriaud." Artforum April 2001: 47-48.

Reneau, Olivier. "Une Star est Née." Le Journal du Centre National de la Photographie July-August 2001.

Régnier, Philippe. "Un manifeste encore en devenir." Le journal des arts no. 118 5-8 January 2001.

Rivoire, Annick. "Produire une idée à partir de l'image." Liberation no. 38  July 2001. Summers, Francis. "Art For Hire." Sleazenation vol. 4 issue 11 December 2001.

"Top 10 Inez van Lamsweerde." Artforum April 2001: 52.

Vendrame, Simona, ed. "France in London." Tema Celeste no. 89 January-February 2001: 112.

Vergne, Philippe. "Philippe Parreno, la représentation en question." Art Press no. 64 January 2001: cover, 22-28.


2000   Büssing, Nicole, and H. Klaas. "Der Künstler als Produktkpirat." Neue Osnabrücker Zeitung 10 November 2000.

Copeland, Mathieu. "Le multimedia & l'art contemporain." Studio multimedia no. 28 November 2000: 36-37.

"Die Bilder denken Sie sich jetzt bitte selbst dazu." Die Welt 10 November 2000.

Inkster, D. "Défense de la lecture le procès de Pol Pot." Art Press no. 21 2000.

Poli, Francesco. "Philippe Parreno, Air de Paris." Tema Celeste no. 82 2000.

Restany, P. "The Other Side of Art." Domus no. 822 January 2000: 81-86.

Troncy, Eric. "No Ghost, just a shell." Art Press no. 260 September 2000: 82-83.


1999   Ardenne, P. "Le Procès de Pol Pot selon Gillick & Parreno." Visuel  8 July 1999: 11-15.

Gillick, Liam. "Le Procès de Pol Pot." MAG October 1999: 4-5.


1998   "Avant-première." Les Inrockuptibles 14-20 October 1998.

"Interview mit Philippe Parreno." Kunstmuseum Luzern May 1998.

Lindgaard, J. "Billard à trois bandes à part." Aden 28 October-3 November 1998.

Troncy, Eric. "La fabrique du reel." Beaux Arts no. 174 November 1998: 46-51.


1997   Bourriaud, Nicolas. "Le réalisme opératoire." Parachute no. 85 January-March 1997: 8-10.

"Philippe Parreno, The Audience is Listening." Le Printemps de Cahors 1997: 65.

Schmidt-Wulffen, Stephan. "Kunst ohne Publikum." Kunstverein Hamburg April 1997.


1996   Hahn, C. "Review." Bloc Notes no. 13 June 1996: 101.

Larsen, B. "Traffic." Flash Art no. 189 Summer 1996: 126-127.

Parreno, Philippe and Nicolas Bourriaud. "Correspondences." Paletten no. 223 March 1996.

Restany, P. "New Orientations in Art." Domus no. 788 December 1996: 88-92.


1995   Bourriaud, Nicolas. "Virtualité Réelle." Art Press no. 208 December 1995.

Jarton, C. "Philippe Parreno, éduquer et subvertir." Beaux Arts no. 131 February 1995: 102.

Troncy, Eric. "Le Consortium, NZET Projekt." Art Press no. 201 April 1995: 77.

Verzott, G. "Review: Philippe Parreno, Schipper & Krome." Artforum Fall 1995.

Schiff, Hajo. "Traum von Kunst." Taz Hamburg 4 May 1995.


1994   Magda, P. "La nuit des héros." Art Press no. 191 May 1994: 75.

Perreau, D. "Les années 90, expositions paradoxales." Artefactum 3 January 1994: 12-15.

Saint-Jacques, C. "Höller and Philippe Parreno." Le journal des expositions no. 13 February 1994.

Troncy, Eric. "Air de Paris, Carsten Höller and Philippe Parreno." Flash Art Fall 1994: 104.

Troncy, Eric. "Disengagement." Art Monthly no. 174: cover, 15.

Troncy, Eric. "Inter-activity." Documents Fall 1994: 24.

Troncy, Eric. "It is Alive!" Flash Art Summer 1994.

Viéville, Mollet. "La nuit des héros." Sans Titre no. 26, 1994.


1993   Blasé, C. Kunstbulletin July 1993.

"Gonzalez-Foerster, and B. Joisten: It's more like Post-Art." Purple Prose no. 3 Summer 1993: 24.

Jouannais, J.Y. "Unité." Art Press no. 182 July-August 1993: 80.

Nuridsany, M. "Adoré hier, insulté aujourd'hui, l'art contemporain est-il détestable?" Le Figaro 26 January 1993.

Perrin, F. "Le Principe de réalité." Flash Art no. 173 November-December 1993: 10.

"Trends der Neunziger." Focus July 1993: 66.

Troncy, Eric. "Project Unité." Flash Art no. 172 October 1993.

Zahm, O. "Philippe Parreno." Purple Prose no. 4 October 1993.


1992   "Interview with Philippe Parreno." Documents March 1992.

"La peur des anges." Documents no. 1 October 1992.





Solomon R. Guggenheim Museum, New York

Musée d'Art Moderne de la Ville de Paris, Paris

MNAM, Centre Pompidou, paris

Contemporary Art Museum Kanazawa, Japan

EVN AG Colelction, Wien

Walker Art Center, Minneapolis

Fonds National d'Art Contemporain, Puteaux

Musée d'Art Contemporain, Lyon

CIRVA, Marseille

Landesbank Baden-Württemberg, Stuttgart

Fondazione Sandretto re Rabaudengo, Torino

Fonds Régional d'Art Contemporain Languedoc Roussillon, Montpellier

Fonds Régional d'Art Contemporain PACA, Marseille

Fonds Régional d'Art Contemporain Nord Pas de Calais, Dunkerque

Fonds Régional d'Art Contemporain Poitou Charentes, Angoulême